A New Companion to the <i>Libro de buen amor</i>: Brill's Companions to Medieval Literatures and Cultures, cartea 2
Ryan D. Giles, José Manuel Hidalgoen Limba Engleză Hardback – 5 mai 2021
Contributors are Nora C. Benedict, Erik Ekman, Denise K. Filios, Ryan D. Giles, Michelle Hamilton, Carlos Heusch, José Manuel Hidalgo, Gregory S. Hutcheson, Veronica Menaldi, Simone Pinet, Michael R. Solomon.
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Specificații
ISBN-13: 9789004448223
ISBN-10: 9004448225
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill's Companions to Medieval Literatures and Cultures
ISBN-10: 9004448225
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill's Companions to Medieval Literatures and Cultures
Cuprins
Acknowledgements
Notes on Contributors
Introduction
Ryan D. Giles and José Manuel Hidalgo
PART 1
Cross-Cultural Contexts
1 A Poet in the Court of King Alfonso
The Libro de Buen Amor in Its Courtly Context
Carlos Heusch
br/>2 Reading the Libro de Buen Amor Multiconfessionally
Gregory S. Hutcheson
3 Carnal, Carnival and Purim in the Libro de Buen Amor
Michelle Hamilton
4 Enchanting Go-Betweens
Mediated Love Magic in the Libro de Buen Amor and Iberian Grimoires
Veronica Menaldi
5 Figuring the Lamb and the Ram
Devotion and Magic in the Pitas Payas Episode of the Libro de Buen Amor
Erik Ekman
PART 2
Theoretical and Cross-Disciplinary Approaches
6 The Parody of Translation and Representation of Space in the Libro de Buen Amor
Ryan D. Giles
7 For Love of Money
Rhetorical Economics in the Libro de Buen Amor
Simone Pinet
8 Isorhythmic Motets in the Libro de Buen Amor
Reading the Archpriest’s Adventures as a Musical Composition
Nora C. Benedict
9 Sermon, Story, Song
Reading and Performing the Libro de Buen Amor
Denise K. Filios
10 Remediating the Libro de Buen Amor
Immediacy, Authenticity, and the Pleasure of Mediatization
Michael Solomon
Bibliography
Index
Notes on Contributors
Introduction
Ryan D. Giles and José Manuel Hidalgo
PART 1
Cross-Cultural Contexts
1 A Poet in the Court of King Alfonso
The Libro de Buen Amor in Its Courtly Context
Carlos Heusch
br/>2 Reading the Libro de Buen Amor Multiconfessionally
Gregory S. Hutcheson
3 Carnal, Carnival and Purim in the Libro de Buen Amor
Michelle Hamilton
4 Enchanting Go-Betweens
Mediated Love Magic in the Libro de Buen Amor and Iberian Grimoires
Veronica Menaldi
5 Figuring the Lamb and the Ram
Devotion and Magic in the Pitas Payas Episode of the Libro de Buen Amor
Erik Ekman
PART 2
Theoretical and Cross-Disciplinary Approaches
6 The Parody of Translation and Representation of Space in the Libro de Buen Amor
Ryan D. Giles
7 For Love of Money
Rhetorical Economics in the Libro de Buen Amor
Simone Pinet
8 Isorhythmic Motets in the Libro de Buen Amor
Reading the Archpriest’s Adventures as a Musical Composition
Nora C. Benedict
9 Sermon, Story, Song
Reading and Performing the Libro de Buen Amor
Denise K. Filios
10 Remediating the Libro de Buen Amor
Immediacy, Authenticity, and the Pleasure of Mediatization
Michael Solomon
Bibliography
Index
Notă biografică
Ryan D. Giles, Ph.D. (2005), University of North Carolina, is Professor at Indiana University. The author of numerous articles and two other co-edited volumes, his most recent monograph is Inscribed Power: Amulets and Magic in Early Spanish Literature (2017).
José Manuel Hidalgo, Ph.D. (2006), University of Virginia, is Professor at Georgia Southern University. He is the author of many articles, co-author of a student edition of Cárcel de amor, and editor of La pluma es lengua del alma (2011).
José Manuel Hidalgo, Ph.D. (2006), University of Virginia, is Professor at Georgia Southern University. He is the author of many articles, co-author of a student edition of Cárcel de amor, and editor of La pluma es lengua del alma (2011).