Animation – Art and Industry de Maureen Furniss

Animation – Art and Industry

Maureen Furniss

Animation Art and Industry is an introductory reader covering a broad range of animation studies topics, focusing on both American and international contexts. It provides information about key individuals in the fields of both independent and experimental animation, and introduces a variety of topics relevant to the critical study of media censorship, representations of gender and race, and the relationship between popular culture and fine art. Essays span the silent era to the present, include new media such as web animation and gaming, and address animation made using a variety of techniques."

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Provisional contentsIntroduction: Maureen FurnissGlobal PerspectivesCecile Starr, Fine Art Animation The Art of the Animated Image: An Anthology; William Moritz, Some Critical Perspectives on Lotte Reiniger Animation Journal; Esther Leslie, its mickey mouse Hollywood Flatlands; Terence Dobson, Norman McLaren: His UNESCO Work in Asia Animation Journal; Patrick Drazen, Conventions versus Clichés Anime Explosion! The What? Why? &Wow! of Japanese Animation; Helen McCarthy, My Neighbor Totoro Hayao Miyazaki: Master of Japanese Animation; Marian Quigley, Glocalisation vs. Globalization: The Work of Nick Park and Peter Lord. Animation Journal; Terry Lindvall and Matthew Melton, Toward a Postmodern Animated Discourse: Bakhtin, Intertexuality and the Cartoon Carnival Animation Journal; Edwin Carels, 1895: Animation, History and the Metafilm Animation Journal; Jørgen Stensland, Innocent Play or the Copycat Effect? Computer Game Research and Classification Animation JournalAnimation in AmericaJohn Canemaker, Winsor McCay. The American Animated Cartoon; J.B. Kaufman, The Live Wire: Margaret J. Winkler and Animation History Unpublished essay; Bill Mikulak, Disney and the Art World: The Early Years Animation Journal; John Lewell, The Art of Chuck Jones. Films and Filming; Charles Solomon, The Disney Studio at War Jules Engel, Jules, Untitled essay in The United Productions of America: Reminiscing Thirty Years Later Edited by William Moritz. ASIFA Canada; Karl Cohen, Blacklisted Animators Forbidden Animation: Censored Cartoons and Blacklisted Animators in America; Michael Frierson, Clay Animation and the Early Days of Television: The Gumby series Clay Animation: American Highlights 1908 to the Present; Bill Hanna and Tom Ito, Commercial Breaks. A Cast of Friends; George Griffin, Cartoon, Anti-Cartoon. The American Animated Cartoon; James Lindner (moderator); John Lasseter; Tina Price; and Carl Rosendahl, Computers, New Technology and Animation Storytelling in Animation: The Art of the Animated Image; Sean Griffin, The Illusion of Identity: Gender and Racial Representation in Aladdin. Animation Journal; Linda Simensky, Selling Bugs Bunny: Warner Bros. and Character Merchandising in the Nineties Reading the Rabbit: Explorations in Warner Bros. Animation