Abel Ferrara: Contemporary Film Directors
Autor Nicole Brenez Traducere de Adrian Martinen Limba Engleză Paperback – 19 dec 2006
Nicole Brenez argues for Abel Ferrara’s place in a line of grand inventors who have blurred distinctions between industry and avant-garde film, including Orson Welles, Monte Hellman, and Nicholas Ray. Rather than merely reworking genre film, Brenez understands Ferrara’s oeuvre as formulating new archetypes that depict the evil of the modern world. Focusing as much on the human figure as on elements of storytelling, she argues that films such as Bad Lieutenant express this evil through visionary characters struggling against the inadmissible (inadmissible behavior, morality, images, and narratives).
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Specificații
ISBN-13: 9780252074110
ISBN-10: 0252074114
Pagini: 232
Ilustrații: 14 black & white photographs
Dimensiuni: 140 x 210 x 15 mm
Greutate: 0.3 kg
Ediția:First Edition
Editura: University of Illinois Press
Colecția University of Illinois Press
Seria Contemporary Film Directors
ISBN-10: 0252074114
Pagini: 232
Ilustrații: 14 black & white photographs
Dimensiuni: 140 x 210 x 15 mm
Greutate: 0.3 kg
Ediția:First Edition
Editura: University of Illinois Press
Colecția University of Illinois Press
Seria Contemporary Film Directors
Recenzii
"Brenez argues that provocateur Abel Ferrara invents new forms for his optimistic filmic studies of contemporary political and psychic evil. Brenez conveys her challenging argument in chewable sections. Each point draws from across Ferarra's large canon, and she makes convincing connections to other works. Recommended."--Choice
"This is a provocative book. It is also a work of great originality. Brenez's energetic intellect and passion for her subject are evident on every page. . . . It makes you want to go back to the films, to see them as Brenez has seen them. In fact, this was the very first thing that I did when I finished reading this book. I started watching the films of Abel Ferrara again."--Screening The Past
"[Brenez's] book illuminates a director whom American critics have too often overlooked. Its mixture of fannish enthusiasm and academic erudition is a new, welcome voice."--Cineaste
“Passionate. . . . Devotees of Ferrara who are comfortable with theoretical language will find this a fascinating performance of high critical intensity.”--Film International
“Brenez does the best job to date in defending an underappreciated American director not only in terms of aesthetics, but also for his ethical reflections on the crimes and abuses of the past century. A truly remarkable achievement.”--Jonathan Rosenbaum
"This is a provocative book. It is also a work of great originality. Brenez's energetic intellect and passion for her subject are evident on every page. . . . It makes you want to go back to the films, to see them as Brenez has seen them. In fact, this was the very first thing that I did when I finished reading this book. I started watching the films of Abel Ferrara again."--Screening The Past
"[Brenez's] book illuminates a director whom American critics have too often overlooked. Its mixture of fannish enthusiasm and academic erudition is a new, welcome voice."--Cineaste
“Passionate. . . . Devotees of Ferrara who are comfortable with theoretical language will find this a fascinating performance of high critical intensity.”--Film International
“Brenez does the best job to date in defending an underappreciated American director not only in terms of aesthetics, but also for his ethical reflections on the crimes and abuses of the past century. A truly remarkable achievement.”--Jonathan Rosenbaum
Notă biografică
Nicole Brenez is a prominent film critic and curator for the experimental cinema programs at the Cinémathèque française in Paris. She teaches cinema studies at Université Paris 3 and is the author of Shadows de John Cassavetes and other books. Adrian Martin is an associate professor in film culture and theory at Monash University. His books include Mysteries of Cinema: Reflections on Film Theory, History and Culture 1982-2016.
Cuprins
Acknowledgments | xi
A CINEMA OF NEGATION | 1
Some Ethical Stakes in Ferrara's Cinema 1
What Is Passion? Central Figures of Hypermorality 22
"Going to the End of Being" 68
Self-Consciousness: The Visionaries 110
Cinema and Symbolic Reparation 150
INTERVIEW: ABEL FERRARA | 165
Filmography | 173
Bibliography | 193
Index | 199
A CINEMA OF NEGATION | 1
Some Ethical Stakes in Ferrara's Cinema 1
What Is Passion? Central Figures of Hypermorality 22
"Going to the End of Being" 68
Self-Consciousness: The Visionaries 110
Cinema and Symbolic Reparation 150
INTERVIEW: ABEL FERRARA | 165
Filmography | 173
Bibliography | 193
Index | 199
Descriere
Understanding Abel Ferrara as one of the most important and overlooked filmmakers of our time