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Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art

Autor Cecilia Novero
en Limba Engleză Paperback – 29 mar 2010
Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from theItalian Futurist Cookbookto the magazineDada, Walter Benjamin's writings on eating and cooking, Daniel Spoerri'sEat Art, and the French New Realists.
Starting from the premise that avant-garde art involves the questioning of bourgeois aesthetics, Novero demonstrates that avant-garde artists, writers, and performers have produced an oppositional aesthetics of indigestible art. Through the rhetoric of incorporation and consumption and the use of material ingredients in their work, she shows, avant-garde artists active in the 1920s and 1930s as well as the neo-avant-garde movements engaged critically with consumer culture, memory, and history.
Attention to food in avant-garde aesthetics, Novero asserts, reveals how these works are rooted in a complex temporality that associates memory and consumption with dynamics of change.
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Specificații

ISBN-13: 9780816646012
ISBN-10: 0816646015
Pagini: 368
Ilustrații: 38
Dimensiuni: 140 x 216 x 23 mm
Greutate: 0.48 kg
Ediția:1
Editura: University of Minnesota Press
Colecția Univ Of Minnesota Press

Notă biografică

Cecilia Novero is lecturer of German and European studies at the University of Otago in New Zealand.

Cuprins

Introduction: Encounters of the Culinary and the Avant-Garde
1. Futurist Banquets
2. Anti-Meals of Anti-Art: Dada-Diets
3. Walter Benjamin's Gastro-Constellations
4. Daniel Spoerri's Gastronoptikum
5. The Neo-Avant-Garde's Convivia
Conclusion. In/Edible Art: What remains?
Acknowledgments
Notes
Index

Descriere

Discussing an aspect of the European avant-garde that has often been neglected-its relationship to the embodied experience of food, its sensation, and its consumption-Cecilia Novero exposes the surprisingly key roles that food plays in the theoretical foundations and material aesthetics of a broad stratum of works ranging from the Italian Futurist Cookbook to the magazine Dada, Walter Benjamin's writings on eating and cooking, Daniel Spoerri's Eat Art, and the French New Realists.
Starting from the premise that avant-garde art involves the questioning of bourgeois aesthetics, Novero demonstrates that avant-garde artists, writers, and performers have produced an oppositional aesthetics of indigestible art. Through the rhetoric of incorporation and consumption and the use of material ingredients in their work, she shows, avant-garde artists active in the 1920s and 1930s as well as the neo-avant-garde movements engaged critically with consumer culture, memory, and history.
Attention to food in avant-garde aesthetics, Novero asserts, reveals how these works are rooted in a complex temporality that associates memory and consumption with dynamics of change.