book is the first historically substantiated critical account of his life and work. An innovative sculptor, photographer, and draughtsman, Rosso was a key figure in the transition from the traditional forms of sculpture that persisted through the nineteenth century to the experimental forms that developed in the twentieth. His antimonumental, antiheroic work reflected alienation in the modern experience yet also showed deep feeling for interactions between self and other. Rosso's art was also transnational: he refused allegiance to a single culture or artistic heritage and declared himself both a citizen of the world and a maker of art without national limits. In this book, Sharon Hecker develops a narrative that is an alternative to the dominant Franco-centered perspective on the origin of modern sculpture in which Rodin plays the role of lone heroic innovator