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Art and Theory of Post–1989 Central and Eastern – A Critical Anthology: MoMA Primary Documents

Editat de Ana Janevski, Roxana Marcoci, Ksenia Nouril
en Limba Engleză Paperback – 17 sep 2018
The fall of the Berlin Wall and the ripple effects felt over the following years from Bucharest to Prague to Moscow demarcate a significant moment when artists were able to publicly reassess their histories and question the opposition between the former East and the former West. Art and Theory of Post-1989 Central and Eastern Europe takes the pivotal political changes between 1989 and 1991 as its departure point to reflect on the effects that communism's disintegration across Central and Eastern Europe--including the Soviet Union's fifteen republics--had on the art practices, criticism, and cultural production of the following decades. This book presents a selection of the period's key voices that have introduced recent critical perspectives. Particular attention is given to the research and viewpoints of a new generation of artists, scholars, and curators who have advanced fresh critical perspectives and who are rewriting their own histories. Their examination of artistic practices and systems of cultural production proposes distinct outlooks for acting in the contemporary world while simultaneously rethinking the significance of the socialist legacy on art today. Art and Theory of Post-1989 Central and Eastern Europe is an indispensable volume on modern and contemporary art and theory from the region. Contributors. Branislava Andjelkovic, Edit Andr s, Inke Arns, Marius Babias, Zdenka Badovinac, Ivana Bago, Zbyněk Baladr n, Claire Bishop, Luchezar Boyadjiev, Andreas Broeckmann, Boris Buden, Ilya Budraitskis, Ondřej Chrob k, Keti Chukhrov, Kim Conaty, Cosmin Costinaş, Eda Čufer, Bojana Cvejic, Ekaterina Degot, Branislav Dimitrijevic, Michelle Elligott, Octavian Esanu, Yevgeniy Fiks, Meghan Forbes, Maja Fowkes, Reuben Fowkes, Boris Groys, Daniel Gr ň, Marina Grzinic, V t Havr nek, Jon Hendricks, IRWIN (Miran Mohar, Andrej Savski, Roman Uranjek, and Borut Vogelnik), Sanja Ivekovic, Ana Janevski, David Joselit, T mea Junghaus, Klara Kemp-Welch, Juliet Kinchin, Zofia Kulik, Andres Kurg, Katalin Ladik, V clav Magid, Eva Majewska, David Maljkovic, Roxana Marcoci, Lina Michelkeviče, Aldo Milohnic, Viktor Misiano, Rastko Močnik, Magdalena Moskalewicz, Deimantas Narkevičius, Ksenia Nouril, Ewa Opalka, Martina Pachmanov , Bojana Pejic, Dan Perjovschi, Natasa Petresin-Bachelez, Piotr Piotrowski, Bojana Piskur, David Platzker, Paulina Pobocha, Tom s Pospiszyl, L dia Pribisov , Oleksiy Radynski, Karol Radziszewski, Christian Rattemeyer, Cristina Ricupero, Georg Sch llhammer, David Senior, Alina Șerban, Slavs and Tatars, Sven Spieker, Tamas St.Auby, Zuzana Stefkov , Jakub Stejskal, Mladen Stilinovic, subREAL, Tom s Svoboda, Ovidiu Ṯichindeleanu, Margarita Tupitsyn, Gediminas Urbonas, Nomeda Urbonas, Jonas Valatkevičius, Jelena Vesic, Dmitry Vilensky, Raluca Voinea, What, How & for Whom (Ivet Ćurlin, Ana Devic, Natasa Ilic, and Sabina Sabolovic), Igor Zabel, Artur Żmijewski
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Specificații

ISBN-13: 9781633450646
ISBN-10: 1633450643
Pagini: 408
Dimensiuni: 165 x 246 x 34 mm
Greutate: 1.32 kg
Editura: Duke University Press Books
Seria MoMA Primary Documents


Descriere

The fall of the Berlin Wall and the ripple effects felt over the following years from Bucharest to Prague to Moscow demarcate a significant moment when artists were able to publicly reassess their histories and question the opposition between the former East and the former West. Art and Theory of Post-1989 Central and Eastern Europe takes the pivotal political changes between 1989 and 1991 as its departure point to reflect on the effects that communism's disintegration across Central and Eastern Europe—including the Soviet Union's fifteen republics—had on the art practices, criticism, and cultural production of the following decades. This book presents a selection of the period's key voices that have introduced recent critical perspectives. Particular attention is given to the research and viewpoints of a new generation of artists, scholars, and curators who have advanced fresh critical perspectives and who are rewriting their own histories. Their examination of artistic practices and systems of cultural production proposes distinct outlooks for acting in the contemporary world while simultaneously rethinking the significance of the socialist legacy on art today. Art and Theory of Post-1989 Central and Eastern Europeis an indispensable volume on modern and contemporary art and theory from the region.

Contributors. Branislava Andjelković, Edit András, Inke Arns, Marius Babias, Zdenka Badovinac, Ivana Bago, Zbyněk Baladrán, Claire Bishop, Luchezar Boyadjiev, Andreas Broeckmann, Boris Buden, Ilya Budraitskis, Ondřej Chrobák, Keti Chukhrov, Kim Conaty, Cosmin Costinaş, Eda Čufer, Bojana Cvejić, Ekaterina Degot, Branislav Dimitrijević, Michelle Elligott, Octavian Esanu, Yevgeniy Fiks, Meghan Forbes, Maja Fowkes, Reuben Fowkes, Boris Groys, Daniel Grúň, Marina Gržinić, Vít Havránek, Jon Hendricks, IRWIN (Miran Mohar, Andrej Savski, Roman Uranjek, and Borut Vogelnik), Sanja Iveković, Ana Janevski, David Joselit, Tímea Junghaus, Klara Kemp-Welch, Juliet Kinchin, Zofia Kulik, Andres Kurg, Katalin Ladik, Václav Magid, Eva Majewska, David Maljković, Roxana Marcoci, Lina Michelkevičė, Aldo Milohnić, Viktor Misiano, Rastko Močnik, Magdalena Moskalewicz, Deimantas Narkevičius, Ksenia Nouril, Ewa Opałka, Martina Pachmanová, Bojana Pejić, Dan Perjovschi, Nataša Petrešin-Bachelez, Piotr Piotrowski, Bojana Piškur, David Platzker, Paulina Pobocha, Tomáš Pospiszyl, Lýdia Pribišová, Oleksiy Radynski, Karol Radziszewski, Christian Rattemeyer, Cristina Ricupero, Georg Schöllhammer, David Senior, Alina Șerban, Slavs and Tatars, Sven Spieker, Tamas St.Auby, Zuzana Štefková, Jakub Stejskal, Mladen Stilinović, subREAL, Tomás Svoboda, Ovidiu Ṯichindeleanu, Margarita Tupitsyn, Gediminas Urbonas, Nomeda Urbonas, Jonas Valatkevičius, Jelena Vesić, Dmitry Vilensky, Raluca Voinea, What, How & for Whom (Ivet Ćurlin, Ana Dević, Nataša Ilić, and Sabina Sabolović), Igor Zabel, Artur Żmijewski


Cuprins

Foreword / Glenn D. Lowry 8
Acknowledgments / Jay A. Levenson and Sarah Lookofsky 9
Introduction / Ana Janevski and Roxana Marcoci 12
1. Reckoning with History 19
2. Exhibiting the "East" since 1989 67
3. Working in and on the Archive 135
4. After the Fall: Democracy and Its Discontents 177
5. Maintaining the Social in Postsocialism: Activist Practices and Forms of Collectivity 227
6. Deconstructing Gender Discourses 273
7. In a Global World 339
Conversations / Miran Moher, Andrej Savski, Roman Uranjek, and Borut Vigelnik of IRWIN with Meghan Forbes 391
The C-MAP Network, 2010-2017 394
Index 402
Trustees of The Museum of Modern Art 408

Notă biografică