A Test of Powers: Writings on Criticism and Literary Institutions: The Italian List
Autor Franco Fortini Traducere de Alberto Toscanoen Limba Engleză Paperback – 6 iul 2025
Originally published in Italian in 1965, A Test of Powers was immediately seen as one of the central texts of Italian intellectual life. By the time of the 1968 student revolts, it was clear that Franco Fortini had anticipated many of the themes and concerns of the New Left, which is no surprise, given that Fortini had spent more than two decades immersed in fierce ideological debates over anti-Fascism, organizing, the alliance between progressivism and literature, and other topics that found their way into A Test of Powers. In addition to politically focused essays, the book also features essays on a range of writers who influenced Fortini, including Kafka, Pasternak, Eric Auerbach, Proust, and Brecht.
Praise for Fortini’s The Dogs of the Sinai
“An elegant and provocative project — the first book of Fortini’s prose to appear in English translation — that challenges one’s political assumptions about the conflict between Israel and Palestine, not only at the time of the Six-Day War but also today. . . . Toscano has done a masterful job of rendering Fortini’s often difficult prose into a fluid and concise English.”—Los Angeles Review of Books
“Forensic and devastating.”—Times Literary Supplement
“Fortini’s poetic production, literary criticism, political writings, translations, and journalism have assured him a position of the first rank among intellectuals of the Italian postwar period.”—Italica
Praise for Fortini’s The Dogs of the Sinai
“An elegant and provocative project — the first book of Fortini’s prose to appear in English translation — that challenges one’s political assumptions about the conflict between Israel and Palestine, not only at the time of the Six-Day War but also today. . . . Toscano has done a masterful job of rendering Fortini’s often difficult prose into a fluid and concise English.”—Los Angeles Review of Books
“Forensic and devastating.”—Times Literary Supplement
“Fortini’s poetic production, literary criticism, political writings, translations, and journalism have assured him a position of the first rank among intellectuals of the Italian postwar period.”—Italica
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Specificații
ISBN-13: 9781803095950
ISBN-10: 1803095954
Pagini: 468
Dimensiuni: 152 x 229 x 43 mm
Greutate: 0.45 kg
Editura: Seagull Books
Colecția Seagull Books
Seria The Italian List
ISBN-10: 1803095954
Pagini: 468
Dimensiuni: 152 x 229 x 43 mm
Greutate: 0.45 kg
Editura: Seagull Books
Colecția Seagull Books
Seria The Italian List
Notă biografică
Franco Fortini was the pseudonym of Franco Lattes (1917–94), an Italian poet, writer, translator, essayist, and intellectual. Alberto Toscano teaches in the Department of Sociology at Goldsmiths, University of London.
Cuprins
Translator’s Introduction: The Labour of Division
Translator’s Acknowledgements
Preface to the First Edition (1965)
Preface to the Second Edition (1969)
PART I: The Literary Institution
I. Eroticism and Literature
II. A Test of Powers
III. Clarifications
IV. Cunning as Doves
V. Literary Institutions and the Progress of the Regime
VI. Two Avant-gardes
VII. Avant-garde and Mediation
VIII. Written and Spoken
PART II: The Condition of the Guest
I. Radek’s Hands
II. The Writers’ Mandate and the End of Anti-Fascism
III. In Defence of the Idiot
PART III: Of Some Critics
I. Reading Spitzer
II. Mimesis
III. Deus Absconditus
IV. Lukács in Italy
V. The Young Lukács
VI. The Passage of Joy
PART IV: For Some Books
I. For Herzen
II. Rereading Pasternak
III. Notes on Proust
IV. Tolstoy, the Master and the Man
V. Kafka’s Men and the Criticism of Things
VI. Two Returns
VII. Brecht or the Talking Horse
VIII. The Chinese Spectre
Translator’s Acknowledgements
Preface to the First Edition (1965)
Preface to the Second Edition (1969)
PART I: The Literary Institution
I. Eroticism and Literature
II. A Test of Powers
III. Clarifications
IV. Cunning as Doves
V. Literary Institutions and the Progress of the Regime
VI. Two Avant-gardes
VII. Avant-garde and Mediation
VIII. Written and Spoken
PART II: The Condition of the Guest
I. Radek’s Hands
II. The Writers’ Mandate and the End of Anti-Fascism
III. In Defence of the Idiot
PART III: Of Some Critics
I. Reading Spitzer
II. Mimesis
III. Deus Absconditus
IV. Lukács in Italy
V. The Young Lukács
VI. The Passage of Joy
PART IV: For Some Books
I. For Herzen
II. Rereading Pasternak
III. Notes on Proust
IV. Tolstoy, the Master and the Man
V. Kafka’s Men and the Criticism of Things
VI. Two Returns
VII. Brecht or the Talking Horse
VIII. The Chinese Spectre