Action: Anthropology in the Company of Shakespeare
Autor Kirsten Hastrupen Limba Engleză Paperback – 14 iun 2004
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Specificații
ISBN-13: 9788772897936
ISBN-10: 8772897937
Pagini: 351
Ilustrații: b/w photos
Dimensiuni: 226 x 152 x 25 mm
Greutate: 0.67 kg
Editura: Museum Tusculanum Press
Colecția Museum Tusculanum Press
ISBN-10: 8772897937
Pagini: 351
Ilustrații: b/w photos
Dimensiuni: 226 x 152 x 25 mm
Greutate: 0.67 kg
Editura: Museum Tusculanum Press
Colecția Museum Tusculanum Press
Notă biografică
Kirsten Hastrup is a professor of anthropology at the University of Copenhagen. She is the author of numerous books on anthropology, theatre and human rights.
Cuprins
Preface and acknowledgements
Note on citations and abbreviations
Prologue: Companion Shakespeare
Theatres of action
Art and argument
Poetry in the mode of action
The uninvited guest
Theatre and the world
Chapter 1: The desire
Illusion
Intention and motive
The will to truth
The craving for life
Embracing reality
Chapter 2: The stage
The Globe
The liminality of the stage
The bare stage
The sacred space
A site of passage
Chapter 3: The time
Production time
Performance time
Play time
The pulse of the play
The desire for duration
Uchronia
Chapter 4: The plot
The teller of tales
The soul of drama
Ambiguous stories
Self and double
The lyrical dimension
The voice of prophecy
Chapter 5: The director
The suthor’s voice
The first audience
Authority
Secrecy
The art of style
Alchemy
Chapter 6: The player
Embodying the act
The chorus
The mask
The character
Speech acts
Double agency
Chapter 7: The ethos
The Renaissance horizon
The inner life
The partners
The audience
Art and answerability
Epilogue: The art of living
The hardness of facts
The weakness of will
The eventness of being
Circles of attention
Contexts of action
References
Note on citations and abbreviations
Prologue: Companion Shakespeare
Theatres of action
Art and argument
Poetry in the mode of action
The uninvited guest
Theatre and the world
Chapter 1: The desire
Illusion
Intention and motive
The will to truth
The craving for life
Embracing reality
Chapter 2: The stage
The Globe
The liminality of the stage
The bare stage
The sacred space
A site of passage
Chapter 3: The time
Production time
Performance time
Play time
The pulse of the play
The desire for duration
Uchronia
Chapter 4: The plot
The teller of tales
The soul of drama
Ambiguous stories
Self and double
The lyrical dimension
The voice of prophecy
Chapter 5: The director
The suthor’s voice
The first audience
Authority
Secrecy
The art of style
Alchemy
Chapter 6: The player
Embodying the act
The chorus
The mask
The character
Speech acts
Double agency
Chapter 7: The ethos
The Renaissance horizon
The inner life
The partners
The audience
Art and answerability
Epilogue: The art of living
The hardness of facts
The weakness of will
The eventness of being
Circles of attention
Contexts of action
References