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Academics, Pompiers, Official Artists and the Arriere-Garde: Defining Modern and Traditional in France, 1900-1960 de Natalie Adamson

Academics, Pompiers, Official Artists and the Arriere-Garde: Defining Modern and Traditional in France, 1900-1960

Editat de Natalie Adamson, Toby Norris
en Limba Engleză Hardback – 31 oct 2009
A collection of essays that challenges the modernist slant of twentieth-century art history. It focuses on the terms academic, pompier, official, and arriere-garde, originally used to situate the more conservative artists and works as second-rate or as the negative foil to the assumed radicalism of the avant-garde.
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Specificații

ISBN-13: 9781443813617
ISBN-10: 1443813613
Pagini: 247
Dimensiuni: 150 x 208 x 25 mm
Greutate: 0.5 kg
Editura: Cambridge Scholars Publishing

Notă biografică

Natalie Adamson is Lecturer in the School of Art History at the University of St Andrews, Scotland. She is a scholar of art, photography and cultural politics, especially in late nineteenth- and twentieth-century France. Her most recent publication is Painting, Politics, and the Struggle for the Ecole de Paris, 1944-1964 (Ashgate Publishing, 2009). Toby Norris is Assistant Professor of Art History at Assumption College, Worcester, MA. He works on the relationship between state patronage and the art market in France, focusing on the interwar period. Recent papers include "The Querelle du Realisme and the Politicization of French Artists during the Great Depression," in PART: Journal of Art History at the CUNY Graduate Center, March 2007, and "Underwriting Independence: The Art Market in France in the 1920s," presented at the Association of Art Historians Conference, 2009.