American Autobiography after 9/11: Wisconsin Studies in Autobiography
Autor Megan Brownen Limba Engleză Hardback – 9 ian 2017
In the wake of the 2001 terrorist attacks in the United States, American memoirists have wrestled with a wide range of anxieties in their books. They cope with financial crises, encounter difference, or confront norms of identity. Megan Brown contends that such best sellers as Cheryl Strayed’s Wild, Elizabeth Gilbert’s Eat, Pray, Love, and Tucker Max’s I Hope They Serve Beer in Hell teach readers how to navigate a confusing, changing world.
This lively and theoretically grounded book analyzes twenty-first-century memoirs from Three Cups of Tea to Fun Home, emphasizing the ways in which they reinforce and circulate ideologies, becoming guides or models for living. Brown expands her inquiry beyond books to the autobiographical narratives in reality television and political speeches. She offers a persuasive explanation for the memoir boom: the genre as a response to an era of uncertainty and struggle.
This lively and theoretically grounded book analyzes twenty-first-century memoirs from Three Cups of Tea to Fun Home, emphasizing the ways in which they reinforce and circulate ideologies, becoming guides or models for living. Brown expands her inquiry beyond books to the autobiographical narratives in reality television and political speeches. She offers a persuasive explanation for the memoir boom: the genre as a response to an era of uncertainty and struggle.
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Specificații
ISBN-13: 9780299310301
ISBN-10: 0299310302
Pagini: 176
Ilustrații: 1 b-w photo
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.4 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Studies in Autobiography
ISBN-10: 0299310302
Pagini: 176
Ilustrații: 1 b-w photo
Dimensiuni: 152 x 229 x 15 mm
Greutate: 0.4 kg
Ediția:1
Editura: University of Wisconsin Press
Colecția University of Wisconsin Press
Seria Wisconsin Studies in Autobiography
Recenzii
“Demonstrates how several American life-writing subgenres have reflected and responded to national and personal anxieties after 9/11. This accessible and well-argued book is an essential resource for understanding contemporary memoir.”—G. Thomas Couser, Hofstra University
Notă biografică
Megan Brown is an associate professor of English at Drake University and the author of The Cultural Work of Corporations.
Cuprins
Acknowledgments
Introduction
1 Keeping It Real; or, “Fraud” Memoirs and Representations of Ethnic Authenticity
2 Learning to Live Again: Contemporary U.S. Memoir as Biopolitical Self-Care Guide
3 Memoirs of Empire
4 Babies, Blow Jobs, and Bombs: The Bromoir and/as Anxiety
5 Selling Subjectivity: Business Memoirs as Biopolitical Management
6 The Memoir as Provocation: A Case for “Me Studies” in Undergraduate Classes
Afterword
Notes
Bibliography
Index
Introduction
1 Keeping It Real; or, “Fraud” Memoirs and Representations of Ethnic Authenticity
2 Learning to Live Again: Contemporary U.S. Memoir as Biopolitical Self-Care Guide
3 Memoirs of Empire
4 Babies, Blow Jobs, and Bombs: The Bromoir and/as Anxiety
5 Selling Subjectivity: Business Memoirs as Biopolitical Management
6 The Memoir as Provocation: A Case for “Me Studies” in Undergraduate Classes
Afterword
Notes
Bibliography
Index
Descriere
In the post-9/11 era, a flood of memoirs has wrestled with anxieties both personal and national.