A Poetic History of the Oceans: Literature and Maritime Modernity
Autor Søren Franken Limba Engleză Paperback – 15 mar 2023
A Poetic History of the Oceans promotes what Frank labels an amphibian comparative literature and mobilises recent theoretical concepts and methodological developments in Blue Humanities, Blue Ecology, and New Materialism to shed new light on well-known texts and introduce readers to important, but lesser-known Scandinavian literary engagements with the sea.
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Specificații
ISBN-13: 9789004546394
ISBN-10: 9004546391
Pagini: 468
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
ISBN-10: 9004546391
Pagini: 468
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Notă biografică
Søren Frank is Professor of Comparative Literature at the Department for the Study of Culture, University of Southern Denmark. His publications include Migration and Literature (2008), Salman Rushdie: A Deleuzian Reading (2011), and Standing on the Shoulders of Giants: A Cultural Analysis of Manchester United (2013).
Recenzii
“This is a book that deserves to be read for its ambitions. Based on his comprehensive reading close to erudition within the field of maritime literary studies, Søren Frank sets out to reframe the somewhat marginalised genre of the maritime novel, yet also other forms of prose as well as visual material. With a detailed argument for the symptomatic significance of the maritime perspective in literary history the author zooms in on three dimensions […] His overall aim is to incorporate the so-called blue ecology as an integral part of the otherwise terrestrial focus that dominates today's preoccupation with ecological issues in art, culture and politics.”
- Svend Erik Larsen, Aarhus University, Aarhus C, Denmark, DK in Orbis Litterarum, 2022
"Combining a capacious vision of the long history of oceanic narratives in Western culture with incisive analysis of recent scholarship in the “blue humanities,” A Poetic History of the Oceans provides an excellent overview of oceanic literature and culture. At this book’s core lies a brilliant reading of Moby-Dick as model for four distinct historical iterations of Western imaginations of the sea. In reading Melville’s novel as simultaneously theocentric, anthropocentric, technocentric, and geocentric, Frank shows how this American classic opens onto global vistas. Beyond an innovative analysis of the English-language canon, however, this book also brings Scandinavian writers and texts forward into their rightful places as oceanic pioneers. The introduction of figures such as Jens Munk, Jonas Lie, Martin Andersen Nexø, and Siri Ranva Hjelm Jacobsen suggests how much scholars and readers can learn from this book."- Steve Mentz, Professor of English, St. John's University, New York, USA
“A Poetic History of the Oceans has compelling qualities: a fascinating topic, incredible erudition, an innovative, wide-ranging approach, and a seductive, reader-friendly style. The quality of the scholarship is remarkable, both concerning the works examined and the thinkers and literary critics that are consulted and cited. Given the superb treatment of the topic, the wealth of information, and the theoretical insights, Frank’s book could very well become a classic in its field.”
-Thomas Pavel, Professor of Romance Languages, Comparative Literature, Committee onSocial Thought, University of Chicago, USA
- Svend Erik Larsen, Aarhus University, Aarhus C, Denmark, DK in Orbis Litterarum, 2022
"Combining a capacious vision of the long history of oceanic narratives in Western culture with incisive analysis of recent scholarship in the “blue humanities,” A Poetic History of the Oceans provides an excellent overview of oceanic literature and culture. At this book’s core lies a brilliant reading of Moby-Dick as model for four distinct historical iterations of Western imaginations of the sea. In reading Melville’s novel as simultaneously theocentric, anthropocentric, technocentric, and geocentric, Frank shows how this American classic opens onto global vistas. Beyond an innovative analysis of the English-language canon, however, this book also brings Scandinavian writers and texts forward into their rightful places as oceanic pioneers. The introduction of figures such as Jens Munk, Jonas Lie, Martin Andersen Nexø, and Siri Ranva Hjelm Jacobsen suggests how much scholars and readers can learn from this book."- Steve Mentz, Professor of English, St. John's University, New York, USA
“A Poetic History of the Oceans has compelling qualities: a fascinating topic, incredible erudition, an innovative, wide-ranging approach, and a seductive, reader-friendly style. The quality of the scholarship is remarkable, both concerning the works examined and the thinkers and literary critics that are consulted and cited. Given the superb treatment of the topic, the wealth of information, and the theoretical insights, Frank’s book could very well become a classic in its field.”
-Thomas Pavel, Professor of Romance Languages, Comparative Literature, Committee onSocial Thought, University of Chicago, USA
Cuprins
<Acknowledgements
List of Illustrations
Introduction
1 Embarking with Martin Andersen Nexø
1.1The Strait of Gibraltar
1.2Transition and Simultaneity
1.3Maritime World Pictures
2 Amphibian Comparative Literature on a Terraqueous Globe
2.1The Forgotten Sea
2.2Revision, Actualization, Crisis
2.3Saltwater Literatures
2.4Geographical Scales
2.5Historical Timelines
2.6Blue Ecologies
2.7Method and Structure
1History
1 Theocentrism
1.1The Biblical Tradition
1.2The Greek-Roman Tradition
1.3“The Seafarer”
2 Anthropocentrism
2.1“The Saga of the Greenlanders”
2.2Luís Vaz de Camões
2.3William Shakespeare
2.4Jens Munk
2.5Daniel Defoe
2.6James Fenimore Cooper
3 Technocentrism
3.1Jules Michelet
3.2Jonas Lie
3.3Joseph Conrad
4 Geocentrism
4.1Nostalgia or Dystopia
5 The Four World Pictures in Moby-Dick
5.1Historical Time and Broad Present
5.2Theocentrism
5.3Anthropocentrism
5.4Technocentrism
5.5Geocentrism
2Rhythm
1 The Maritime between Homelessness and Homeliness
2 Rhythmanalysis at Sea
3 Cosmic and Cultural Rhythms at Sea
4 External and Internal Rhythms
5 Rituals
6 Internal Arrhythmia
7 Knowledge, Teaching, Writing
3Technology
1 The Shipwreck of the São João in 1552
2 Technology, Literature, and the Ocean
3 Martin Heidegger’s Technologies
4 Don Ihde and Technological Forms of Experience
5 Technology in Typhoon
5.1Sail and Steam
5.2Steamship Experiences in Typhoon
6 Science and Technology in Vingt mille lieues sous les mers
6.1The Making of a New Literary Profile and a Novel
6.2Science Adventure Fiction
6.3Progress and Mastering
6.4Vraisemblance
6.5Ambiguities
6.6Apollonian Order, Dionysian Fertility
4Materiality
1 Immersion in the Dissolve in Leviathan
2 Forces of Sea and Abyss in Les Travailleurs de la mer
2.1Humans and Things
2.2Vital Materialism
2.3Endings and Narrators
2.4Fooling and Receiving Mercy
2.5Cosmography of Work
5Anthropocene
1 Coal in Wales, Whales at the Pole
2 The Anthropocene
3 Anthropocene Aesthetics
3.1Time, Discontinuity, Probability
3.2Space, Discontinuity, Nation-State
3.3Human, Humans, Non-Humans
4 Exceptionalism, Growth, and Stock in En hvalfangerfærd
5 Psychohydrographies of Cataclysm in The Drowned World
5.1Science Fiction and the Anthropocene
5.2Surrealism and the Anthropocene
6 Empire of Thalassa in Havbrevene
6.1Evolution, Devolution
6.2Icarus, Bruegel, and the Echo Chamber of Reception
6.3Life, but not Human
6.4Anthropomorphism
Conclusion
Bibliography
Index
List of Illustrations
Introduction
1 Embarking with Martin Andersen Nexø
1.1The Strait of Gibraltar
1.2Transition and Simultaneity
1.3Maritime World Pictures
2 Amphibian Comparative Literature on a Terraqueous Globe
2.1The Forgotten Sea
2.2Revision, Actualization, Crisis
2.3Saltwater Literatures
2.4Geographical Scales
2.5Historical Timelines
2.6Blue Ecologies
2.7Method and Structure
1History
1 Theocentrism
1.1The Biblical Tradition
1.2The Greek-Roman Tradition
1.3“The Seafarer”
2 Anthropocentrism
2.1“The Saga of the Greenlanders”
2.2Luís Vaz de Camões
2.3William Shakespeare
2.4Jens Munk
2.5Daniel Defoe
2.6James Fenimore Cooper
3 Technocentrism
3.1Jules Michelet
3.2Jonas Lie
3.3Joseph Conrad
4 Geocentrism
4.1Nostalgia or Dystopia
5 The Four World Pictures in Moby-Dick
5.1Historical Time and Broad Present
5.2Theocentrism
5.3Anthropocentrism
5.4Technocentrism
5.5Geocentrism
2Rhythm
1 The Maritime between Homelessness and Homeliness
2 Rhythmanalysis at Sea
3 Cosmic and Cultural Rhythms at Sea
4 External and Internal Rhythms
5 Rituals
6 Internal Arrhythmia
7 Knowledge, Teaching, Writing
3Technology
1 The Shipwreck of the São João in 1552
2 Technology, Literature, and the Ocean
3 Martin Heidegger’s Technologies
4 Don Ihde and Technological Forms of Experience
5 Technology in Typhoon
5.1Sail and Steam
5.2Steamship Experiences in Typhoon
6 Science and Technology in Vingt mille lieues sous les mers
6.1The Making of a New Literary Profile and a Novel
6.2Science Adventure Fiction
6.3Progress and Mastering
6.4Vraisemblance
6.5Ambiguities
6.6Apollonian Order, Dionysian Fertility
4Materiality
1 Immersion in the Dissolve in Leviathan
2 Forces of Sea and Abyss in Les Travailleurs de la mer
2.1Humans and Things
2.2Vital Materialism
2.3Endings and Narrators
2.4Fooling and Receiving Mercy
2.5Cosmography of Work
5Anthropocene
1 Coal in Wales, Whales at the Pole
2 The Anthropocene
3 Anthropocene Aesthetics
3.1Time, Discontinuity, Probability
3.2Space, Discontinuity, Nation-State
3.3Human, Humans, Non-Humans
4 Exceptionalism, Growth, and Stock in En hvalfangerfærd
5 Psychohydrographies of Cataclysm in The Drowned World
5.1Science Fiction and the Anthropocene
5.2Surrealism and the Anthropocene
6 Empire of Thalassa in Havbrevene
6.1Evolution, Devolution
6.2Icarus, Bruegel, and the Echo Chamber of Reception
6.3Life, but not Human
6.4Anthropomorphism
Conclusion
Bibliography
Index