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African Art and the Colonial Encounter – Inventing a Global Commodity

Autor Sidney Littlefi Kasfir
en Limba Engleză Paperback – 23 oct 2007
Focusing on the theme of warriorhood, Sidney Littlefield Kasfir weaves a complex history of how colonial influence forever changed artistic practice, objects, and their meaning. Looking at two widely diverse cultures, the Idoma in Nigeria and the Samburu in Kenya, Kasfir makes a bold statement about the links between colonialism, the Europeans image of Africans, Africans changing self representation, and the impact of global trade on cultural artifacts and the making of art. This intriguing history of the interaction between peoples, aesthetics, morals, artistic objects and practices, and the global trade in African art challenges current ideas about artistic production and representation."
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Specificații

ISBN-13: 9780253219220
ISBN-10: 0253219221
Pagini: 408
Ilustrații: 81
Dimensiuni: 156 x 233 x 23 mm
Greutate: 0.57 kg
Editura: MH – Indiana University Press
Locul publicării:United States

Cuprins

Introduction: Colonial Power and Aesthetic PracticePart 1. Warriors1. Maa Warriorhood and British Colonial Discourse; 2. Idoma Warriorhood and the Pax BritannicaPart 2. Sculptors and Smiths3. Colonial Rupture and Innovation; 4. Samburu Smiths, Idoma Maskmakers: Power at a Distance; Part 3. Masks, Spears, the Body; 5. Mask and Spear: Art, Thing, Commodity; 6. Warrior Theatre and the Ritualized BodyPart 4. Commodities7. Idoma Sculpture: Colonialism and the Market for African Art; 8. Samburu Encounters with Modernity: Spears as Tourist Souvenirs; 9. Samburu Warriors in Hollywood Films: Cinematic CommoditiesReprise: The Three C's: Colonialism, Commodities, and Complex Representations; Coda: From Spears to Guns in the North Rift

Recenzii

“A rich and highly informative account of the many factors that impact artistic production in Africa.” Victoria Rovine, University of Florida

Notă biografică

Sidney Littlefield Kasfir is Professor in the Department of Art History at Emory University where she is also Faculty Curator of African Art. She is author of Contemporary African Art and editor of West African Masks and Cultural Systems.


Descriere

Explores African art and artistic production in a volatile global marketplace