A Long Time Burning: The History of Literary Censorship in England: Routledge Revivals
Autor Donald Thomasen Limba Engleză Hardback – noi 2024
The book includes an anthology of illustrative material, quoting extracts from publications banned at various times and for various reasons. Pages from such books as Venus in the Cloister are reprinted for the first time in more than two centuries, while the other documents range from the Blasphemy Act of 1698 to a prosecution brought under the Race Relations Act of 1965.
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Specificații
ISBN-13: 9781032861838
ISBN-10: 1032861835
Pagini: 576
Dimensiuni: 156 x 234 mm
Greutate: 1.23 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Revivals
Locul publicării:Oxford, United Kingdom
ISBN-10: 1032861835
Pagini: 576
Dimensiuni: 156 x 234 mm
Greutate: 1.23 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria Routledge Revivals
Locul publicării:Oxford, United Kingdom
Public țintă
General, Postgraduate, Undergraduate Advanced, and Undergraduate CoreCuprins
Preface 1. The Fear of Literature 2. Censorship before Publication: 1476–1695 3. Enemies of the State: 1695–1760 4. Blasphemy in an Age of Reason 5. Obscene Libel and the Reformation of Manners 6. Liberty versus Licentiousness: 1760–1792 7. Guardians of Public Morality 8. Political Censorship: A Fight to the Finish 1792–1832 9. Guardians of Public Morality 10. Victoria: (1) ‘If all Mankind minus One…’ J. S. Mill (1859) 11. Victoria: (2) ‘Smacks and Laughter echoed through the Grove…’ The Pearl (September 1879) 12. The Twentieth Century: ‘Plus Ca Change…’
Recenzii
Reviews of the first publication:
‘A detailed, intelligent and readable account of the operation of literary censorship, particularly over the last two and a half centuries. It has useful bibliographies, and appendices which include some of the more important legal and official documents and extracts from material censored at various times.’
— Richard Hoggart, New Statesman
‘Donald Thomas’s history of literary censorship in England from the fifteenth century to the present day is a serious and largely entertaining book. For the most part he has steered a successful course between the aridity of legal history and evasiveness of grand generalizations about the “spirit of the age”. His narrative is crammed with facts, statistics and law. But it is enlivened, too, by the many exploits of those often eccentric extremists who campaigned for and against various forms of censorship; by some interesting pictures and by an appendix two hundred pages long containing illustrative materials.’
— Michael Holroyd, The Times
‘A detailed, intelligent and readable account of the operation of literary censorship, particularly over the last two and a half centuries. It has useful bibliographies, and appendices which include some of the more important legal and official documents and extracts from material censored at various times.’
— Richard Hoggart, New Statesman
‘Donald Thomas’s history of literary censorship in England from the fifteenth century to the present day is a serious and largely entertaining book. For the most part he has steered a successful course between the aridity of legal history and evasiveness of grand generalizations about the “spirit of the age”. His narrative is crammed with facts, statistics and law. But it is enlivened, too, by the many exploits of those often eccentric extremists who campaigned for and against various forms of censorship; by some interesting pictures and by an appendix two hundred pages long containing illustrative materials.’
— Michael Holroyd, The Times
Notă biografică
Donald Thomas was an academic historian of crime. He was the author of several studies of the criminal underworld as well as biographies of Robert Browning, the Marquis de Sade, Henry Fielding, and Lewis Carroll.
Descriere
Censorship of the written word has proved a constant source for debate and argument. To cut or not to cut is a question with a long and fascinating history. First published in 1969, A Long Time Burning is an account of the political, religious, and moral censorship of literature, in the context of English literary history.