Arabic Shadow Theatre 1300-1900: A Handbook
Autor Li Guoen Limba Engleză Paperback – 27 mar 2025
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Specificații
ISBN-13: 9789004729605
ISBN-10: 9004729607
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
ISBN-10: 9004729607
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Notă biografică
Li Guo, Ph.D. (1994), Yale University, is Professor of Arabic at the University of Notre Dame. His most recent book, The Performing Arts in Medieval Islam: Shadow play and popular poetry in Ibn Daniyal’s Mamluk Cairo (Brill, 2012) is the winner of the IIM Prize for Research in the category “New conceptual tools,” Institut International de la Marionnette, France, 2015.
Recenzii
"Li Guo's Arabic Shadow Theatre 1300-1900: A Handbook is a sweeping survey and interesting introduction to all things shadowy and theatrical. It is rare to say that an academic study is a joy to read, but this book certainly proved to be the case. […] it is well worth engaging with and will stimulate discussions about theatre and shadow theatre beyond the Arab world." Usman Butt, in Middle East Monitor (2020)
“No standard work on the subject has been produced until now […] Dozens of synopses of plots, together with some translations are especially valuable.” Caroline Stone, in AramcoWorld
“This handbook still has an inevitable focus on Ibn Dāniyāl and Egypt, but expands the boundaries of research in several directions, covering the role of German Orientalists and the rich tradition from the Levant. It admits that some areas still need investigation, especially considering the lack of material from Iraq, Morocco, and the period prior to the nineteenth century except for Egypt. Arabic shadow theatre is a kaleidoscope that can be used to look at cultural traditions and entertainment from an original angle.”
Cristina Dozio, Zeitschrift Orientalistische Literaturzeitung , 117.3 (2022).
“No standard work on the subject has been produced until now […] Dozens of synopses of plots, together with some translations are especially valuable.” Caroline Stone, in AramcoWorld
“This handbook still has an inevitable focus on Ibn Dāniyāl and Egypt, but expands the boundaries of research in several directions, covering the role of German Orientalists and the rich tradition from the Levant. It admits that some areas still need investigation, especially considering the lack of material from Iraq, Morocco, and the period prior to the nineteenth century except for Egypt. Arabic shadow theatre is a kaleidoscope that can be used to look at cultural traditions and entertainment from an original angle.”
Cristina Dozio, Zeitschrift Orientalistische Literaturzeitung , 117.3 (2022).
Cuprins
Preface
List of Figures
1 Arabic Shadow Theatre in Historical Sources
1 Late ʿAbbasid Accounts (c. 1000–1250)
2 Mamluk Accounts (c. 1250–1517)
3 Ottoman Accounts (c. 1517–1900)
4 Western Visitors’ Accounts (c. 1760–1900)
2 Early Modern Scholarship
1 Orientalism and Arab Shadow Theatre: c. 1890–1945
2 Early Arab Scholarship: c. 1900–1950
3 New Studies
1 Western Scholarship Since the 1950s
2 Arab Research Activities Since the 1950s
4 Primary Sources: Manuscripts and Artifacts
1 Manuscripts
2 Shadow Figures
5 Language, Style, and Terminology
1 Content and Language
2 Songs in the Shadow Play: Canonic and Non-Canonic Verses
3 Terminology
6 Performance
1 Scenes from Medieval Cairo
2 Shadow Theatre of the Ottoman Time
3 Scenes from Early Modern Era
7 Medieval Arabic Shadow Plays: Ibn Dāniyāl and Others
1 Ibn Dāniyāl’s Three Plays
2 An Unconfirmed Mamluk Shadow Play
8 Ottoman Egyptian Shadow Plays
1 Sources
2 An Original Description of the Repertoire
3 Six Early Ottoman Egyptian Shadow Plays
9 Late Ottoman and Early Modern Egyptian Plays
1 Four Egyptian Shadow Plays of Late Ottoman Time
2 Short Plays from Early Modern Egypt
10 Syrian and Levantine Plays
1 An Overview
2 Lebanon
3 Syria, Damascus
4 Syria, Aleppo
5 Syria, the Coastal Region
6 Other Syrian Plays
11 North African Plays
1 The Maghreb: Tunisia and Algeria
2 Libya
Epilogue: Notes from the Field
Arabic Shadow Theatre Today
Appendix 1: Arabic Shadow Plays: an Inventory
Appendix 2: Shadow Theatre in Premodern Arabic Poetry
1 The Prime Metaphor: God, Reality, and Shadow Play
2 Performance as Illusions Making and Performer as Illusionist
Appendix 3: The Cast
1 Egypt
2 Syria and the Levant
3 Tunisia and Algeria
4 Libya
Appendix 4: The Programme of a Layla Celebration
Appendix 5: Glossary (Arabic – English)
Bibliography
Index
List of Figures
part 1: Research
1 Arabic Shadow Theatre in Historical Sources
1 Late ʿAbbasid Accounts (c. 1000–1250)
2 Mamluk Accounts (c. 1250–1517)
3 Ottoman Accounts (c. 1517–1900)
4 Western Visitors’ Accounts (c. 1760–1900)
2 Early Modern Scholarship
1 Orientalism and Arab Shadow Theatre: c. 1890–1945
2 Early Arab Scholarship: c. 1900–1950
3 New Studies
1 Western Scholarship Since the 1950s
2 Arab Research Activities Since the 1950s
part 2: Resources
4 Primary Sources: Manuscripts and Artifacts
1 Manuscripts
2 Shadow Figures
5 Language, Style, and Terminology
1 Content and Language
2 Songs in the Shadow Play: Canonic and Non-Canonic Verses
3 Terminology
6 Performance
1 Scenes from Medieval Cairo
2 Shadow Theatre of the Ottoman Time
3 Scenes from Early Modern Era
part 3: Repertoires
7 Medieval Arabic Shadow Plays: Ibn Dāniyāl and Others
1 Ibn Dāniyāl’s Three Plays
2 An Unconfirmed Mamluk Shadow Play
8 Ottoman Egyptian Shadow Plays
1 Sources
2 An Original Description of the Repertoire
3 Six Early Ottoman Egyptian Shadow Plays
9 Late Ottoman and Early Modern Egyptian Plays
1 Four Egyptian Shadow Plays of Late Ottoman Time
2 Short Plays from Early Modern Egypt
10 Syrian and Levantine Plays
1 An Overview
2 Lebanon
3 Syria, Damascus
4 Syria, Aleppo
5 Syria, the Coastal Region
6 Other Syrian Plays
11 North African Plays
1 The Maghreb: Tunisia and Algeria
2 Libya
Epilogue: Notes from the Field
Arabic Shadow Theatre Today
Appendix 1: Arabic Shadow Plays: an Inventory
Appendix 2: Shadow Theatre in Premodern Arabic Poetry
1 The Prime Metaphor: God, Reality, and Shadow Play
2 Performance as Illusions Making and Performer as Illusionist
Appendix 3: The Cast
1 Egypt
2 Syria and the Levant
3 Tunisia and Algeria
4 Libya
Appendix 4: The Programme of a Layla Celebration
Appendix 5: Glossary (Arabic – English)
Bibliography
Index