Approaches to Actor Training: International Perspectives
Editat de John Freemanen Limba Engleză Hardback – 25 mar 2019
Preț: 567.03 lei
Preț vechi: 659.34 lei
-14% Nou
Puncte Express: 851
Preț estimativ în valută:
108.54€ • 113.81$ • 89.68£
108.54€ • 113.81$ • 89.68£
Carte disponibilă
Livrare economică 09-23 ianuarie 25
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9781137607720
ISBN-10: 1137607726
Pagini: 278
Ilustrații: 30 bw illus
Dimensiuni: 148 x 210 mm
Greutate: 0.5 kg
Ediția:1st ed. 2019
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
ISBN-10: 1137607726
Pagini: 278
Ilustrații: 30 bw illus
Dimensiuni: 148 x 210 mm
Greutate: 0.5 kg
Ediția:1st ed. 2019
Editura: Bloomsbury Publishing
Colecția Red Globe Press
Locul publicării:London, United Kingdom
Caracteristici
Sections on inclusion; student welfare; the ethics of control, consent and safe practice; wellness in training; reshaping training to ensure longevity of career and ongoing mental, emotional and spiritual wellbeing
Notă biografică
John Freeman is a Fellow of the RSA and has occupied professorial and consultancy posts at UK and Australian universities; in addition to his academic roles at the University of Huddersfield, UK, and the University of Notre Dame, Australia, he is a Director at Motorvate UK, a not-for-profit organisation with a focus on adult education, employability and social inclusion.
Cuprins
1. Perspectives and Provocations, Prescriptions and Principles; John Freeman2. WAWPT: Whole Actor, Whole Person Training: Designing a holistic actor training programme for individual career longevity and wellbeing; Andrea L Moor3. Being Human; Adrian James4. All Those Words: Why bother with all those old plays?; Annie Tyson5. What Are You Saying? An Approach to Teaching Text in an Era of Language Loss; Laura Wayth 6. Mind the Gap: Gong Feng Shui and the Missing Teeth (Ma); Robert Draffin7. The British Tradition in Acting Shakespeare: Challenges to teaching the Acting of Shakespeare in a UK Conservatoire in the 21st century; Stephen Simms8. An Actor's World: Of People, Space, Time and Text; Jeff Janisheski9. Approaches to Acting and Interacting in Immersive and Interactive Contexts; Klaus Kruse10. Yoga in a Circle: Actor Training Beyond Borders; Diane M. Sadak11. The Architecture of Action: Late Stanislavski in Contemporary Practice; Hugh O'Gorman12. Standing on the Outside Looking In; Michael McCall13. An Eye on the Exit: Actor Training in a Liberal Arts Environment. Ellen Margolis.