Anthropy
Autor Ray Hsuen Limba Engleză Paperback – 31 aug 2004
Preț: 46.32 lei
Nou
Puncte Express: 69
Preț estimativ în valută:
8.86€ • 9.21$ • 7.36£
8.86€ • 9.21$ • 7.36£
Carte indisponibilă temporar
Doresc să fiu notificat când acest titlu va fi disponibil:
Se trimite...
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9780889711976
ISBN-10: 0889711976
Pagini: 88
Dimensiuni: 146 x 203 x 7 mm
Greutate: 0.12 kg
Ediția:New.
Editura: Nightwood Editions
ISBN-10: 0889711976
Pagini: 88
Dimensiuni: 146 x 203 x 7 mm
Greutate: 0.12 kg
Ediția:New.
Editura: Nightwood Editions
Recenzii
Ray Hsu's first book demonstrates that this young writer knows exactly what he's doing. "Anthropy" covers a lot of ground, containing poetic sequences, lyrics and anti-lyrics, (mis)translations, and, in the title piece, a (de)constructed autobiography. Hsu has a smart sense of the dramatic comment, the witty aside, the slightly offbeat observation, the fragmented but direct perception, all of which make strange sense. His is a vision mature beyond his years... Hsu finds a new and different way to see old stories, pieces of history, even the few personal and homey events he slips into a couple of pieces. His scholarly background (he is a PhD student) shows up in many pieces, as in the comment in the supposedly autobiographical "Anthropy" that even if "Joyce was on to something," an "autobiography is a Kunstlerroman in reverse, working downward to a simple root." But he plays such ideas against each other with verve and subtlety. The sequence on Walter Benjamin manages to invent his last days while remaining true to the spirit of this fiercely investigative philosopher. "Anthropy" would be a strong collection under any circumstances; as a first book, it announces Ray Hsu as a writer whose potential is already manifest. Readers will be watching to see what he does next.--Douglas Barbour, "Canadian Book Review"
Ray Hsu's first book demonstrates that this young writer knows exactly what he's doing. "Anthropy" covers a lot of ground, containing poetic sequences, lyrics and anti-lyrics, (mis)translations, and, in the title piece, a (de)constructed autobiography. Hsu has a smart sense of the dramatic comment, the witty aside, the slightly offbeat observation, the fragmented but direct perception, all of which make strange sense. His is a vision mature beyond his years... Hsu finds a new and different way to see old stories, pieces of history, even the few personal and homey events he slips into a couple of pieces. His scholarly background (he is a PhD student) shows up in many pieces, as in the comment in the supposedly autobiographical "Anthropy" that even if "Joyce was on to something," an "autobiography is a Kunstlerroman in reverse, working downward to a simple root." But he plays such ideas against each other with verve and subtlety. The sequence on Walter Benjamin manages to invent,
Ray Hsu's first book demonstrates that this young writer knows exactly what he's doing. "Anthropy" covers a lot of ground, containing poetic sequences, lyrics and anti-lyrics, (mis)translations, and, in the title piece, a (de)constructed autobiography. Hsu has a smart sense of the dramatic comment, the witty aside, the slightly offbeat observation, the fragmented but direct perception, all of which make strange sense. His is a vision mature beyond his years... Hsu finds a new and different way to see old stories, pieces of history, even the few personal and homey events he slips into a couple of pieces. His scholarly background (he is a PhD student) shows up in many pieces, as in the comment in the supposedly autobiographical "Anthropy" that even if "Joyce was on to something," an "autobiography is a Kunstlerroman in reverse, working downward to a simple root." But he plays such ideas against each other with verve and subtlety. The sequence on Walter Benjamin manages to invent,
Notă biografică
Ray Hsu is a poet, activist and scholar. His first book Anthropy won the 2005 League of Canadian Poets' Gerald Lampert Award and was shortlisted for the Trillium Book Award for Poetry. He has published over a hundred poems in more than thirty-five journals across Canada, the US and the UK, including Fence, The Fiddlehead and New American Writing. He teaches creative writing at the University of British Columbia. His second collection, Cold Sleep Permanent Afternoon, was published by Nightwood in 2010.