Apocalypse Illuminated – The Visual Exegesis of Revelation in Medieval Illustrated Manuscripts
Autor Richard K. Emmersonen Limba Engleză Hardback – 5 feb 2018
Focusing on twenty-five of the most renowned illustrated Apocalypse manuscripts, from the earliest extant Carolingian ones produced in the ninth century to the deluxe Apocalypse made for the dukes of Savoy and completed in 1490, Emmerson examines not only how they illustrate the biblical text, but also how they interpret it for specific and increasingly diverse audiences. He discusses what this imagery shows us about expectations for the Apocalypse as the year 1000 approached, its relationship to Spanish monasticism on the Christian-Muslim frontier and to thirteenth-century Joachimist prophetic beliefs, and the polemical reinterpretations of Revelation that arose at the end of the Middle Ages. The resulting study includes historical and stylistic comparisons, highlights innovative features, and traces iconographic continuities over time, including the recurring apocalyptic patterns, events, figures, and motifs that characterize Apocalypse illustrations throughout the Middle Ages.
Gorgeously illustrated and written in lively and accessible prose, this is a masterful analysis of over seven hundred years of Apocalypse manuscripts by one of the most preeminent scholars of medieval apocalypticism.
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Specificații
ISBN-13: 9780271078656
ISBN-10: 0271078650
Pagini: 288
Dimensiuni: 240 x 261 x 31 mm
Greutate: 1.5 kg
Editura: Penn State University
ISBN-10: 0271078650
Pagini: 288
Dimensiuni: 240 x 261 x 31 mm
Greutate: 1.5 kg
Editura: Penn State University
Notă biografică
Richard K. Emmerson is Visiting Distinguished Professor of Art History at Florida State University and Dean Emeritus of Liberal Arts, Manhattan College. He is the author of Antichrist in the Middle Ages: A Study of Medieval Apocalypticism, Art, and Literature, coauthor of The Apocalyptic Imagination in Medieval Literature, and coeditor of The Apocalypse in the Middle Ages.
Descriere
Studies the illustration of Revelation in manuscripts from the ninth to the fifteenth century. Examines how twenty-five of the most important illustrated Apocalypses illustrate the biblical text and interpret it for diverse audiences.