Antony Gormley: Contemporary Artists (Phaidon)
Autor Anthony Gormley, John Hutchinson, W. J. T. Mitchell, Ernst H. Gombrich, Lela B. Njatinen Limba Engleză Paperback – 8 oct 2000 – vârsta de la 13 până la 22 ani
Irish curator John Hutchinson surveys the artist's work. Professor Ernst Gombrich discusses with Gormley his approach to the human figure. Slovenian author Lela B Njatin weaves a poetic narrative around her encounter with Field (1990 -- 93). The Artist's Choice is a passage from St Augustine's Confessions. Antony Gormley's writings include interviews and artist's statements. This revised, expanded second edition includes over fifty additional pages documenting Gormley's work from 1995 to 2000. Recent artist's writings accompany a re-evaluation of Gormley's art-historical position and survey of recent work by American art historian W J T Mitchell.
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Specificații
ISBN-13: 9780714839523
ISBN-10: 0714839523
Pagini: 212
Ilustrații: 200 illustrations, (160 colour ) chronology, bibliog
Dimensiuni: 251 x 291 x 21 mm
Greutate: 1.29 kg
Ediția:Rev and Expande
Editura: Phaidon
Seria Contemporary Artists (Phaidon)
Locul publicării:United Kingdom
ISBN-10: 0714839523
Pagini: 212
Ilustrații: 200 illustrations, (160 colour ) chronology, bibliog
Dimensiuni: 251 x 291 x 21 mm
Greutate: 1.29 kg
Ediția:Rev and Expande
Editura: Phaidon
Seria Contemporary Artists (Phaidon)
Locul publicării:United Kingdom
Notă biografică
John Hutchinson is an art historian and scholar in Oriental Studies who lives and works in Ireland. After working for several years at the National Gallery of Ireland, he freelanced as a music and art critic. Since 1981 he has been Director of the Douglas Hyde Galley in Dublin. Among his publications are catalogue essays on Anselm Kiefer, Christian Boltanski, Wolfgang Laib and Toshikatsu Endo. W. J. T. Mitchell is Professor of English and Art History at the University of Chicago and Editor-in-Chief of the journal Critical Enquiry. He is author of Iconology: Image, Text, Ideology (University of Chicago Press, 1987) and editor of The Language of Images (University of Chicago Press, 1980) and Art and the Public Sphere. Ernst Gombrich was one of the greatest and least conventional art historians of his age, achieving fame and distinction in three separate spheres: as a scholar, as a popularizer of art, and as a pioneer of the application of the psychology of perception to the study of art. His best-known book, The Story of Art - first published 50 years ago and now in its sixteenth edition - is one of the most influential books ever written about art. His books further include The Sense of Order (1979) and The Preference for the Primitive (2002), as well as a total of 11 volumes of collected essays and reviews. Gombrich was born in Vienna in 1909 and died in London in November 2001. He came to London in 1936 to work at the Warburg Institute, where he eventually became Director from 1959 until his retirement in 1976. He won numerous international honours, including a knighthood, the Order of Merit and the Goethe, Hegel and Erasmus prizes. Lela B. Njatin is based in Ljubljana, Slovenia, where she studied Comparative Literature and Philosophy. She is an independent author and Adviser to the Scientific Research Centre of the Slovenian Academy for Sciences and Arts. Her short stories are published in several anthologies worldwide. Her first novel, Intolerance, was published in 1989 and her second novel, Indifference, in 1995.
Recenzii
'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum) 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out) 'A unique series of informative monographs on individual artists.' (The Sunday Times) 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book)