Altars of Spine and Fraction: Poems
Autor Nicholas Molberten Limba Engleză Paperback – 15 sep 2024
Altars of Spine and Fraction follows its protagonist through the joys and dangers of childhood on the rural Gulf Coast, through familial loss, and into adulthood. Refusing to romanticize what has been lost, Molbert instead interrogates how nostalgia is most often enjoyed by those with the privilege to reject or indulge it.
Violent hurricanes sweep across the landscapes of the poems, and Molbert probes the class inequalities that these climate crises lay bare. Moving from outdoor rural spaces in its first half to indoor domestic spaces in its second half, the collection explores family history, generational trauma, and the toxic masculinity that is shouldered by boys raised in the Deep South.
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Specificații
ISBN-13: 9780810147621
ISBN-10: 0810147629
Pagini: 80
Dimensiuni: 152 x 229 x 12 mm
Greutate: 0.14 kg
Editura: Northwestern University Press
Colecția Curbstone Books 2
ISBN-10: 0810147629
Pagini: 80
Dimensiuni: 152 x 229 x 12 mm
Greutate: 0.14 kg
Editura: Northwestern University Press
Colecția Curbstone Books 2
Notă biografică
NICHOLAS MOLBERT was born and raised on Louisiana’s Gulf Coast and now lives in Los Angeles. He is the author of the chapbooks Goodness Gracious and Cocodrie Elegy.
Cuprins
Scarlet Harvest
The Hurricanes Explain Their Aesthetic
When I Think of Firmament
Overture
Louisiana Birth
Toward Likeness: Morning
Parable of Baiting
Small Bodies
Covenant with Knives
Parables of Cutting
My Swiss Army Tinker Was Confused as I Was at Nine
I Could Do It
What Now to Praise
The Hurricanes Address the Poet
The Society
Box
Epistemology in Retrospect
Two for the Boy
Drill, 2001
The Story of Bayou DuLarge
Novena
The Boy Learns Funeral Etiquette
He Didn’t So Much Die
Voice, at Its Bones, Is Friction
Line
On Showing You My Hometown for the First Time
O
Readying Dinner
On This Side of Slumber
Comment on “Louisiana Birth”
Triptych on a Name
Knotted Impossibly with Translucent Line
Pelican
On the Canal
Cuplicking
What We Are Given and What We Make of It
But if You Have Me Last
My Theory of Everything
Notes
The Hurricanes Explain Their Aesthetic
When I Think of Firmament
Overture
Louisiana Birth
Toward Likeness: Morning
Parable of Baiting
Small Bodies
Covenant with Knives
Parables of Cutting
My Swiss Army Tinker Was Confused as I Was at Nine
I Could Do It
What Now to Praise
The Hurricanes Address the Poet
The Society
Box
Epistemology in Retrospect
Two for the Boy
Drill, 2001
The Story of Bayou DuLarge
Novena
The Boy Learns Funeral Etiquette
He Didn’t So Much Die
Voice, at Its Bones, Is Friction
Line
On Showing You My Hometown for the First Time
O
Readying Dinner
On This Side of Slumber
Comment on “Louisiana Birth”
Triptych on a Name
Knotted Impossibly with Translucent Line
Pelican
On the Canal
Cuplicking
What We Are Given and What We Make of It
But if You Have Me Last
My Theory of Everything
Notes
Recenzii
"While the intimate geographies are keenly mapped by Molbert’s language, what moves his work into broader landscapes are the voices he gives to the elements of southern nature. Hurricanes rhapsodize on aesthetic theory, gulls and canals snipe at one another, and the fish sing in poem after poem, dipping through the currents of the Louisiana coastline . . . The weather, the land, the sea, his family, his partner – they all teach the speaker how to draw the maps, shade the elevations, and how to write exactly what needs to be said and not a word more." —Chicago Review of Books
"We are tethered by the barely visible,” writes Molbert, as much about the fragile coastline being erased by a relentless petrochemical industry as about fishing lines and family bonds. It’s a great mercy that this gifted poet created a fecund estuary of ritual and story out of a disappearing one. He does not exhort or boast revelation but gestures again and again toward that shimmer of saving connection."—Martha Serpas, author of Double Effect: Poems
"Like saltwater mixing with the rivers of the gulf, Nicholas Molbert’s Altars of Spine and Fraction blends the myriad complexities of the American South with grace and beauty. These coming-of-age poems mark the borders of innocence and experience in powerful and memorable ways. Each poem arcs into the water, and I am consistently amazed at what Molbert’s poems manage to pull ashore."—Adam Clay, author of Circle Back: Poems
"Belief becomes the sinew of place, memory, personhood, and the act of writing poetry. Here, hurricanes not only speak, but instruct the poet on how to break—line, thinking, coast, family, canvas, and the heart. Molbert reminds us, “voice, at its bones, is friction,” as these poems lull and unsettle, conjure and dissipate, transforming to friction-full tides pulling us across the page." —Felicia Zamora, author of I Always Carry My Bones
"Altars of Spine and Fraction offers a praise song full of the particulars of a white working class boyhood in Southern Louisiana: hurricanes and rigs, fishing and football, double-wides and Swiss Army knives. In doing so, it offers too the social ecology of a rural landscape changed by fossil fuels and climate crisis, its small towns and social fabric giving way to a rising Gulf. Set against the backdrop of "another lane eaten/by the encroaching coastline," infused with "the funk/of diesel," Molbert's poems also tell the story of a prodigal son wounded by the model of masculinity his father offers. A paean to the homes we leave behind and the homes we go on to make, this book dwells in the place more central to ourselves than the self." —Brian Teare, The Empty Form Goes All The Way To Heaven
"We are tethered by the barely visible,” writes Molbert, as much about the fragile coastline being erased by a relentless petrochemical industry as about fishing lines and family bonds. It’s a great mercy that this gifted poet created a fecund estuary of ritual and story out of a disappearing one. He does not exhort or boast revelation but gestures again and again toward that shimmer of saving connection."—Martha Serpas, author of Double Effect: Poems
"Like saltwater mixing with the rivers of the gulf, Nicholas Molbert’s Altars of Spine and Fraction blends the myriad complexities of the American South with grace and beauty. These coming-of-age poems mark the borders of innocence and experience in powerful and memorable ways. Each poem arcs into the water, and I am consistently amazed at what Molbert’s poems manage to pull ashore."—Adam Clay, author of Circle Back: Poems
"Belief becomes the sinew of place, memory, personhood, and the act of writing poetry. Here, hurricanes not only speak, but instruct the poet on how to break—line, thinking, coast, family, canvas, and the heart. Molbert reminds us, “voice, at its bones, is friction,” as these poems lull and unsettle, conjure and dissipate, transforming to friction-full tides pulling us across the page." —Felicia Zamora, author of I Always Carry My Bones
"Altars of Spine and Fraction offers a praise song full of the particulars of a white working class boyhood in Southern Louisiana: hurricanes and rigs, fishing and football, double-wides and Swiss Army knives. In doing so, it offers too the social ecology of a rural landscape changed by fossil fuels and climate crisis, its small towns and social fabric giving way to a rising Gulf. Set against the backdrop of "another lane eaten/by the encroaching coastline," infused with "the funk/of diesel," Molbert's poems also tell the story of a prodigal son wounded by the model of masculinity his father offers. A paean to the homes we leave behind and the homes we go on to make, this book dwells in the place more central to ourselves than the self." —Brian Teare, The Empty Form Goes All The Way To Heaven
Descriere
From Louisiana’s fishing village of Cocodrie comes a debut collection on masculinity, hurricanes, and how a child of the Gulf Coast carries, honors, and revises Southern traditions.