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Art, Philosophy, and Ideology: Writings on Aesthetics and Visual Culture from the Avantgarde to Postsocialism: Transcultural Aesthetics, cartea 4

Autor Aleš Erjavec Editat de Tyrus Miller
en Limba Engleză Hardback – 24 apr 2024
This volume presents a selection of aesthetic and art theoretical writings by the internationally renowned philosopher Aleš Erjavec from the 1990s to the present. Erjavec was an active participant in the artistic revolt in Slovenia throughout the 1980 and became one of the most notable international theorists of late- and post-socialist developments in art. His work also extended to new, emergent forms of contemporary art and visual culture in global art and culture networks. The diverse contexts and artists with which he has engaged gives him a unique critical perspective on major debates in philosophical aesthetics and art theory.
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Specificații

ISBN-13: 9789004697508
ISBN-10: 9004697500
Dimensiuni: 155 x 235 mm
Greutate: 0.81 kg
Editura: Brill
Colecția Brill
Seria Transcultural Aesthetics


Notă biografică

Aleš Erjavec, Ph.D. (1988), University of Ljubljana, is Research Professor Emeritus at the Institute of Philosophy of the Scientific Research Center of the Slovenian Academy of Sciences and Arts, Ljubljana, Slovenia. He has published widely on the avantgarde and post-socialist art, including Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements (Duke UP, 2015).

Tyrus Miller, Ph.D. (1994), Stanford University, is Distinguished Professor of Art History and English at the University of California Irvine. He has published extensively on modernism and the avant-garde, the Frankfurt School, and Georg Lukács, including Georg Lukács and Critical Theory: Aesthetics, History, Utopia (Edinburgh UP, 2023).

Cuprins

Sources of Original Publication
List of Figures

1 Editor’s Introduction

SECTION 1: Visual Aesthetics in Postsocialism, Postmodernism, and Contemporary Art



2 Why Architecture in Post-Modern Times? (1989)
3 Art, Cognition, Knowledge, and Diagnostics (1993)
4 Seeing, Painting and Art (1996)
5 Aesthetics as Philosophy (1999)
6 Aesthetics: Philosophy of Art or Philosophy of Culture? (2001)
7 Art beyond Aesthetics, or, the Consequences of Promiscuity (2001)
8 The End of Art (c. 2003)
9 Art and: a Toothless Tiger, a Cuddly Panda or a Snow Leopard? (2009)
10 Aesthetics and the Aesthetic Today: after Adorno (2010)
11 Artification and the Aesthetic Regime of Art (2012)
12 Art and Aesthetics: from Modernism to Contemporary (2013)

SECTION 2: Aesthetic Revolution and Avantgardes in East, Central and Western Europe



13 Power, Freedom and Subversion: Political Theater and Its Limits (2009)
14 Beat the Whites with the Red Wedge! (2014)
15 Art, Aesthetics, and Politics (2014)
16 Revolutions and the Avantgardes (2016)
17 Ideology as World-View and Two Early Avantgarde Movements (2017)
18 The Avantgardes, Utopias and Clothes (2017)
19 (Post)Modern Aesthetics on Trial: Revisiting a Century of Avantgardes Interview with Oana Șerban (2017)

SECTION 3: Spatial Turns: Central/East European Aesthetics in National, International, and Global Contexts



20 Philosophy, National and International (1997)
21 Global Aesthetics and the IAA/AIE (2002)
22 Postmodernism and the Post-Socialist Condition (c. 2003)
23 Locations, Relocations and Reinterpretations (2006)
24 Eastern Europe, Art, and the Politics of Representation (2014)
25 Zhuyi: from Absence to Bustle? (Comments on Wang Jianjiang’s Article “The Bustle and the Absence of Zhuyi”) (2017)
26 Photography: of Nation and Mountains (2018)

Index