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At Work with Grotowski on Physical Actions

Autor Thomas Richards
en Limba Engleză Paperback – 4 mai 1995
`I consider this book a precious report that permits one to assimilate some of those simple and basic principles which the self-taught at times come to know, yet only after years of groping and errors. The book furnishes information regarding discoveries which the actor can understand in practice, without having to start each time from zero. Thomas Richards has worked with me systematically since 1985. Today he is my essential collaborator in the research dedicated to Art as Vehicle.' - from the Preface by Jerzy Grotowski
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Specificații

ISBN-13: 9780415124928
ISBN-10: 0415124921
Pagini: 152
Ilustrații: black & white illustrations
Dimensiuni: 138 x 216 x 15 mm
Greutate: 0.2 kg
Ediția:1
Editura: Taylor & Francis
Colecția Routledge
Locul publicării:Oxford, United Kingdom

Public țintă

Postgraduate, Professional, and Professional Practice & Development

Recenzii

'This book is extremely concise and makes the work of Grotowski something students understand.' - Jane Hanna, Roehampton Institute, UK
'An essential text for anyone interested in the work of Polish theatre-maker and teacher Jerzy Grotowski.' - Total Theatre

Cuprins

At Work with Grotowski on Physical Actions by Thomas Richards, Stanislavski And Grotowski: The Connection, Ryszard Cieslak At Yale, The Workshop At The Objective Drama Program, In New York, Grotowski Speaks At Hunter College, The Work At Botinaccio: An Attack On Dilettantism, One Year With Grotowski In Objective Drama, At The Workcenter Of Jerzy Grotowski, Beginning Stages, Grotowski Vs. Stanislavski: The Impulses, "Realistic" Actions In Everyday Life, Conclusion On "Realistic" Actions, Quoted texts From the Theatre Company to Art as Vehicle

Notă biografică

Thomas Richards (The Workcenter of Jerzy Grotowski, Pontedera, Italy)

Descriere

A unique resource for actors and students from Grotowski's long-time collaborator – the first available statement of the current working practices and theoretical positions of one of the greats of twentieth century theatre.