American Modernism at the Art Institute of Chicago: From World War I to 1955
Autor Judith A. Barter Contribuţii de Sarah Kelly Oehler, Ellen E. Roberts, Brandon K. Ruud, Denise Mahoney Autor Jennifer M. Downsen Limba Engleză Hardback – feb 2010
The first publication to focus on the Art Institute’s outstanding collection of American modernism, this volume includes over 175 important paintings, sculptures, decorative-art objects, and works on paper made in North America between World War II and 1955. Together they fully reflect the history of American art in these decades, including examples of early modernism, Social Realism, Surrealism, and Abstract Expressionism. Among the paintings are such iconic works as Hopper’s Nighthawks and Wood’s American Gothic, along with notable pieces by Davis, De Kooning, Hartley, Lawrence, Marin, O’Keeffe, Pollock, and Sheeler. Among the sculptors represented are Calder, Cornell, and Noguchi. Spectacular decorative artwork by the Eameses, Grotell, Neutra, Saarinen, F. L. Wright, and Zeisel are also featured. Reproduced in full color, each work is accompanied by an accessible and up-to-date text, complete with comparative illustrations. The introduction traces the formation of this important collection by a number of noted curators, collectors, and patrons.
Distributed for the Art Institute of Chicago
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Specificații
ISBN-13: 9780300117387
ISBN-10: 0300117388
Pagini: 368
Ilustrații: 325 color + 64 b-w
Dimensiuni: 241 x 305 x 36 mm
Greutate: 2.43 kg
Editura: Yale University Press
Colecția Art Institute of Chicago
ISBN-10: 0300117388
Pagini: 368
Ilustrații: 325 color + 64 b-w
Dimensiuni: 241 x 305 x 36 mm
Greutate: 2.43 kg
Editura: Yale University Press
Colecția Art Institute of Chicago
Notă biografică
Judith A. Barter is the Field-McCormick Chair and Curator of American Art at the Art Institute of Chicago. She is the editor of Apostles of Beauty.
Recenzii
“Well worth the cost (particularly when paired with the companion volume) as a survey of one of the most important American 20th-century collections.”
--Kraig Binkowski, Yale Center for British Art, Library Journal
--Kraig Binkowski, Yale Center for British Art, Library Journal