At the Movies, Film Reviewing, and Screenwriting: Selective Affinities and Cultural Mediation
Autor Steven Marasen Limba Engleză Hardback – 9 iul 2025
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Specificații
ISBN-13: 9781835951163
ISBN-10: 1835951163
Pagini: 264
Dimensiuni: 170 x 244 mm
Greutate: 0.45 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
ISBN-10: 1835951163
Pagini: 264
Dimensiuni: 170 x 244 mm
Greutate: 0.45 kg
Editura: Intellect Ltd
Colecția Intellect Ltd
Cuprins
About At the Movies
List of Abbreviations
List of Tables
List of Figures
Preface
A Case Study Approach
Margaret and David as Cultural Mediators
Reviewing as Performance
Acknowledgements
Chapter 1. At the Movies, Reviewing, and Screenwriting
From Elective to Selective Affinities
Film Reviewing
Two approaches: Functionalism and rhetoric
Shifting the criticism/reviewing distinction Screenwriting
Chapter 2. At the Movies and its Influence
The Business of Managing the Review Process
Debunking the powerful critic theory
The Margaret and David Effect
A Variable Cultural Field: From Restricted to Large-Scale
The Persona of the Critic
The Responsibilities of the Reviewer
Proximity to industry
The Australian new wave
Chapter 3. Arbiters of taste.
Inside the Gut
Where the Reviewer Sits
Summary Judgements
The Gospel According to David and Margaret
Taste, Taste Culture, or Cultural Forum
Chapter 4. The Politics of Classification
Ken Park (2002)
Romper Stomper (1992)
Wolf Creek 2 (2013)
Chapter 5. Three Discourse Frames (Australia, 1987–2002)
Frame 1: Funding Methods and Creative Outcomes
Frame 2: The Crisis in the Film Industry and the Script as Problematic Object
Frame 3: The Doxa
Chapter 6. The Discursive Construction of Screenwriting in At the Movies (2004–2014)
Method
Coding: Script, Screenplay, Screenwriter
Analysis
Chapter 7. The Well-Made Screenplay: At the Movies as an Aesthetic Enterprise
Performing the Doxa
Problematizations and Conclusions
Chapter 8. In Interview: David Stratton on Reviewing and At the Movies
Chapter 9. In Interview: Margaret Pomeranz on Reviewing and At the Movies
Appendix 1: Notes on method, verification and exclusions
Appendix 2: ‘Written by’
Appendix 3: DVD classics
Appendix 4: Selective reference list of descriptors used by Margaret and David
List of Abbreviations
List of Tables
List of Figures
Preface
A Case Study Approach
Margaret and David as Cultural Mediators
Reviewing as Performance
Acknowledgements
Chapter 1. At the Movies, Reviewing, and Screenwriting
From Elective to Selective Affinities
Film Reviewing
Two approaches: Functionalism and rhetoric
Shifting the criticism/reviewing distinction Screenwriting
Chapter 2. At the Movies and its Influence
The Business of Managing the Review Process
Debunking the powerful critic theory
The Margaret and David Effect
A Variable Cultural Field: From Restricted to Large-Scale
The Persona of the Critic
The Responsibilities of the Reviewer
Proximity to industry
The Australian new wave
Chapter 3. Arbiters of taste.
Inside the Gut
Where the Reviewer Sits
Summary Judgements
The Gospel According to David and Margaret
Taste, Taste Culture, or Cultural Forum
Chapter 4. The Politics of Classification
Ken Park (2002)
Romper Stomper (1992)
Wolf Creek 2 (2013)
Chapter 5. Three Discourse Frames (Australia, 1987–2002)
Frame 1: Funding Methods and Creative Outcomes
Frame 2: The Crisis in the Film Industry and the Script as Problematic Object
Frame 3: The Doxa
Chapter 6. The Discursive Construction of Screenwriting in At the Movies (2004–2014)
Method
Coding: Script, Screenplay, Screenwriter
Analysis
Chapter 7. The Well-Made Screenplay: At the Movies as an Aesthetic Enterprise
Performing the Doxa
Problematizations and Conclusions
Chapter 8. In Interview: David Stratton on Reviewing and At the Movies
Chapter 9. In Interview: Margaret Pomeranz on Reviewing and At the Movies
Appendix 1: Notes on method, verification and exclusions
Appendix 2: ‘Written by’
Appendix 3: DVD classics
Appendix 4: Selective reference list of descriptors used by Margaret and David