A Companion to the Works of Kim Scott

Belinda Wheeler

Foreword - Jeanine Leane Acknowledgments Note on Orthography Chronology of Key Writings Introduction - Belinda Wheeler Kim Scott's Publishing History in Three Contexts: Australian Aboriginal, National, and International - Per Henningsgaard Kim Scott's True Country as Aboriginal Bildungsroman - Brenda Machosky The Land Holds All Things: Kim Scott's Benang- A Guide to Postcolonial Spatiality - Lisa Slater Kim Scott's Kayang and Me: Noongar Identity and Evidence of Connection to Country - Christine Choo "Wreck/Con/Silly/Nation": Mimicry, Strategic Essentialism, and the "Friendly Frontier" in Kim Scott's That Deadman Dance - Arindam Das The International Reception of Kim Scott's Works: A Case Study Featuring Benang - Gillian Whitlock The International Reception of Kim Scott's Works: A Case Study Featuring Benang - Roger Osborne Traumatic Landscapes: Inscribing Spectrality and Identity in Kim Scott's "A Refreshing Sleep," "Capture," and "An Intimate Act" - Lydia Saleh Rofail Spatial Poetics and the Uses of Ekphrasis in Kim Scott's "Into the Light" and Other Stories - Nathanael Pree The Poetry of Kim Scott - Tony Hughes-d'Aeth The Wirlomin Project and Kim Scott: Empowering Regional Narratives in a Globalized World of Literature - Natalie Quinlivan Kim Scott as Boundary Rider: Exploring Possibilities and New Frontiers in Aboriginal Health - Rosalie Thackrah Kim Scott as Boundary Rider: Exploring Possibilities and New Frontiers in Aboriginal Health - Sandra Thompson An Interview with Kim Scott - Belinda Wheeler Notes on the Contributors Index