Baba Yaga Laid an Egg
Autor Dubravka Ugresic Traducere de Ellen Elias-Bursacen Limba Engleză Paperback – 11 ian 2011
According to Slavic myth, Baba Yaga is a witch who lives in a house built on chicken legs and kidnaps small children. In Baba Yaga Laid an Egg, internationally acclaimed writer Dubravka Ugresic takes the timeless legend and spins it into a fresh and distinctly modern tale of femininity, aging, identity, and love.
With barbed wisdom and razor-sharp wit, Ugresic weaves together the stories of four women in contemporary Eastern Europe: a writer who grants her dying mother’s final wish by traveling to her hometown in Bulgaria, an elderly woman who wakes up every day hoping to die, a buxom blonde hospital worker who’s given up on love, and a serial widow who harbors a secret talent for writing. Through the women’s fears and desires, and their struggles against invisibility, Ugresic presents a brilliantly postmodern retelling of an ancient myth that is infused with humanity and the joy of storytelling.
With barbed wisdom and razor-sharp wit, Ugresic weaves together the stories of four women in contemporary Eastern Europe: a writer who grants her dying mother’s final wish by traveling to her hometown in Bulgaria, an elderly woman who wakes up every day hoping to die, a buxom blonde hospital worker who’s given up on love, and a serial widow who harbors a secret talent for writing. Through the women’s fears and desires, and their struggles against invisibility, Ugresic presents a brilliantly postmodern retelling of an ancient myth that is infused with humanity and the joy of storytelling.
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Specificații
ISBN-13: 9780802145208
ISBN-10: 0802145205
Pagini: 336
Dimensiuni: 127 x 197 x 25 mm
Greutate: 0.26 kg
Editura: Canongate Us
Colecția Grove Press
ISBN-10: 0802145205
Pagini: 336
Dimensiuni: 127 x 197 x 25 mm
Greutate: 0.26 kg
Editura: Canongate Us
Colecția Grove Press
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Recenzii
“Powerful . . . Majestic . . . Ugresic has created a wise, sharp fairy tale of her own. And like one of those mythic stories, it’s slow to reveal its secrets. Every element has hidden meaning, and repeat readings are rewarded. . . . It’s a work worthy of any crone. And I mean that as a compliment.”—NPR (Books We Like)
“[A] strange and wonderful book . . . I couldn’t stop reading. . . . Ugresic is affecting and eloquent . . . [and writes] with earthy grace.” —Mary Gaitskill, Bookforum
“Here we find [Ugresic] at her punk-rock best, writing scenes of potent mischief while complicating Baba Yaga’s scary-old-hag image in the process. . . . In prose that manages to be both fairy-tale-like and blunt, [she] details the physical and psychological ravages of age—not only betrayals by the body and the mind, but the social expectation of preserving youthfulness and prolonging life. . . . Ugresic cleverly undermines the myth, arguing that real women are dynamic, infinitely varied—and still dangerous.”—Time Out New York
“[A] biting and profound new fairy tale.”—The Week
“One of the most erudite and skilled contemporary Eastern European writers . . . [Ugresic possesses] a relentless and acute eye for sociocultural detail, a gift for corrosive satire, an effortless command of Europe's literary and philosophical traditions, and a perverse, lighthearted desire to toy with form. . . . Her prose [is] deceptively simple, learned, and emotionally direct. . . . [With] concision, true attentiveness to the resonances between mythic and contemporary history, an autocratically free and skilled hand . . . [Ugresic is a] wise and masterful modern artist who animates, alters, and appropriates to new purpose our distant cultural past.”—The Daily Beast
“Baba Yaga Laid an Egg is a witty, provocative novel about old women, their idiosyncrasies, foibles, and secret powers. A mix of fiction, fantasy, folklore, and memoir . . . told with intelligence, enthusiasm, and sly digs at current cultural customs. . . . Baba Yaga Laid an Egg is a mordant tour de force that keeps the reader chuckling, moved throughout by the poignancy of the characters.”—The Washington Times
“A mirthlessly witty divertimento on female old age. Ugresic’s meta-narrative sings with intelligence; its cryptic weirdness challenges the reader. . . . A whirligig of outrageous invention.”—The Independent
“Ugresic’s style is eminently readable, and the novel is as ambitious as it is rewarding. . . . Readers unafraid of the fantastic will find many surprising riches in Ugresic’s work.”—Library Journal
“There’s no better writer to take Baba Yaga on than the brilliantly relentless, sly Dubravka Ugresic—a writer who bites. . . . [Baba Yaga Laid an Egg] moves along with breathtaking clarity . . . [proving that] sexism and ageism and ism-ing in general is a way to deflect the real power of real human beings, to subordinate it to a perverse social order. . . . I don’t think any reader will part with Baba Yaga Laid an Egg without joining, or fearing, the proletarian Hag International, the crazy army of score-settling Baba Yagas. . . . [A] dazzlingly mean work of a great writer.”—Bookslut
“[Ugresic’s] instincts as a storyteller are sure. . . . A playful, inventive, and humane look at women and aging.”—Kirkus Reviews
“Ugresic’s postmodern take on myth, femininity, and aging provides a beautifully written window into Slavic literature.”—Publishers Weekly
“Told with her characteristic dark humor and sharp intelligence, if you haven’t been acquainted with Dubravka Ugresic previously, this book is a fine introduction to her manifold talents.”—The Morning News
“Ugresic’s multilayered narratives come together as an exploration of femininity, identity, mortality, and folklore’s wondrous powers.”—Booklist
“A mirthlessly witty divertimento on female old age. Ugresic’s meta-narrative sings with intelligence; its cryptic weirdness challenges the reader. . . . A whirligig of outrageous invention.”—The Independent
“The message that old crones are the product of ‘long-lived, labyrinthine, fertile, profoundly misogynistic but also cathartic work of the imagination’ is expressed with humor, eloquence, and anger.”—New Statesman
“Ugresic’s work belongs in the tradition in which storytelling is a form of fantasy, play, a non-representational patterning of experience, and a defining activity of social criticism. Secular, acerbic, comic, springing from skepticism, her fiction reflects a return to earlier forms: allegory, parable, fable, aphorism, midrashim or proverbial wisdom literature. . . . A hybrid work, a comic fable in three parts, combining autobiography, travel, memoir, fable, satire, and essay. . . . Ugresic’s approach to myths opposes the archaic view that there is a time-hallowed truth waiting to be unveiled, instead treating the stories as volatile and dynamic . . . attempting to dispel the ill effects, misery, prejudices, and disgust that bedevil female aging.”—London Review of Books
“Ugresic [possesses a] genuinely humorous intelligence. Her wit is bound by no preconceived purposes, and once the story takes off, a wild freedom of association and adventurous discernment is set in motion.”—World Literature Today
“Ugresic’s retelling may be blisteringly postmodern in its execution but at its heart is a human warmth . . . that infuses it with the sweet magic of storytelling.”—Times Saturday Review (UK)
“Dubravka Ugresic’s tale weaves this Slavic legend . . . in ways that reaffirm the glorious power of storytelling. Spellbinding stuff.”—Metro (UK)
“Ugresic’s vision of the senile and the displaced, living among the ruins of the post-Communism and Separatism in one of the five fragmented countries of former Yugoslavia, is astutely analytical of Balkan dystopia, beautifully written, dolefully humorous. . . . Here is Margaret Atwood’s dark vision of the speciousness of modern times coexisting comfortably with Molly Keane’s sense of absurdity, against a backdrip of the Balkan surreal out of The Good Soldier Schweik. . . . It is a grown up novel with grown up prepositions; its humane vision of the world is driven by great imaginative impetus.”—Times Literary Supplement
“Dubravka Ugresic is one of the most interesting writers working today. Her books are consistently good, even across genres. . . . Her fiction is always enjoyable, surprising, captivating, and envelope-pushing. Baba Yaga Laid an Egg is a perfect example of Ugresic’s fertile imagination. . . . Its exacting descriptions and twisted plot machinations . . . are vintage Ugresic. . . . Comedic . . . Postmodern . . . A novel that defies most novelistic conventions, that doesn’t so much retell the story of Baba Yaga as explode it into several very enjoyable fragments.”—Three Percent (online)
“Imaginative . . . An affecting report on the indignities and blessings of aging, a satiric send up of capitalism in Eastern Europe, and an acerbic investigation into shifting social and mythic perceptions of women and power.”—The Arts Fuse (online)
“Memorable . . . An examination of women’s—particularly older women’s—place in society. It’s a serious point, of course, but playfully made in a tale which joyfully celebrates women and their relationships with each other, and with the world at large.”—Belletrista (online)
“Brilliant . . . [A] wonderful book . . . [Baba Yaga Laid an Egg is] a haunting and moving portrait not just of old age, but also of exile’s deep loneliness. . . . In her wild, fun, and imaginative book, Ugresic turns the myth of Baba Yaga on its head . . . [with an] interpretation [that is] searing and inventive. . . . It’s going on my list for top reads for the year.”—Mostly Fiction Book Reviews (online)
“An affecting report on the indignities and blessings of aging, a satiric send up of capitalism in Eastern Europe, and an acerbic investigation into shifting social and mythic perceptions of women and power.”—The World (online)
“[A] strange and wonderful book . . . I couldn’t stop reading. . . . Ugresic is affecting and eloquent . . . [and writes] with earthy grace.” —Mary Gaitskill, Bookforum
“Here we find [Ugresic] at her punk-rock best, writing scenes of potent mischief while complicating Baba Yaga’s scary-old-hag image in the process. . . . In prose that manages to be both fairy-tale-like and blunt, [she] details the physical and psychological ravages of age—not only betrayals by the body and the mind, but the social expectation of preserving youthfulness and prolonging life. . . . Ugresic cleverly undermines the myth, arguing that real women are dynamic, infinitely varied—and still dangerous.”—Time Out New York
“[A] biting and profound new fairy tale.”—The Week
“One of the most erudite and skilled contemporary Eastern European writers . . . [Ugresic possesses] a relentless and acute eye for sociocultural detail, a gift for corrosive satire, an effortless command of Europe's literary and philosophical traditions, and a perverse, lighthearted desire to toy with form. . . . Her prose [is] deceptively simple, learned, and emotionally direct. . . . [With] concision, true attentiveness to the resonances between mythic and contemporary history, an autocratically free and skilled hand . . . [Ugresic is a] wise and masterful modern artist who animates, alters, and appropriates to new purpose our distant cultural past.”—The Daily Beast
“Baba Yaga Laid an Egg is a witty, provocative novel about old women, their idiosyncrasies, foibles, and secret powers. A mix of fiction, fantasy, folklore, and memoir . . . told with intelligence, enthusiasm, and sly digs at current cultural customs. . . . Baba Yaga Laid an Egg is a mordant tour de force that keeps the reader chuckling, moved throughout by the poignancy of the characters.”—The Washington Times
“A mirthlessly witty divertimento on female old age. Ugresic’s meta-narrative sings with intelligence; its cryptic weirdness challenges the reader. . . . A whirligig of outrageous invention.”—The Independent
“Ugresic’s style is eminently readable, and the novel is as ambitious as it is rewarding. . . . Readers unafraid of the fantastic will find many surprising riches in Ugresic’s work.”—Library Journal
“There’s no better writer to take Baba Yaga on than the brilliantly relentless, sly Dubravka Ugresic—a writer who bites. . . . [Baba Yaga Laid an Egg] moves along with breathtaking clarity . . . [proving that] sexism and ageism and ism-ing in general is a way to deflect the real power of real human beings, to subordinate it to a perverse social order. . . . I don’t think any reader will part with Baba Yaga Laid an Egg without joining, or fearing, the proletarian Hag International, the crazy army of score-settling Baba Yagas. . . . [A] dazzlingly mean work of a great writer.”—Bookslut
“[Ugresic’s] instincts as a storyteller are sure. . . . A playful, inventive, and humane look at women and aging.”—Kirkus Reviews
“Ugresic’s postmodern take on myth, femininity, and aging provides a beautifully written window into Slavic literature.”—Publishers Weekly
“Told with her characteristic dark humor and sharp intelligence, if you haven’t been acquainted with Dubravka Ugresic previously, this book is a fine introduction to her manifold talents.”—The Morning News
“Ugresic’s multilayered narratives come together as an exploration of femininity, identity, mortality, and folklore’s wondrous powers.”—Booklist
“A mirthlessly witty divertimento on female old age. Ugresic’s meta-narrative sings with intelligence; its cryptic weirdness challenges the reader. . . . A whirligig of outrageous invention.”—The Independent
“The message that old crones are the product of ‘long-lived, labyrinthine, fertile, profoundly misogynistic but also cathartic work of the imagination’ is expressed with humor, eloquence, and anger.”—New Statesman
“Ugresic’s work belongs in the tradition in which storytelling is a form of fantasy, play, a non-representational patterning of experience, and a defining activity of social criticism. Secular, acerbic, comic, springing from skepticism, her fiction reflects a return to earlier forms: allegory, parable, fable, aphorism, midrashim or proverbial wisdom literature. . . . A hybrid work, a comic fable in three parts, combining autobiography, travel, memoir, fable, satire, and essay. . . . Ugresic’s approach to myths opposes the archaic view that there is a time-hallowed truth waiting to be unveiled, instead treating the stories as volatile and dynamic . . . attempting to dispel the ill effects, misery, prejudices, and disgust that bedevil female aging.”—London Review of Books
“Ugresic [possesses a] genuinely humorous intelligence. Her wit is bound by no preconceived purposes, and once the story takes off, a wild freedom of association and adventurous discernment is set in motion.”—World Literature Today
“Ugresic’s retelling may be blisteringly postmodern in its execution but at its heart is a human warmth . . . that infuses it with the sweet magic of storytelling.”—Times Saturday Review (UK)
“Dubravka Ugresic’s tale weaves this Slavic legend . . . in ways that reaffirm the glorious power of storytelling. Spellbinding stuff.”—Metro (UK)
“Ugresic’s vision of the senile and the displaced, living among the ruins of the post-Communism and Separatism in one of the five fragmented countries of former Yugoslavia, is astutely analytical of Balkan dystopia, beautifully written, dolefully humorous. . . . Here is Margaret Atwood’s dark vision of the speciousness of modern times coexisting comfortably with Molly Keane’s sense of absurdity, against a backdrip of the Balkan surreal out of The Good Soldier Schweik. . . . It is a grown up novel with grown up prepositions; its humane vision of the world is driven by great imaginative impetus.”—Times Literary Supplement
“Dubravka Ugresic is one of the most interesting writers working today. Her books are consistently good, even across genres. . . . Her fiction is always enjoyable, surprising, captivating, and envelope-pushing. Baba Yaga Laid an Egg is a perfect example of Ugresic’s fertile imagination. . . . Its exacting descriptions and twisted plot machinations . . . are vintage Ugresic. . . . Comedic . . . Postmodern . . . A novel that defies most novelistic conventions, that doesn’t so much retell the story of Baba Yaga as explode it into several very enjoyable fragments.”—Three Percent (online)
“Imaginative . . . An affecting report on the indignities and blessings of aging, a satiric send up of capitalism in Eastern Europe, and an acerbic investigation into shifting social and mythic perceptions of women and power.”—The Arts Fuse (online)
“Memorable . . . An examination of women’s—particularly older women’s—place in society. It’s a serious point, of course, but playfully made in a tale which joyfully celebrates women and their relationships with each other, and with the world at large.”—Belletrista (online)
“Brilliant . . . [A] wonderful book . . . [Baba Yaga Laid an Egg is] a haunting and moving portrait not just of old age, but also of exile’s deep loneliness. . . . In her wild, fun, and imaginative book, Ugresic turns the myth of Baba Yaga on its head . . . [with an] interpretation [that is] searing and inventive. . . . It’s going on my list for top reads for the year.”—Mostly Fiction Book Reviews (online)
“An affecting report on the indignities and blessings of aging, a satiric send up of capitalism in Eastern Europe, and an acerbic investigation into shifting social and mythic perceptions of women and power.”—The World (online)
Notă biografică
Dubravka Ugresic
Descriere
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Dubravka Ugresic retells the myth of Baba Yaga -one of the most famous stories in Russian and Eastern European mythology.
Dubravka Ugresic retells the myth of Baba Yaga -one of the most famous stories in Russian and Eastern European mythology.