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An Introduction to Tchaikovsky's Operas

Autor Henry Zajaczkowski
en Limba Engleză Hardback – 29 mai 2005 – vârsta până la 17 ani
Known primarily as the composer of The Nutcracker Suite and other legendary pieces, Tchaikovsky was also a noted musical dramatist. Here, in the first book devoted to the subject, his operas are explored in depth: from his two most famous, Eugene Oneginand The Queen of Spades, to such lesser-known works as The Maid of Orléans. The social and psychological complexity of these operas, not to mention their musical brilliance, confirm Tchaikovsky's reputation as his country's greatest opera composer. He displayed great versatility in the range of genres in which he worked, from the tragic to the fantastical, the allegorical to the comic, and he employed a rich variety of musical styles, creating operas that are still performed widely today.In this thorough and engaging examination, author Henry Zajaczkowski both assesses and re-appraises these works. He provides an overview of Tchaikovsky's opera career, complete with synopses, musical and dramatic analysis, and historical context that places the composer in the pantheon of great masters of the form.
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Specificații

ISBN-13: 9780275979492
ISBN-10: 0275979490
Pagini: 148
Dimensiuni: 156 x 235 x 18 mm
Greutate: 0.48 kg
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States

Notă biografică

Henry Zajaczkowski is the author of Tchaikovsky's Musical Style and a contributor to The Music Review, The Musical Times, and the journal of the Tchaikowsky-Gesellschaft. He has lectured on music on BBC Radio and at Lincoln Center in New York. He teaches music privately in London.

Cuprins

A SurveyUncertain BeginningsFresh ImpetusUkranian Footwear and a Comic OperaPushkin and the Mature Operatic BreakthroughReversion to ChildhoodReturn to PushkinTragic Force ReaffirmedPushkin Revisited and a Dramatic CatharsisThe Culminating AllegoryNotesBibliographyChronologyList of Tchaikovsky's Operas

Recenzii

Zajaczkowski provides historical background and discusses the composer's uncertain beginnings, influences on his work, and the impetus from Pushkin, providing a fresh and insightful examination of this body of work. Including a selected bibliography and copious notes, this volume is a solid addition to Tchaikovsky criticism. Recommended. Lower-/upper-division undergraduates, general readers, and professional music historians.