A Companion to Rock Art: Wiley Blackwell Companions to Anthropology
Autor J McDonalden Limba Engleză Hardback – 9 aug 2012
- Summarizes the diversity of views on ancient rock art from leading international scholars
- Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world
- Examines key work of noted authorities (e.g. Lewis–Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research
- Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe
- Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses
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Specificații
ISBN-13: 9781444334241
ISBN-10: 1444334247
Pagini: 714
Dimensiuni: 180 x 259 x 40 mm
Greutate: 1.27 kg
Ediția:New.
Editura: Wiley
Seria Wiley Blackwell Companions to Anthropology
Locul publicării:Chichester, United Kingdom
ISBN-10: 1444334247
Pagini: 714
Dimensiuni: 180 x 259 x 40 mm
Greutate: 1.27 kg
Ediția:New.
Editura: Wiley
Seria Wiley Blackwell Companions to Anthropology
Locul publicării:Chichester, United Kingdom
Public țintă
Undergraduate and postgraduate courses in art history, anthropology, archaeology, comparative art and archaeology; specifically, prehistoric archaeology, rock art, primitive or prehistoric art, and primitive religionsDescriere
Rock art, both as art and as a record of human endeavor and artistry, evokes a personal response as well as a scientific one. Its geographic range is vast with innumerable discoveries from the deserts of Australia to the limestone caves of the Pyrenees; from the heights of the Andes to the fjords of Scandinavia. The number and diversity of sites, and how we approach them using archaeological and art historical perspectives, provides a rich landscape of ideas and narrative frameworks.
A Companion to Rock Art offers an unparalleled overview of a field that has evolved significantly within the last two decades. A range of interpretive frameworks within which petroglyph and pictograph art forms can be understood is examined in detail. This exciting field of enquiry continues to engage both researchers and the general public, with the search for elusive meanings in the images. Whether they were produced for the exchange of information; for secular or sacred purposes; for signaling alliance networks and identity; or as legacies of origin narratives are just some of the challenging questions that confront the modern archaeologist in understanding prehistoric and early humans.
Leading international scholars provide the most up–to–date and comprehensive coverage of theoretical and methodological developments in the field, and illustrations and photographs ably support the text. This new companion is an authoritative guide for researchers, instructors, and students in anthropology, archaeology, religious studies, and prehistoric art.
A Companion to Rock Art offers an unparalleled overview of a field that has evolved significantly within the last two decades. A range of interpretive frameworks within which petroglyph and pictograph art forms can be understood is examined in detail. This exciting field of enquiry continues to engage both researchers and the general public, with the search for elusive meanings in the images. Whether they were produced for the exchange of information; for secular or sacred purposes; for signaling alliance networks and identity; or as legacies of origin narratives are just some of the challenging questions that confront the modern archaeologist in understanding prehistoric and early humans.
Leading international scholars provide the most up–to–date and comprehensive coverage of theoretical and methodological developments in the field, and illustrations and photographs ably support the text. This new companion is an authoritative guide for researchers, instructors, and students in anthropology, archaeology, religious studies, and prehistoric art.
Textul de pe ultima copertă
Rock art, both as art and as a record of human endeavor and artistry, evokes a personal response as well as a scientific one. Its geographic range is vast with innumerable discoveries from the deserts of Australia to the limestone caves of the Pyrenees; from the heights of the Andes to the fjords of Scandinavia. The number and diversity of sites, and how we approach them using archaeological and art historical perspectives, provides a rich landscape of ideas and narrative frameworks.
A Companion to Rock Art offers an unparalleled overview of a field that has evolved significantly within the last two decades. A range of interpretive frameworks within which petroglyph and pictograph art forms can be understood is examined in detail. This exciting field of enquiry continues to engage both researchers and the general public, with the search for elusive meanings in the images. Whether they were produced for the exchange of information; for secular or sacred purposes; for signaling alliance networks and identity; or as legacies of origin narratives are just some of the challenging questions that confront the modern archaeologist in understanding prehistoric and early humans.
Leading international scholars provide the most up–to–date and comprehensive coverage of theoretical and methodological developments in the field, and illustrations and photographs ably support the text. This new companion is an authoritative guide for researchers, instructors, and students in anthropology, archaeology, religious studies, and prehistoric art.
A Companion to Rock Art offers an unparalleled overview of a field that has evolved significantly within the last two decades. A range of interpretive frameworks within which petroglyph and pictograph art forms can be understood is examined in detail. This exciting field of enquiry continues to engage both researchers and the general public, with the search for elusive meanings in the images. Whether they were produced for the exchange of information; for secular or sacred purposes; for signaling alliance networks and identity; or as legacies of origin narratives are just some of the challenging questions that confront the modern archaeologist in understanding prehistoric and early humans.
Leading international scholars provide the most up–to–date and comprehensive coverage of theoretical and methodological developments in the field, and illustrations and photographs ably support the text. This new companion is an authoritative guide for researchers, instructors, and students in anthropology, archaeology, religious studies, and prehistoric art.
Cuprins
List of Plates ix List of Figures xi
List of Tables xvi
Notes on Contributors xviii
Foreword: Redefining the Mainstream with Rock Art xxix
Margaret W. Conkey
1 Research Issues and New Directions: One Decade into the New Millennium 1
Jo McDonald and Peter Veth
Part I Explanatory Frameworks: New Insights 15
2 Rock Art and Shamanism 17
J. David Lewis–Williams
3 Pictographs, Patterns, and Peyote in the Lower Pecos Canyonlands of Texas 34
Carolyn E. Boyd
4 Variation in Early Paintings and Engravings 51
Iain Davidson
Part II Inscribed Landscapes 69
5 Rock Art and Seascapes 71
Ian J. McNiven and Liam M. Brady
6 The Social Dynamics of Aggregation and Dispersal in the Western Desert 90
Jo McDonald and Peter Veth
7 Rock Art and Transformed Landscapes in Puerto Rico 103
Michele H. Hayward and Michael A. Cinquino
Part III Rock Art at the Regional Level 125
8 Megalithic Rock Art of the Mediterranean and Atlantic Seaboard Europe 127
George Nash
9 North American Siberian Connections: Regional Rock Art Patterning Using Multivariate Statistics 143
Alice Tratebas
10 Southern Melanesian Rock Art: The New Caledonian Case 160
Christophe Sand
11 Rock Art Research in India: Historical Approaches and Recent Theoretical Directions 179
James Blinkhorn, Nicole Boivin, Paul S. C. Taçon, and Michael D. Petraglia
Part IV Engendered Approaches 197
12 Engendering Rock Art 199
Kelley Hays–Gilpin
13 Pictures of Women: The Social Context of Australian Rock Art Production 214
Jo McDonald
14 Engendering North European Rock Art: Bodies and Cosmologies in Stone and Bronze Age Imagery 237
Joakim Goldhahn and Ingrid Fuglestvedt
Part V Form, Style, and Aesthetics in Rock Art 261
15 Understanding Pleistocene Rock Art: An Hermeneutics of Meaning 263
Oscar Moro Abadía and Manuel R. González Morales
16 Rock Art and Art: Why Aesthetics Should Matter 276
Thomas Heyd
17 Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective 294
Howard Morphy
18 A Theoretical Approach to Style in Levantine Rock Art 306
Inés Domingo Sanz
Part VI Contextualizing Rock Art 323
19 Rock Art in Situ: Context and Content as Keys to Meaning 325
Linea Sundstrom
20 Symbolic Discontinuities: Rock Art and Social Changes across Time and Space 341
Maria Isabel Hernández Llosas
21 Parietal Art and Archaeological Context: Activities of the Magdalenians in the Cave of Tuc d Audoubert, France 364
Robert Bégouën, Carole Fritz, and Gilles Tosello
22 Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia 381
Judith Charlin and Luis A. Borrero
Part VII The Mediating Role of Rock Art 399
23 When Worlds Collide Quietly: Rock Art and the Mediation of Distance 401
Ursula K. Frederick
24 Picturing Change and Changing Pictures: Contact Period Rock Art of Australia 420
Paul S.C. Taçon, June Ross, Alistair Paterson, and Sally May
Part VIII Rock Art, Identity, and Indigeneity 437
25 Rock Art, Identity, and Indigeneity 439
Robert Layton
26 Shamanism in Indigenous Context: Understanding Siberian Rock Art 455
Andrzej Rozwadowski
27 Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia 472
Valda Blundell and Donny Woolagoodja
Part IX Rock Art Management and Interpretation 489
28 Rock Art and the UNESCO World Heritage List 491
Nuria Sanz
29 Safeguarding a Fragile Legacy: Managing uKhahlamba–Drakensberg Rock Art 515
Aron Mazel
30 Managing Rock Art Sites 532
Valerie Magar
31 From Discovery to Commoditization: Rock Art Management in Remote Australia 546
Peter Veth
Part X Dating Rock Art: Technological Advances and Applications 563
32 Radiocarbon Dating of Rock Paintings: Incorporating Pictographs into the Archaeological Record 565
Karen L. Steelman and Marvin W. Rowe
33 Twelve Years of Research in Chauvet Cave: Methodology and Main Results 583
Jean Clottes and Jean–Michel Geneste
34 In Suspect Terrain: Dating Rock Engravings 605
David S. Whitley
Part XI Rock Art in the Digital Age 625
35 Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies 627
Liam M. Brady and Robert G. Gunn
36 Robust and Scientifically Reliable Rock Art Documentation from Digital Photographs 644
Mark Mudge, Carla Schroer, Tommy Noble, Neffra Matthews, Szymon Rusinkiewicz, and Corey Toler–Franklin
37 Engaging a New Digital Citizenry 660
Michael Ashley and Cinzia Perlingieri
Index 670
List of Tables xvi
Notes on Contributors xviii
Foreword: Redefining the Mainstream with Rock Art xxix
Margaret W. Conkey
1 Research Issues and New Directions: One Decade into the New Millennium 1
Jo McDonald and Peter Veth
Part I Explanatory Frameworks: New Insights 15
2 Rock Art and Shamanism 17
J. David Lewis–Williams
3 Pictographs, Patterns, and Peyote in the Lower Pecos Canyonlands of Texas 34
Carolyn E. Boyd
4 Variation in Early Paintings and Engravings 51
Iain Davidson
Part II Inscribed Landscapes 69
5 Rock Art and Seascapes 71
Ian J. McNiven and Liam M. Brady
6 The Social Dynamics of Aggregation and Dispersal in the Western Desert 90
Jo McDonald and Peter Veth
7 Rock Art and Transformed Landscapes in Puerto Rico 103
Michele H. Hayward and Michael A. Cinquino
Part III Rock Art at the Regional Level 125
8 Megalithic Rock Art of the Mediterranean and Atlantic Seaboard Europe 127
George Nash
9 North American Siberian Connections: Regional Rock Art Patterning Using Multivariate Statistics 143
Alice Tratebas
10 Southern Melanesian Rock Art: The New Caledonian Case 160
Christophe Sand
11 Rock Art Research in India: Historical Approaches and Recent Theoretical Directions 179
James Blinkhorn, Nicole Boivin, Paul S. C. Taçon, and Michael D. Petraglia
Part IV Engendered Approaches 197
12 Engendering Rock Art 199
Kelley Hays–Gilpin
13 Pictures of Women: The Social Context of Australian Rock Art Production 214
Jo McDonald
14 Engendering North European Rock Art: Bodies and Cosmologies in Stone and Bronze Age Imagery 237
Joakim Goldhahn and Ingrid Fuglestvedt
Part V Form, Style, and Aesthetics in Rock Art 261
15 Understanding Pleistocene Rock Art: An Hermeneutics of Meaning 263
Oscar Moro Abadía and Manuel R. González Morales
16 Rock Art and Art: Why Aesthetics Should Matter 276
Thomas Heyd
17 Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective 294
Howard Morphy
18 A Theoretical Approach to Style in Levantine Rock Art 306
Inés Domingo Sanz
Part VI Contextualizing Rock Art 323
19 Rock Art in Situ: Context and Content as Keys to Meaning 325
Linea Sundstrom
20 Symbolic Discontinuities: Rock Art and Social Changes across Time and Space 341
Maria Isabel Hernández Llosas
21 Parietal Art and Archaeological Context: Activities of the Magdalenians in the Cave of Tuc d Audoubert, France 364
Robert Bégouën, Carole Fritz, and Gilles Tosello
22 Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia 381
Judith Charlin and Luis A. Borrero
Part VII The Mediating Role of Rock Art 399
23 When Worlds Collide Quietly: Rock Art and the Mediation of Distance 401
Ursula K. Frederick
24 Picturing Change and Changing Pictures: Contact Period Rock Art of Australia 420
Paul S.C. Taçon, June Ross, Alistair Paterson, and Sally May
Part VIII Rock Art, Identity, and Indigeneity 437
25 Rock Art, Identity, and Indigeneity 439
Robert Layton
26 Shamanism in Indigenous Context: Understanding Siberian Rock Art 455
Andrzej Rozwadowski
27 Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia 472
Valda Blundell and Donny Woolagoodja
Part IX Rock Art Management and Interpretation 489
28 Rock Art and the UNESCO World Heritage List 491
Nuria Sanz
29 Safeguarding a Fragile Legacy: Managing uKhahlamba–Drakensberg Rock Art 515
Aron Mazel
30 Managing Rock Art Sites 532
Valerie Magar
31 From Discovery to Commoditization: Rock Art Management in Remote Australia 546
Peter Veth
Part X Dating Rock Art: Technological Advances and Applications 563
32 Radiocarbon Dating of Rock Paintings: Incorporating Pictographs into the Archaeological Record 565
Karen L. Steelman and Marvin W. Rowe
33 Twelve Years of Research in Chauvet Cave: Methodology and Main Results 583
Jean Clottes and Jean–Michel Geneste
34 In Suspect Terrain: Dating Rock Engravings 605
David S. Whitley
Part XI Rock Art in the Digital Age 625
35 Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies 627
Liam M. Brady and Robert G. Gunn
36 Robust and Scientifically Reliable Rock Art Documentation from Digital Photographs 644
Mark Mudge, Carla Schroer, Tommy Noble, Neffra Matthews, Szymon Rusinkiewicz, and Corey Toler–Franklin
37 Engaging a New Digital Citizenry 660
Michael Ashley and Cinzia Perlingieri
Index 670
Recenzii
To summarise, as stated by Conkey in the foreword, this volume is a clear example of how in the twenty–first century rock art is considered a topic of archaeological inquiry, leaving behind the times when it was excluded from the archaeological discussions because of its problematic dating and interpretation (see Whitley 2001 for details about the North American case; or Morwood 2002: 64–88 for the Australian case). (Archaeology In Oceania, 2 October 2013)
Overall, this is a fine compendium, and all rock art researchers will need to read it. Aimed at a sophisticated audience. Summing Up: Highly recommended. Upper–level undergraduates and above. (Choice, 1 June 2013)
Overall, this is a fine compendium, and all rock art researchers will need to read it. Aimed at a sophisticated audience. Summing Up: Highly recommended. Upper–level undergraduates and above. (Choice, 1 June 2013)
Notă biografică
Jo McDonald s career has combined cultural heritage management and rock art research. She is currently Chair and Director of the Centre for Rock Art Research and Management at the University of Western Australia. Her major research focus, funded by an Australian Research Council Future Fellowship, is comparing rock art of the Australian and North American arid zones. She is past–President of the Australian Archaeological Association and of the Australian Association of Consulting Archaeologists Inc.
Peter Veth s career has focused on the archaeology of Australia and Island Southeast Asia; and on global desert peoples and art in archaeological context. Peter is currently Chair in Archaeology at the University of Western Australia, an Adjunct Chair at the Australian National University, and Fellow of the Australian Academy of the Humanities. Beginning with Islands in the Interior, he has published twelve volumes on the archaeology, art, early contact history, and native title of Australia and Island Southeast Asia. Peter has coauthored Plans of Management, National Heritage Listing reports and Outstanding Universal Values reports for art provinces in Australia.
Peter Veth s career has focused on the archaeology of Australia and Island Southeast Asia; and on global desert peoples and art in archaeological context. Peter is currently Chair in Archaeology at the University of Western Australia, an Adjunct Chair at the Australian National University, and Fellow of the Australian Academy of the Humanities. Beginning with Islands in the Interior, he has published twelve volumes on the archaeology, art, early contact history, and native title of Australia and Island Southeast Asia. Peter has coauthored Plans of Management, National Heritage Listing reports and Outstanding Universal Values reports for art provinces in Australia.