Animal Perception and Literary Language: Palgrave Studies in Animals and Literature
Autor Donald Weslingen Limba Engleză Hardback – 14 ian 2019
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Specificații
ISBN-13: 9783030049683
ISBN-10: 303004968X
Pagini: 319
Ilustrații: XXIV, 327 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.57 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Animals and Literature
Locul publicării:Cham, Switzerland
ISBN-10: 303004968X
Pagini: 319
Ilustrații: XXIV, 327 p. 1 illus.
Dimensiuni: 148 x 210 mm
Greutate: 0.57 kg
Ediția:1st ed. 2019
Editura: Springer International Publishing
Colecția Palgrave Macmillan
Seria Palgrave Studies in Animals and Literature
Locul publicării:Cham, Switzerland
Cuprins
Part I: Imbroglios of Humans and Nonhumans.- Part II: Perception, Cognition, Writing.- Part III: Attributes of Animalist Thinking.- Part IV: Animalist Thinking From Lucretius to Temple Grandin.- Part V: Perception and Expectation in Literature.
Notă biografică
Donald Wesling is Professor Emeritus of English Literature at UC San Diego, USA. He has published on Wordsworth, John Muir, Edward Dorn, and Bakhtin; on rhyme, meter, and avant-garde prosody; and on how voice and emotion get into writing.
Textul de pe ultima copertă
Animal Perception and Literary Language shows that the perceptual content of reading and writing derives from our embodied minds. Donald Wesling considers how humans, evolved from animals, have learned to code perception of movement into sentences and scenes. The book first specifies terms and questions in animal philosophy and surveys recent work on perception, then describes attributes of multispecies thinking and defines a tradition of writers in this lineage. Finally, the text concludes with literature coming into full focus in twelve case studies of varied readings. Overall, Wesling's book offers not a new method of literary criticism, but a reveal of what we all do with perceptual content when we read.
Caracteristici
Recontextualizes prominent texts in intellectual and philosophical history in terms of animal studies Sets forth a methodology for reading literature as an “animalist” Contributes to understanding of embodiment, affect, and perception