After Kathy Acker: A Biography
Autor Chris Krausen Limba Engleză Paperback – 4 apr 2018
Preț: 58.84 lei
Preț vechi: 70.04 lei
-16% Nou
Puncte Express: 88
Preț estimativ în valută:
11.26€ • 11.73$ • 9.27£
11.26€ • 11.73$ • 9.27£
Carte disponibilă
Livrare economică 10-22 ianuarie 25
Livrare express 27 decembrie 24 - 02 ianuarie 25 pentru 31.81 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780141986654
ISBN-10: 0141986654
Pagini: 352
Dimensiuni: 129 x 198 x 20 mm
Greutate: 0.26 kg
Editura: Penguin Books
Colecția Penguin
Locul publicării:London, United Kingdom
ISBN-10: 0141986654
Pagini: 352
Dimensiuni: 129 x 198 x 20 mm
Greutate: 0.26 kg
Editura: Penguin Books
Colecția Penguin
Locul publicării:London, United Kingdom
Notă biografică
Chris
Krausis
the
author
ofI
Love
Dick;
Aliens
and
Anorexia;
Torpor;
Summer
of
Hateand
two
books
of
cultural
criticism.
She
was
a
2016
Guggenheim
Fellow
and
teaches
writing
at
European
Graduate
School.
Recenzii
This
is
a
gossipy,
anti-mythic
artist
biography
which
feels
like
it's
being
told
in
one
long
rush
of
a
monologue
over
late-night
drinks
by
someone
who
was
there.
Acker
emerges
as
an
unlikely
literary
hero,
but
an
utterly
convincing
one.
The path of the female artist. Is hell. Chris Kraus's veracious and intricately structured portrait rouses and stirs as it documents in meticulous and fascinating detail the life, work and body of Kathy Acker and what it takes to a become a 'great writer as countercultural hero.'
Kraus reconstitutes Acker's wanderings with real wit and beauty, understanding without pandering to the painfully high stakes of her identity games
To pin down the real Kathy Acker then is a self-defeating task but Chris Kraus's biography of her is a brilliant and necessary thing. Kraus pushes Acker's writing to the foreground making us understand how difficult a territory the so-called avant-garde was, and is, for a woman.
'To lie is to try,' Chris Kraus writes in this examination of the various personae of Kathy Acker, the fucked-up girl from high school who, through lying and trying, became an experimental writer of rare courage and vision. In some ways a contemporary and in some ways as far off as the days when people moved to New York and San Francisco for the cheap rent, Acker needed a key, and Chris Kraus provides it.
Chris Kraus'sAfter Ackersets the bar for what will surely be a new era of critical and biographical reckoning with the life and work of Kathy Acker. Kraus had a ringside seat, has done her homework, and here provides a substantive effort to pay homage not only to the complex, singular, raucous, and crucial writer and human that Acker was, but also to the constellation of artists, musicians, writers, and thinkers who were her friends, lovers, inspirations, and fellow makers of history.
Hardly anyone writes better or more insightfully than Chris Kraus about the lives of women and artists. After Kathy Acker is an intense, riveting portrait of a writer who was raw and savvy, fragile and brilliant, whose self-deceptions were inseparable from her greatness. Quotes from her profane and passionate journals reveal Kathy the crazy poet, the bad girlfriend, the Upper East Side schoolgirl, the downtown writer, Kathy in love and in denial. Gossipy, sexy, tragic, terrific.
The path of the female artist. Is hell. Chris Kraus's veracious and intricately structured portrait rouses and stirs as it documents in meticulous and fascinating detail the life, work and body of Kathy Acker and what it takes to a become a 'great writer as countercultural hero.'
Kraus reconstitutes Acker's wanderings with real wit and beauty, understanding without pandering to the painfully high stakes of her identity games
To pin down the real Kathy Acker then is a self-defeating task but Chris Kraus's biography of her is a brilliant and necessary thing. Kraus pushes Acker's writing to the foreground making us understand how difficult a territory the so-called avant-garde was, and is, for a woman.
'To lie is to try,' Chris Kraus writes in this examination of the various personae of Kathy Acker, the fucked-up girl from high school who, through lying and trying, became an experimental writer of rare courage and vision. In some ways a contemporary and in some ways as far off as the days when people moved to New York and San Francisco for the cheap rent, Acker needed a key, and Chris Kraus provides it.
Chris Kraus'sAfter Ackersets the bar for what will surely be a new era of critical and biographical reckoning with the life and work of Kathy Acker. Kraus had a ringside seat, has done her homework, and here provides a substantive effort to pay homage not only to the complex, singular, raucous, and crucial writer and human that Acker was, but also to the constellation of artists, musicians, writers, and thinkers who were her friends, lovers, inspirations, and fellow makers of history.
Hardly anyone writes better or more insightfully than Chris Kraus about the lives of women and artists. After Kathy Acker is an intense, riveting portrait of a writer who was raw and savvy, fragile and brilliant, whose self-deceptions were inseparable from her greatness. Quotes from her profane and passionate journals reveal Kathy the crazy poet, the bad girlfriend, the Upper East Side schoolgirl, the downtown writer, Kathy in love and in denial. Gossipy, sexy, tragic, terrific.