Art and Fear: Continuum Impacts
Autor Paul Virilioen Limba Engleză Paperback – 8 mar 2006
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Specificații
ISBN-13: 9780826487964
ISBN-10: 0826487963
Pagini: 70
Ilustrații: black & white illustrations
Dimensiuni: 129 x 198 x 6 mm
Greutate: 0.09 kg
Ediția:New ed.
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Continuum Impacts
Locul publicării:London, United Kingdom
ISBN-10: 0826487963
Pagini: 70
Ilustrații: black & white illustrations
Dimensiuni: 129 x 198 x 6 mm
Greutate: 0.09 kg
Ediția:New ed.
Editura: Bloomsbury Publishing
Colecția Continuum
Seria Continuum Impacts
Locul publicării:London, United Kingdom
Cuprins
Translator's Preface
Art and Fear: An Introduction by John Armitage
A Pitiless Art
Silence on Trial
Notes
Bibliography
Art and Fear: An Introduction by John Armitage
A Pitiless Art
Silence on Trial
Notes
Bibliography
Recenzii
"Paul Virilio's vision of war, art and technology has informed contemporary debates about techno-capitalist modernity for some time. Often perceived as a prophet of doom and pessimism, Virlio has consistently interrogated the effects of modern technology on the human condition....John Armitage's introduction offers a concise overture to both Art and Fear and to Virlio's general trajectory of thought. Art and Fear itself, relying almost exclusively on the historical development of genres as transgenic art, does a commendable job of providing a stereoscopic view of the political contexts of such art - Auschwitz, genocide, war." -Pramod Naya, International Journal of Baudrillard Studies, January 2006
'Is Virilio a strident critic out of touch with contemporary culture or is Art and Fear a deft excoriation of excess? Either way, this is a short, sharp and gripping book?' Modern Painters
'Virilio's lonely voice [is] more disturbing and timely than ever.' New Statesman
'Is Virilio a strident critic out of touch with contemporary culture or is Art and Fear a deft excoriation of excess? Either way, this is a short, sharp and gripping book?' Modern Painters
'Virilio's lonely voice [is] more disturbing and timely than ever.' New Statesman