Antique Dealing and Creative Reuse in Cairo and Damascus 1850-1890: Intercultural Engagements with Architecture and Craft in the Age of Travel and Reform: Leiden Studies in Islam and Society, cartea 12
Autor Mercedes Volaiten Limba Engleză Paperback – 19 mai 2021
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Specificații
ISBN-13: 9789004449879
ISBN-10: 9004449876
Dimensiuni: 193 x 260 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Leiden Studies in Islam and Society
ISBN-10: 9004449876
Dimensiuni: 193 x 260 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Leiden Studies in Islam and Society
Cuprins
Acknowledgments
List of Illustrations
Introduction: Connecting Historiographies, Challenging Assumptions
1 Things, People and Places
2 Structure of the Book
3 A Variety of Sources
4 Data Re-Identification
5 Revising the Narrative
1 Early Shows and Sales of Islamic Antiques in Paris
1 Orientalia at the Musée rétrospectif in 1865
2 Egyptian Architectural Salvage at the Exposition universelle of 1867
3 The Sale and Display of an Egyptian Collection in 1869
4 Shifting Trajectories and Contexts
2 Expanding Trades in Late Ottoman Cairo and Damascus
1 Distinctive Profiles and Iconic Artefacts
2 The kursī as Global Commodity
3 Market Adjustments
3 Conflicted Commodification in Cairo
1 Urban and Domestic Reform
2 Inducement and Resistance to Commodification
3 Contrasting Attitudes
4 Fashioning Immersive Displays in Egypt and Beyond
1 Atmospheric Interiors for Western Connoisseurs
2 The Living Culture of Reuse in Egypt
3 The Social Outreach of Revivalism
4 Islamic Art as Intrinsically Architectural
5 Guise and Disguise Before and During the Tanzimat
1 Codification and the Intricacies of Cross-Cultural Dressing in Pre-Tanzimat Times
2 Dressing Native in Nineteenth-Century Egypt and Back Home
3 Costume for History and Leisure in Painting and Photography
4 A Gendered Collecting Culture
Epilogue: Diverging Routes
1 Bygone Ways of Inhabiting the Past and the World
2 Estrangements
3 Endurances
References
Primary Sources
Websites
Printed Sources
Bibliography
Indices
Index of Personal Names
Index of Place Names
General Index
List of Illustrations
Introduction: Connecting Historiographies, Challenging Assumptions
1 Things, People and Places
2 Structure of the Book
3 A Variety of Sources
4 Data Re-Identification
5 Revising the Narrative
1 Early Shows and Sales of Islamic Antiques in Paris
1 Orientalia at the Musée rétrospectif in 1865
2 Egyptian Architectural Salvage at the Exposition universelle of 1867
3 The Sale and Display of an Egyptian Collection in 1869
4 Shifting Trajectories and Contexts
2 Expanding Trades in Late Ottoman Cairo and Damascus
1 Distinctive Profiles and Iconic Artefacts
2 The kursī as Global Commodity
3 Market Adjustments
3 Conflicted Commodification in Cairo
1 Urban and Domestic Reform
2 Inducement and Resistance to Commodification
3 Contrasting Attitudes
4 Fashioning Immersive Displays in Egypt and Beyond
1 Atmospheric Interiors for Western Connoisseurs
2 The Living Culture of Reuse in Egypt
3 The Social Outreach of Revivalism
4 Islamic Art as Intrinsically Architectural
5 Guise and Disguise Before and During the Tanzimat
1 Codification and the Intricacies of Cross-Cultural Dressing in Pre-Tanzimat Times
2 Dressing Native in Nineteenth-Century Egypt and Back Home
3 Costume for History and Leisure in Painting and Photography
4 A Gendered Collecting Culture
Epilogue: Diverging Routes
1 Bygone Ways of Inhabiting the Past and the World
2 Estrangements
3 Endurances
References
Primary Sources
Websites
Printed Sources
Bibliography
Indices
Index of Personal Names
Index of Place Names
General Index
Notă biografică
Mercedes Volait, Ph.D. (1993), Aix-Marseille University, is Research Professor at the French National Centre for Scientific Research (CNRS) in Paris. She has numerous publications on art, architecture and photography in Modern Egypt, as well as Islamic art collecting in Europe.
Recenzii
"With Antique Dealing and Creative Reuse in Cairo and Damascus 1850–1890, Volait has produced a truly ground-breaking study that should be required reading not only for scholars of Islamic art and architecture, but also for those of broader material culture studies. Its findings require us to approach questions of global material entanglement with greater nuance, even if we do not necessarily arrive at the same interpretive conclusions that Volait does. This is a book that will undoubtedly inspire a new generation of students to emulate the author’s rigorous research methodologies and think more critically about cultural appropriation and exchange.." Ellen Kenney, in: Nineteenth-Century Art Worldwide 21/3 (2022)