Called "America's greatest living painter" by Esquire magazine in 1936, Speicher (1883-1962) was one of the foremost realists of his generation, closely associated with George Bellows, Robert Henri, and Leon Kroll. The exhibition catalogue examines Speicher's oeuvre, including his artistic development, subject matter, choice of models, influences, and the critical reception of his work. The catalogue contains three essays. The primary essay by curator Valerie Ann Leeds consists of a general assessment and critical review of Speicher's career and his place in the art world of his day. Another essay authored by Tom Wolf explores Speicher and his relationship to Woodstock. A third essay, by Daniel Belasco, surveys Speicher's drawings. The catalogue is the first to present a significant body of Speicher's work in color.