Anglo-German Theatrical Exchange: “A sea-change into something rich and strange?”: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, cartea 181
Rudolf Weiss, Ludwig Schnauder, Dieter Fuchsen Limba Engleză Hardback – 11 feb 2015
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Specificații
ISBN-13: 9789004292314
ISBN-10: 9004292314
Dimensiuni: 155 x 235 mm
Greutate: 0.79 kg
Editura: Brill
Colecția Brill
Seria Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
ISBN-10: 9004292314
Dimensiuni: 155 x 235 mm
Greutate: 0.79 kg
Editura: Brill
Colecția Brill
Seria Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft
Cuprins
CONTENTS
RUDOLF WEISS, LUDWIG SCHNAUDER, AND DIETER FUCHS
Introduction
NORBERT BACHLEITNER
English Plays on the Austrian Lists of Banned Books
between 1750 and 1848
JOHN BULL
Trumpets and Drums in the Night: The 1956 Berliner Ensemble Season
in London and its Aftermath
SABINE COELSCH-FOISNER
From Oscar Wilde’s Fairy Tale “The Birthday of the Infanta”
to Alexander von Zemlinsky’s Tragic Opera The Dwarf
DIETER FUCHS
‘That is no country for young men’: The Reception of
Synge’s and O’Casey’s Plays in Vienna from 1914 to 1969
NORBERT GREINER
From Text (Source) to Performance (Target):
Performative Conventions and their Impact on Stage Translations
BEATRIX HESSE
Crossing Borders: The Example of Michael Frayn’s Afterlife
CHRISTOPH HOUSWITSCHKA
The Political Reception of German Drama in Great Britain
in the Period of the French Revolution
CHRISTOPHER INNES
Interchanges: From English Texts to German Productions –
A Contemporary Comparison
FRITZ-WILHELM NEUMANN
Alan Ayckbourn’s Season’s Greetings in Translation:
Mind the Cultural Gap
MICHAEL RAAB
No More Beautiful Losers: New Scottish Drama
at Home and in the German-speaking Theatre
BERNHARD REITZ
Some Comparative Remarks Concerning
British and German Theatre
MARGARETE RUBIK
Jane Eyre on the German Stage
LUDWIG SCHNAUDER
“The villainy you teach me I will execute…”
Peter Zadek’s Productions of Shakespeare’s The Merchant of Venice
and Marlowe’s The Jew of Malta at Vienna’s Burgtheater
SUSANNE VILL
Displaying Midsummer Night’s Dreams
RUDOLF WEISS
The Return of The Silent Woman: Stefan Zweig’s
Ben Jonson Adaptation for Richard Strauss
and Ronald Harwood’s Collaboration
W. E. YATES
Razzle-dazzling Satire on the Move: Nestroy and English Theatre:
A Tale of Cultural Transfer
Notes on Contributors
RUDOLF WEISS, LUDWIG SCHNAUDER, AND DIETER FUCHS
Introduction
NORBERT BACHLEITNER
English Plays on the Austrian Lists of Banned Books
between 1750 and 1848
JOHN BULL
Trumpets and Drums in the Night: The 1956 Berliner Ensemble Season
in London and its Aftermath
SABINE COELSCH-FOISNER
From Oscar Wilde’s Fairy Tale “The Birthday of the Infanta”
to Alexander von Zemlinsky’s Tragic Opera The Dwarf
DIETER FUCHS
‘That is no country for young men’: The Reception of
Synge’s and O’Casey’s Plays in Vienna from 1914 to 1969
NORBERT GREINER
From Text (Source) to Performance (Target):
Performative Conventions and their Impact on Stage Translations
BEATRIX HESSE
Crossing Borders: The Example of Michael Frayn’s Afterlife
CHRISTOPH HOUSWITSCHKA
The Political Reception of German Drama in Great Britain
in the Period of the French Revolution
CHRISTOPHER INNES
Interchanges: From English Texts to German Productions –
A Contemporary Comparison
FRITZ-WILHELM NEUMANN
Alan Ayckbourn’s Season’s Greetings in Translation:
Mind the Cultural Gap
MICHAEL RAAB
No More Beautiful Losers: New Scottish Drama
at Home and in the German-speaking Theatre
BERNHARD REITZ
Some Comparative Remarks Concerning
British and German Theatre
MARGARETE RUBIK
Jane Eyre on the German Stage
LUDWIG SCHNAUDER
“The villainy you teach me I will execute…”
Peter Zadek’s Productions of Shakespeare’s The Merchant of Venice
and Marlowe’s The Jew of Malta at Vienna’s Burgtheater
SUSANNE VILL
Displaying Midsummer Night’s Dreams
RUDOLF WEISS
The Return of The Silent Woman: Stefan Zweig’s
Ben Jonson Adaptation for Richard Strauss
and Ronald Harwood’s Collaboration
W. E. YATES
Razzle-dazzling Satire on the Move: Nestroy and English Theatre:
A Tale of Cultural Transfer
Notes on Contributors
Recenzii
“No reader is likely to put this book down without having learned something interesting and important about the history of the theatre in the British Isles and the German-speaking world. And if there is one respect in which this book can be said to be more than the sum of its parts, it is because of the way in which it broadens and deepens the idea of theatrical exchange. In that sense it greatly enriches the study of cultural relations and helps to point the way to the future.” - Robert Gillett, Queen Mary University London, in: Angermion, 2016, Vol. 9 pp. 176-181