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Analytical Variations - Eight Critical Essays on Applied Music Theory de Bengt Edlund

Analytical Variations - Eight Critical Essays on Applied Music Theory: Methodology of Music Research

Autor Bengt Edlund
en Limba Engleză Hardback – 28 ian 2020
This book gives a critical account of various methods used in music analysis. In the first chapter, a number of current approaches such as semiotics, musical implications, Schenkerian analysis, and generative theory are demonstrated on Mozart¿s K. 331 theme. Five essays deal with important concepts in music analysis: ambiguity, formal proportions, and similarity within and between works. A further chapter provides a discussion of probability, kinship, and influence ¿ decisive criteria when judging musical plagiarism. The last essay, studying a piece by Schubert, sifts the prospects of deciphering a composer¿s sexual leanings from his music.
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Specificații

ISBN-13: 9783631770658
ISBN-10: 3631770650
Pagini: 620
Dimensiuni: 148 x 210 x 41 mm
Greutate: 0.82 kg
Editura: Peter Lang Copyright AG
Seria Methodology of Music Research

Notă biografică

Bengt Edlund, trained as a pianist and formerly active as a music critic, has worked as a professor of musicology at the University of Lund. His main fields of interest are music theory and analysis, music cognition and aethetics, and musical interpretation. Related titles: Chopin - the Preludes and Beyond, and Questioning Schenkerism.

Cuprins

Analytical Variations on a Theme by Mozart - In Defence of Musical Ambiguity - Mozart out of Proportion - Hidden Repetitions and Uncovered Parallelisms - An das ferne Verwandte - Warum Grillen? - Suing a Sound-Alike - Schubert's Promissory Note. Further Exercises in Musical Hermeneutics.

Descriere

This book offers critical demonstrations of various methods and concepts currently used in music analysis. Among the subjects are musical implications, tonal analysis, generative theory, ambiguity, similarity, and the key criteria met with in lawsuits of plagiarism. Finally, can a composer's sexual leanings be derived from his music?