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A Cigarette-Maker S Romance

Autor F. Marion Crawford
en Limba Engleză Paperback – 8 mar 2010
F Marion Crawford was born in 1854 in Italy. He lived in New England and in 1879 he moved to India. He later returned to the United States to study Sanskrit at Harvard. He wrote over 40 romances, but is best known for his stories of horror and the occult. This romance begins," The inner room of a tobacconist's shop is not perhaps the spot which a writer of fiction would naturally choose as the theatre of his play, nor does the inventor of pleasant romances, of stirring incident, or moving love-tales feel himself instinctively inclined to turn to Munich as to the city of his dreams. On the other hand, it is by no means certain that, if the choice of a stage for our performance were offered to the most contented among us, we should be satisfied to speak our parts and go through our actor's business upon the boards of this world. Some would prefer to take their properties, their player's crowns and robes, their aspiring expressions and their finely expressed aspirations before the audience of a larger planet; others, perhaps the majority, would choose, with more humility as well as with more common sense, the shadowy scenery, the softer footlights and the less exigent public of a modest asteroid, beyond the reach of our earthly haste, of our noisy and unclean high-roads to honour, of our furious chariot races round the goals of fame, and, especially, beyond the reach of competition."
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Specificații

ISBN-13: 9781438534619
ISBN-10: 1438534612
Pagini: 150
Dimensiuni: 191 x 235 x 8 mm
Greutate: 0.27 kg
Editura: Book Jungle

Notă biografică

Francis Marion Crawford (1854 - 1909) was an American writer noted for his many novels, especially those set in Italy and for his classic weird and fantastic stories. H. Russell Wakefield, in an essay on ghost stories, called Crawford's "The Upper Berth" "the very best one" of such stories. Norman Douglas credits Crawford's financial success as instrumental in encouraging himself to write (though he remained critical of Crawford's habit of inserting first-person editorial comments into his fiction).