Alfred Gilbert's Aestheticism: Gilbert Amongst Whistler, Wilde, Leighton, Pater and Burne-Jones: British Art and Visual Culture since 1750 New Readings
Autor Jason Edwardsen Limba Engleză Paperback – 31 mar 2017
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Specificații
ISBN-13: 9781138263659
ISBN-10: 1138263656
Pagini: 292
Dimensiuni: 174 x 246 x 15 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria British Art and Visual Culture since 1750 New Readings
Locul publicării:Oxford, United Kingdom
ISBN-10: 1138263656
Pagini: 292
Dimensiuni: 174 x 246 x 15 mm
Greutate: 0.45 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Seria British Art and Visual Culture since 1750 New Readings
Locul publicării:Oxford, United Kingdom
Cuprins
Contents: Introduction: Alfred Gilbert's Aestheticism; A portrait of the artist as a young aesthete: Perseus Arming (1882) and 'Grosvenor' Aestheticism; Icarus (1884): 'academic' Aestheticism at Leighton and Burlington House; Allegorizing love in fin-de-siècle London: Eros (1886-93) and Piccadilly Aestheticism; The truth of masks: Comedy and Tragedy: 'Sic Vita' (1892); From Cleveland Street to Bruges: the Clarence Memorial Tomb (1892-99); Conclusion: G. F. Watts and the end of Gilbert's Aestheticism, 1899-1903; Bibliography; Index.
Notă biografică
Jason Edwards is Lecturer in Art History at the University of York, UK.
Recenzii
�... [Edwards's] erudition is impressive...Edwards's book is certainly readable, while his patent admiration for a remarkable artist is affecting and infectious. Alfred Gilbert's Aestheticism provocatively complements the excellent if more orthodox biographical achievements of Richard Dorment.� The Burlington Magazine
Descriere
Alfred Gilbert's Aestheticism presents the first sustained re-evaluation of the life and work of one of the most acclaimed sculptors of the late-Victorian period. Drawing on important archival sources, this ground-breaking study challenges the customary assumption that Aestheticism was primarily a literary, painterly or architectural phenomena. Jason Edwards reveals both the diverse ways in which Gilbert's sculptures operated within the context of Aestheticism and also how these works provided a unique and provocative commentary on the history of masculine friendship and eroticism in the period leading up to and beyond the Wilde trials in 1895.