Anxiety Muted: American Film Music in a Suburban Age
Editat de Stanley C. Pelkey, Anthony Busharden Limba Engleză Paperback – 11 dec 2014
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Specificații
ISBN-13: 9780199936175
ISBN-10: 019993617X
Pagini: 320
Dimensiuni: 235 x 161 x 16 mm
Greutate: 0.46 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 019993617X
Pagini: 320
Dimensiuni: 235 x 161 x 16 mm
Greutate: 0.46 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Ah, the Fifties and Sixties! Even people who weren't there have 'memories' of those terrifically conflicted eras in American culture, and these fourteen essays go a long way toward explaining where that all comes from.
Anxiety Muted eloquently demonstrates that the 'suburban age' continues to resonate not simply because it was, despite appearances, the 'age of anxiety' but because this restiveness remains distinctly audible in the music that animates 50s and 60s film and television as well as post-'period' movies and TV shows about 'the Fifties' and 'Sixties.' Anxiety Muted is a wonderful, and wonderfully ear-catching, collection that gives a long overdue hearing to a crucial era of American history and its evocative, still vibrant musical sound track.
Besides a strong focus on the use of audiovisual media there is also a lot of background information on how the broadcasting business, film editing and character creation used to be handled in the 1950s and 1960s.
Anxiety Muted eloquently demonstrates that the 'suburban age' continues to resonate not simply because it was, despite appearances, the 'age of anxiety' but because this restiveness remains distinctly audible in the music that animates 50s and 60s film and television as well as post-'period' movies and TV shows about 'the Fifties' and 'Sixties.' Anxiety Muted is a wonderful, and wonderfully ear-catching, collection that gives a long overdue hearing to a crucial era of American history and its evocative, still vibrant musical sound track.
Besides a strong focus on the use of audiovisual media there is also a lot of background information on how the broadcasting business, film editing and character creation used to be handled in the 1950s and 1960s.
Notă biografică
Stanley C. Pelkey II is Dean of the School of Liberal Arts and Sciences at Roberts Wesleyan College (Rochester, New York). A musicologist and cultural historian, he co-edited Music and History: Bridging the Disciplines (University Press of Mississippi, 2005) and has published articles on British composers and musical culture as well as on American film and television music.Anthony Bushard is Associate Professor of music history in the Glenn Korff School of Music at the University of Nebraska, Lincoln. Most recently, he wrote Leonard Bernstein's On the Waterfront: A Film Score Guide (Scarecrow Press, 2013) and has published articles on jazz and film music and lectured on those topics at regional, national, and international conferences and symposia.