American Workman: The Life and Art of John Kane
Autor Maxwell King, Louise Lippincotten Limba Engleză Hardback – 12 apr 2022
Preț: 239.95 lei
Nou
Puncte Express: 360
Preț estimativ în valută:
45.93€ • 47.77$ • 38.49£
45.93€ • 47.77$ • 38.49£
Carte disponibilă
Livrare economică 20 februarie-06 martie
Livrare express 06-12 februarie pentru 53.83 lei
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780822947042
ISBN-10: 0822947048
Pagini: 308
Ilustrații: tk
Dimensiuni: 152 x 229 x 30 mm
Greutate: 1 kg
Editura: University of Pittsburgh Press
Colecția University of Pittsburgh Press
ISBN-10: 0822947048
Pagini: 308
Ilustrații: tk
Dimensiuni: 152 x 229 x 30 mm
Greutate: 1 kg
Editura: University of Pittsburgh Press
Colecția University of Pittsburgh Press
Recenzii
“An exhaustive biography as well as a deep critical appreciation of Kane’s art, American Workman should bring new attention to this artist’s remarkable work.” —Pittsburgh Magazine
“This reassessment of the life and art of John Kane (1860-1934) sets a new standard for art scholarship. . . . Illustrations make this book a rich experience.” —Maine Antiques Digest
“American Workman, the first new account of Kane’s life and work in fity years, is gorgeous . . . King presents a thoughtful account that shuns the contemporary tactic of inventing scenes and dialogue . . . [and] Lippincott also offers bracing art-historical detective work and well-grounded speculation about Kane’s motives and aims.” —Pittsburgh Post-Gazette
“Lippincott should be applauded for the deep research in her half of the book, which focuses exclusively on Kane’s art. . . . While Kane’s work may still be a fixture at MoMA, maybe it’s time he’s broken out of that stuffy Masters of Popular Painting gallery. American Workman may provide the groundwork for doing just that.” —ARTnews
"When Andy Warhol first hit the art world, he was only the second most famous painter to come out of Pittsburgh. John Kane, steelworker and housepainter, had garnered his own headlines in the 1920s, when museums discovered his 'primitive' oils. Almost a century later, Maxwell King and Louise Lippincott are giving Kane the attention he deserves. They do a lovely job on both life and art, and the amalgam Kane forged from the two."—Blake Gopnik, American art critic and author of Warhol
“John Kane was a working man who made a living as a rail car and house painter—but this work did not define him. He was himself a study in contrasts—hard drinking, hard fighting, yet, at the same time, sensitive, contemplative, and hyper-focused. His art depicts an American workman’s life with an attention to detail that reveals his worlds, real and imagined, in high definition. Kane saw beauty where others saw a tortured industrial landscape. His artistic eye saw the can-do spirit of Pittsburgh, often filtering out the gritty ugliness that other observers could not see through. Maxwell King and Louise Lippincott have achieved something quite remarkable with their insightful and balanced examination of a most extraordinary man whose talent enabled him to elevate fleeting moments of ordinary life to works of art for the ages.” —Andrew E. Masich, President & CEO of the Senator John Heinz History Center
“American Workman is a long-overdue reexamination of the first self-taught American painter to be taken up by the modern art establishment. As Louise Lippincott notes, there are many parallels between our twenty-first century reality and Kane’s Depression-era Pittsburgh: among them, a glaring divide between economic haves and have-nots, and an art world hungry for the next big thing. . . . This is not, however, a rags-to-riches story, but something more trenchant. Although John Kane died in poverty, he left an artistic legacy that both spoke to his time and transcended it.” —Jane Kallir, president, Kallir Research Institute
“This reassessment of the life and art of John Kane (1860-1934) sets a new standard for art scholarship. . . . Illustrations make this book a rich experience.” —Maine Antiques Digest
“American Workman, the first new account of Kane’s life and work in fity years, is gorgeous . . . King presents a thoughtful account that shuns the contemporary tactic of inventing scenes and dialogue . . . [and] Lippincott also offers bracing art-historical detective work and well-grounded speculation about Kane’s motives and aims.” —Pittsburgh Post-Gazette
“Lippincott should be applauded for the deep research in her half of the book, which focuses exclusively on Kane’s art. . . . While Kane’s work may still be a fixture at MoMA, maybe it’s time he’s broken out of that stuffy Masters of Popular Painting gallery. American Workman may provide the groundwork for doing just that.” —ARTnews
"When Andy Warhol first hit the art world, he was only the second most famous painter to come out of Pittsburgh. John Kane, steelworker and housepainter, had garnered his own headlines in the 1920s, when museums discovered his 'primitive' oils. Almost a century later, Maxwell King and Louise Lippincott are giving Kane the attention he deserves. They do a lovely job on both life and art, and the amalgam Kane forged from the two."—Blake Gopnik, American art critic and author of Warhol
“John Kane was a working man who made a living as a rail car and house painter—but this work did not define him. He was himself a study in contrasts—hard drinking, hard fighting, yet, at the same time, sensitive, contemplative, and hyper-focused. His art depicts an American workman’s life with an attention to detail that reveals his worlds, real and imagined, in high definition. Kane saw beauty where others saw a tortured industrial landscape. His artistic eye saw the can-do spirit of Pittsburgh, often filtering out the gritty ugliness that other observers could not see through. Maxwell King and Louise Lippincott have achieved something quite remarkable with their insightful and balanced examination of a most extraordinary man whose talent enabled him to elevate fleeting moments of ordinary life to works of art for the ages.” —Andrew E. Masich, President & CEO of the Senator John Heinz History Center
“American Workman is a long-overdue reexamination of the first self-taught American painter to be taken up by the modern art establishment. As Louise Lippincott notes, there are many parallels between our twenty-first century reality and Kane’s Depression-era Pittsburgh: among them, a glaring divide between economic haves and have-nots, and an art world hungry for the next big thing. . . . This is not, however, a rags-to-riches story, but something more trenchant. Although John Kane died in poverty, he left an artistic legacy that both spoke to his time and transcended it.” —Jane Kallir, president, Kallir Research Institute
Notă biografică
Maxwell King is the former editor of the Philadelphia Inquirer and president of the Heinz Endowments. He is the author of the poetry collection Crossing Laurel Run and the New York Times-bestselling Mister Rogers biography The Good Neighbor: The Life and Work of Fred Rogers. King also served as chairman of the board of the national Council on Foundations. His most recent job was president of The Pittsburgh Foundation.
Louise Lippincott is a historian and former curator specializing in American and European art from the Enlightenment to the modern era. She focuses on artists outside the mainstream, and the historical contexts that give meaning to their work. As curator of fine arts at Carnegie Museum of Art, she managed the largest John Kane collection in the United States. Previously she occupied curatorial positions at the J. Paul Getty Museum and Philadelphia Museum of Art.
Louise Lippincott is a historian and former curator specializing in American and European art from the Enlightenment to the modern era. She focuses on artists outside the mainstream, and the historical contexts that give meaning to their work. As curator of fine arts at Carnegie Museum of Art, she managed the largest John Kane collection in the United States. Previously she occupied curatorial positions at the J. Paul Getty Museum and Philadelphia Museum of Art.
Cuprins
Section One
THE LIFE by Maxwell King
Part One: Scotland, steel and the origins of the lifelong wanderings of a man of many parts. How John Kane came to America from Scotland and began a long and extraordinarily varied working life, first in coal and coke, then in steel, railroads and building, all the while patiently honing his skills as an artist. And how his risk-taking, seeking nature took him to many parts of the country and into activities as different as boxing with professionals and patiently teaching himself the skills of a painter and an artist.
Chapter 1: A Boy in Scotland
Chapter 2: Coming to America
Chapter 3: Making Steel
Chapter 4: A Ranging and Restless Spirit
Part Two: Railroads, strikes, a love affair with paint, marriage to "as pretty a lass as ever came out of Ireland," a peripatetic journey through the land, and earning some real money from art. Wherein, John Kane, grievously injured in an accident, manages to carry on as a workman, an artist, and, now, a family man.
Chapter 5: Trouble Comes
Chapter 6: Paint
Chapter 7: The Artist as Nomad
Chapter 8: And Home Again
Part Three: At last, success; and, with it comes controversy and the overwhelming feeling of getting lost in all the world’s attention. But John Kane, always resilient, now does some of his very best work, just as wealthy collectors and museums compete for his paintings.
Chapter 9: Acclaim
Chapter 10: And Controversy
Chapter 11: Legacy
Section Two
THE ART by Louise Lippincott
Part 1: Review of the Field
Chapter 1: Storytellers: Sky Hooks as a John Kane word painting
Chapter 2: Myth, legend, history: Subsequent critical literature
Part 2: An Unconventional Career
Chapter 3: Tests of virtue: Why Kane doesn’t fit the modernist paradigm
Chapter 4: Hero’s quest: A workman’s way to the fine arts
Chapter 5: Comedy of errors: A culture clash, a setback, and a tiresome cloud
Part 3: Self-Portraits and Landscapes
Chapter 6: Mirror, mirror: John Kane’s early self-portraits and artistic identity
Chapter 7: Soul of a champion: Later self-portraits and industrial worker culture
Chapter 8: Cinderella Story: John Kane and the Carnegie International
Chapter 9: Beauty and the Beast: John Kane as a landscape painter
Chapter 10: Rumpelstiltskin: John Kane’s industrial subjects
Notes, Bibliography
THE LIFE by Maxwell King
Part One: Scotland, steel and the origins of the lifelong wanderings of a man of many parts. How John Kane came to America from Scotland and began a long and extraordinarily varied working life, first in coal and coke, then in steel, railroads and building, all the while patiently honing his skills as an artist. And how his risk-taking, seeking nature took him to many parts of the country and into activities as different as boxing with professionals and patiently teaching himself the skills of a painter and an artist.
Chapter 1: A Boy in Scotland
Chapter 2: Coming to America
Chapter 3: Making Steel
Chapter 4: A Ranging and Restless Spirit
Part Two: Railroads, strikes, a love affair with paint, marriage to "as pretty a lass as ever came out of Ireland," a peripatetic journey through the land, and earning some real money from art. Wherein, John Kane, grievously injured in an accident, manages to carry on as a workman, an artist, and, now, a family man.
Chapter 5: Trouble Comes
Chapter 6: Paint
Chapter 7: The Artist as Nomad
Chapter 8: And Home Again
Part Three: At last, success; and, with it comes controversy and the overwhelming feeling of getting lost in all the world’s attention. But John Kane, always resilient, now does some of his very best work, just as wealthy collectors and museums compete for his paintings.
Chapter 9: Acclaim
Chapter 10: And Controversy
Chapter 11: Legacy
Section Two
THE ART by Louise Lippincott
Part 1: Review of the Field
Chapter 1: Storytellers: Sky Hooks as a John Kane word painting
Chapter 2: Myth, legend, history: Subsequent critical literature
Part 2: An Unconventional Career
Chapter 3: Tests of virtue: Why Kane doesn’t fit the modernist paradigm
Chapter 4: Hero’s quest: A workman’s way to the fine arts
Chapter 5: Comedy of errors: A culture clash, a setback, and a tiresome cloud
Part 3: Self-Portraits and Landscapes
Chapter 6: Mirror, mirror: John Kane’s early self-portraits and artistic identity
Chapter 7: Soul of a champion: Later self-portraits and industrial worker culture
Chapter 8: Cinderella Story: John Kane and the Carnegie International
Chapter 9: Beauty and the Beast: John Kane as a landscape painter
Chapter 10: Rumpelstiltskin: John Kane’s industrial subjects
Notes, Bibliography
Descriere
A comprehensive, novel reassessment of the life and work of one of America's most influential self-taught artists, John Kane.