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Art in Crisis – W. E. B. Du Bois and the Struggle for African American Identity and Memory

Autor Amy Helene Kirschke
en Limba Engleză Paperback – 22 ian 2007
The Crisis was an integral element of the struggle to combat racism in America. As editor of the magazine (1910 1934), W. E. B. Du Bois addressed the important issues facing African Americans. He used the journal as a means of racial uplift, celebrating the joys and hopes of African American culture and life, and as a tool to address the injustices black Americans experienced the sorrows of persistent discrimination and racial terror, and especially the crime of lynching. The written word was not sufficient. Visual imagery was central to bringing his message to the homes of readers and emphasizing the importance of the cause. Art was integral to his political program. Art in Crisis: W. E. B. Du Bois and the Struggle for African American Identity and Memory reveals how W. E. B. Du Bois created a "visual vocabulary" to define a new collective memory and historical identity for African Americans."
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Specificații

ISBN-13: 9780253218131
ISBN-10: 0253218136
Pagini: 296
Ilustrații: 106 illustrations
Dimensiuni: 158 x 239 x 24 mm
Greutate: 0.43 kg
Editura: MH – Indiana University Press
Locul publicării:United States

Cuprins

Introduction; 1. W. E. B. Du Bois and African American Memory and Identity; 2. A History of Black Political Cartoons and Illustrations: The Artists; 3. The "Crime" of Blackness: Lynching Imagery in The Crisis; 4. Theories of Art, Patronage, and Audience; 5. Images of Africa and the Diaspora; 6. Art, Political Commentary, and Forging a Common Identity; Conclusion

Recenzii

“Amy Kirschke's Art in Crisis is a fine, significant book, long overdue. It reminds us again of the power of illustrations from Daumier to Du Bois to expose cant and corruption and to promote honesty and justice.” David Levering Lewis, University Professor, NYU, and author of the Pulitzer Prize-winning two-volume biography of W.E.B. Du Bois

Notă biografică


Descriere

Examines the visual rhetoric of The Crisis magazine during the editorship of W. E. B. Du Bois