A Guide to Playing the Baroque Guitar
Autor James Tyleren Limba Engleză Paperback – 23 ian 2011
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Specificații
ISBN-13: 9780253222893
ISBN-10: 0253222893
Pagini: 176
Ilustrații: 118 music exx.
Dimensiuni: 217 x 280 x 13 mm
Greutate: 0.5 kg
Editura: MH – Indiana University Press
ISBN-10: 0253222893
Pagini: 176
Ilustrații: 118 music exx.
Dimensiuni: 217 x 280 x 13 mm
Greutate: 0.5 kg
Editura: MH – Indiana University Press
Cuprins
Preface; AcknowledgmentsPart 1. The Basics 1. The Instrument 2. Tuning and Stringing 3. Technique 4. Reading Tablature Notation Italian Tablature French Tablature 5.The Fundamentals of Battuto (Strumming) Technique Simple Strokes Rhythmic Ornamentation 6. Reading Mixed Tablature Notation Performance Markings Ornament Signs More about Alfabeto 7. Idioms Unique to the Baroque Guitar "Inversionless" Chords Campanelas The Selective Playing of Bourdons 8. A Note on Basso ContinuoPart 2. An Anthology of Music for Baroque Guitar Introduction to the Anthology 9. Pieces Suitable for Stringing A Pavanas por la D / Gaspar Sanz (1675) Suite of English Tunes / Elizabeth Cromwell's Manuscript (ca. 1684) Corrente nona / Ferdinando Valdambrini (1646) Allemande - Sarabande / Antoine Carré (1671) 10. Pieces suitable for Stringing B Prelud[io]-Chiacona / Francesco Corbetta (1648) Alemanda-Corrente-Sarabanda-Giga /Giovanni Battista Granata (1674) Passacaille dite Mariona / Lelio Colista (ca. 1675) Prelude / Angelo Michele Bartolotti (ca. 1655) Allemande "La Furieuse" / François Campion (1705) Folies d'Espagne / François Le Cocq (ca. 1700) 11. Pieces Suitable for Stringing C Pavaniglia con parti variate / Giovanni Paolo Foscarini (ca. 1630) Aria di Fiorenza / Anonymous/Carlo Calvi (1646) Capriccio-Sarabanda-Capriccio / Francesco Asioli (1676) Jacaras / Francisco Guerau (1694) 12. Pieces for Guitar and Basso Continuo Sinfonia a 2 / Francesco Corbetta (1643) Sinfonia à dui / Giovanni Battista Granata (1651) Follià: Sonata 12 de Coreli [sic] / Arcangelo Corelli/Anonymous (ca. 1725-30)Selected Bibliography; Index
Recenzii
"Tyler's detailed explanation of stringing and tuning, playing techniques, notation, and ornamentation will make a vast repertory immediately accessible to anyone who plays the guitar and easily accessible to... musicians in general." Mark Cudek, Peabody Institute, Johns Hopkins University
"The depth of detail in this volume is thorough and fascinating. Just a look at the chapter headings gives you some idea of the care taken in the researching of the very misunderstood instrument.... I cannot praise this volume highly enough. If there is anything not included in here, then it probably wasnt worth mentioning anyway. It is a fitting tribute to a much missed musician and should be snapped up by anyone with the smallest of interest in this fine period in our instruments history. - Chris Dumigan, Classical Guitar, July 2012
"The depth of detail in this volume is thorough and fascinating. Just a look at the chapter headings gives you some idea of the care taken in the researching of the very misunderstood instrument.... I cannot praise this volume highly enough. If there is anything not included in here, then it probably wasnt worth mentioning anyway. It is a fitting tribute to a much missed musician and should be snapped up by anyone with the smallest of interest in this fine period in our instruments history. - Chris Dumigan, Classical Guitar, July 2012
Notă biografică
James Tyler (1940-2010) was Professor Emeritus of Music History and Literature and served as Director of the Early Music Program and of the Thornton Baroque Sinfonia at the University of Southern California. He is author (with Paul Sparks) of The Guitar and Its Music and The Early Mandolin.
Descriere
Transitioning from modern stringed instruments to the baroque guitar