Artist and Audience
Autor Terence Griederen Limba Engleză Paperback – 30 iun 1996
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Specificații
ISBN-13: 9780697286925
ISBN-10: 0697286924
Pagini: 512
Dimensiuni: 217 x 280 x 23 mm
Greutate: 1.26 kg
Ediția:Revised
Editura: McGraw-Hill Humanities/Social Sciences/Langua
Locul publicării:United States
ISBN-10: 0697286924
Pagini: 512
Dimensiuni: 217 x 280 x 23 mm
Greutate: 1.26 kg
Ediția:Revised
Editura: McGraw-Hill Humanities/Social Sciences/Langua
Locul publicării:United States
Cuprins
Part I Communicating in a World of Art
1 Art Worlds
Roles in the Art World
The Artist
The Art Dealer
The Patron and the Collector
The Critic and the Art Historian
The Audience
Two Case Histories
The Vietnam Memorial
The Rockefeller Center Mural
Art Museums
2 Interpreting Works of Art
The Traditional Subjects of Art
Portraits of Individuals
The Still Life
The Nude Figure
The Landscape
The Divine Powers
Abstract Art
Part II Analyzing Works of Art
3 The Elements of Art
Line
Some Uses of Line in Sculpture
Shape
Value
Color
Texture
Mass and Space
Sculptural Mass and Space
Illusions of Mass and Space
Size and Scale
Four Systems of Perspective
Time and Movement
4 Understanding Design
Unity
Variety
Balance
Rhythm
Emphasis
Proportion
The Golden Mean
The Canon of Human Proportions
Intuitive Proportions
Composing Designs
The Circle and the Square
The Triangle
The Problem of Style
Part III Art Media
5 The Graphic Media
Drawing
The Sketch, the Study, and the Finished Drawing
The Tools and Materials of Drawing
Printmaking
Relief Prints: Woodcut and Linocut
Intaglio Prints: Engraving and Etching
Lithography
Serigraphy
Photographic and Computer Arts
Photography
Color Photography
Cinema
Video
Digital Photography and Computer Graphics
Virtual Reality
Originality and Truth
6 Painting
Fresco
Michelangelos Sistine Chapel Ceiling
Orozcos Caba as Orphanage
Watercolor
Tempera
Oil Painting
Acrylic Painting
7 Sculpture
Relief and Round
Traditional Materials and Techniques
Carving
Modeling
Casting
The Materials and Techniques of 20th-century Sculpture
Construction in Hard Materials
Construction in Soft Materials
Site Specific and Environmental Sculpture
Sculpture Based on Energy
Designing New Forms for the Human Body
Part IV Architecture and Applied Design
8 Styles and Structures in Architecture and the Environment
Building with Beams
The Post and Lintel System
The Cantilever
The Truss
Classical Architecture
Building with Blocks
The Arch
The Vault
The Dome
Gothic Architecture
The Renaissance Dome
Sirigu Chana
The Design of Cities
The Ancient City
The Traditional City
The Modern City
Modern Architecture
Frank Lloyd Wright
Le Corbusier
Recent Trends in Architecture
9 Design Applications
The Architectural Interior
The Palace of Versailles and French Design
The Bauhaus
Recent Furniture and Interiors
Textiles and Clothing
Ancient Greek Clothing
An Ancient Textile Industry in Peru
European Clothing of the 16th to 19th Centuries
Modern Dress
Three Technologies of Fire
Ceramics
Glass
Metal
Design in Motion
Part V Recognizing the Great Styles
10 Ancient Styles
The Stone Age
Art in the Early Cities
Mesopoamia
Egypt
The Maya
The Classical Styles of Greece and Rome
Greece
Hellenistic Art, 330-30 B.C
The Roman Empire
11 Styles of the Middle Ages: 400-1400
Christian Styles of Europe
Byzantine Art
Western European Art
The Art of Islam
The Art of Africa
Art in China
12 Styles of the Colombian Age: 15th-18th Centuries
The Renaissance in Italy
Artists and Patrons
The Artists
The Audience and the Critics
Subjects
Three Phases of Renaissance Style
Venice in the 1500s
The Renaissance in Northern Europe
Realism and Spirtuality
Subjects
Bosch, Grunewald, Bruegel
The Wave and the Rock: Art in Japan: 1500-1700
The Cult of Shinot and the Yamato Style
Zen Buddhism
European Art from 1600 to 1750
Baroque Style
Rococco Style
13 Neo-Classicism, Romanticism, and the Beginnings of Modernism
European Art: 1740-1940
Neo-Classicism: The Art of Reason
Art and Science
Ingres and the Later Neo-Classic
Romanticsim: Emotion Revalued
Delacroix
Goya and the Irrational
Realism: Nothing but the Truth
Courbet and Millet
An International Movement
Manet and the Foundations of Modernism
Impressionism
Monet
Renoir
Degas
Morisot
Rodin and Impressionism in Sculpure
Post-Impressionism
Seurat and Pointillism
Cezanne
Van Gough and Expressionism
Gauguin and Synthetism
The Battlefields of Art
Art in Paris: 1900-40
Cubism
Expressionsim
Psychological Styles
Non-Objective Art
14 Late 20th-century Globalism
New York as an International Center
Abstract Expressionism
Hard-edge Abstraction and Minimalism
Pop Art
Photo Realism
The Shamans
Globalism
References
Suggested Reading
Glossary
culpture Based on Energy
Designing New Forms for the Human Body
Part IV Architecture and Applied Design
8 Styles and Structures in Architecture and the Environment
Building with Beams
The Post and Lintel System
The Cantilever
The Truss
Classical Architecture
Building with Blocks
The Arch
The Vault
The Dome
Gothic Architecture
The Renaissance Dome
Sirigu Chana
The Design of Cities
The Ancient City
The Traditional City
The Modern City
Modern Architecture
Frank Lloyd Wright
Le Corbusier
Recent Trends in Architecture
9 Design Applications
The Architectural Interior
The Palace of Versailles and French Design
The Bauhaus
Recent Furniture and Interiors
Textiles and Clothing
Ancient Greek Clothing
An Ancient Textile Industry in Peru
European Clothing of the 16th to 19th Centuries
Modern Dress
Three Technologies of Fire
Ceramics
Glass
Metal
Design in Motion
Part V Recognizing the Great Styles
10 Ancient Styles
The Stone Age
Art in the Early Cities
Mesopoamia
Egypt
The Maya
The Classical Styles of Greece and Rome
Greece
Hellenistic Art, 330-30 B.C
The Roman Empire
11 Styles of the Middle Ages: 400-1400
Christian Styles of Europe
Byzantine Art
Western European Art
The Art of Islam
The Art of Africa
Art in China
12 Styles of the Colombian Age: 15th-18th Centuries
The Renaissance in Italy
Artists and Patrons
The Artists
The Audience and the Critics
Subjects
Three Phases of Renaissance Style
Venice in the 1500s
The Renaissance in Northern Europe
Realism and Spirtuality
Subjects
Bosch, Grunewald, Bruegel
The Wave and the Rock: Art in Japan: 1500-1700
The Cult of Shinot and the Yamato Style
Zen Buddhism
European Art from 1600 to 1750
Baroque Style
Rococco Style
13 Neo-Classicism, Romanticism, and the Beginnings of Modernism
European Art: 1740-1940
Neo-Classicism: The Art of Reason
Art and Science
Ingres and the Later Neo-Classic
Romanticsim: Emotion Revalued
Delacroix
Goya and the Irrational
Realism: Nothing but the Truth
Courbet and Millet
An International Movement
Manet and the Foundations of Modernism
Impressionism
Monet
Renoir
Degas
Morisot
Rodin and Impressionism in Sculpure
Post-Impressionism
Seurat and Pointillism
Cezanne
Van Gough and Expressionism
Gauguin and Synthetism
The Battlefields of Art
Art in Paris: 1900-40
Cubism
Expressionsim
Psychological Styles
Non-Objective Art
14 Late 20th-century Globalism
New York as an International Center
Abstract Expressionism
Hard-edge Abstraction and Minimalism
Pop Art
Photo Realism
The Shamans
Globalism
References
Suggested Reading
Glossary