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Ann Petry's Short Fiction: Critical Essays: Contributions in Afro-American and African Studies: Contemporary Black Poets

Editat de Hazel A. Ervin, Hilary W. Holladay
en Limba Engleză Hardback – 29 mai 2004 – vârsta până la 17 ani
This collection of critical essays is the first work to examine the short stories of Ann Petry, a noted African American writer. While best known for her best-selling debut novel, The Street, the focus of this text is her equally important, but less familiar, volume of short stories Miss Muriel and Other Stories. Within Ann Petry's Short Fiction: Critical Essays, contributors from a variety of disciplines, from literary studies to philosophy, analyze and comment on stories such as Mother Africa, In Darkness and Confusion, and The Witness.Organized into three parts, the first section provides an overview of Petry's short fiction from different theoretical perspectives. In the following two segments, essays are arranged in chronological order, beginning with Petry's work from the 1940s. Contributors discuss her portrayal of characters and conflict as well as thematic threads that run through Petry's work. Taken together, these 14 essays constitute an invaluable companion to Petry's work. This illuminating collection will interest scholars of literature, history, and culture, as well as anyone interested in the fiction of Ann Petry.
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Specificații

ISBN-13: 9780313322914
ISBN-10: 0313322910
Pagini: 208
Dimensiuni: 156 x 235 x 21 mm
Greutate: 0.44 kg
Editura: Bloomsbury Publishing
Colecția Praeger
Seria Contributions in Afro-American and African Studies: Contemporary Black Poets

Locul publicării:New York, United States

Notă biografică

HAZEL ARNETT ERVIN is Associate Professor of English, Department of English, Morehouse College.HILARY HOLLADAY is a Professor of English at the University of Massachusetts, Lowell, where she teaches African American Literature, Literature of the Beat Movement, and Modern Poetry. She is the author of Ann Petry (Twayne, 1996) and Wild Blessings: The Poetry of Lucille Clifton (LSU Press, 2004).

Cuprins

AcknowledgmentsChronologyIntroductionCritical EssaysA World Made Cunningly: A Closer Look at Ann Petry's Short Fiction by Gladys J. WashingtonAnn Petry and African Poetics: A Review of "Solo on the Drums" by Sheikh Umar KamarahFolk Traditions in the Short Fiction of Ann Petry by Gladys J. WashingtonArtistic Discourse in Three Short Stories by Ann Petry by Nora Ruth RobertsJazz/Blues Structure in Ann Petry's "Solo on the Drums" by Gayl Jones"Miss Muriel": Rewriting Innocence into Experience by Paul Wiebe"From a Thousand Different Points of View": The Multiple Masculinities of Ann Petry's "Miss Muriel" by Keith ClarkRiot as Ritual: Ann Petry's "In Darkness and Confusion" by George R. Adams"Ain't No Room for Us Anywhere": Reading Ann Petry's "In Darkness and Confusion" as a Migration Narrative by Deidre RaynorApartheid Among the Dead: Christian Laughter in Ann Petry's "The Bones of Louella Brown" by Gene FendtThe Narrator as Feminist Ally in Ann Petry's "The Bones of Louella Brown" by Amy LeeTaking the Cake: Ann Petry's "Has Anybody Seen Miss Dora Dean?" by Barbara Lewis"The Man Who Cried I Am": Reading Race, Class, and Gender in Ann Petry's "The Witness" by Carol E. HendersonTraumatic Reenactment and the Impossibility of African American Testimony in Ann Petry's "Like a Winding Sheet" and "The Witness" by Eve TettenbornBibliographyIndexAbout the Contributors