Bach to Brahms – Essays on Musical Design and Structure
Autor David Beach, Yosef Goldenbergen Limba Engleză Hardback – 14 iun 2015
Contributors: Eytan Agmon, David Beach, Charles Burkhart, L. Poundie Burstein, Yosef Goldenberg, Timothy L. Jackson, William Kinderman, Joel Lester, Boyd Pomeroy, John Rink, Frank Samarotto, Lauri Suurp, Naphtali Wagner, Eric Wen, Channan Willner.
David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. Yosef Goldenberg teaches at the Hebrew University of Jerusalem and at the Jerusalem Academy of Music and Dance, where he also serves as head librarian.
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Specificații
ISBN-13: 9781580465151
ISBN-10: 1580465153
Pagini: 294
Ilustrații: 27 black & white illustrations, 246 black & white line drawings
Dimensiuni: 165 x 244 x 24 mm
Greutate: 0.6 kg
Editura: University of Rochester Press
ISBN-10: 1580465153
Pagini: 294
Ilustrații: 27 black & white illustrations, 246 black & white line drawings
Dimensiuni: 165 x 244 x 24 mm
Greutate: 0.6 kg
Editura: University of Rochester Press
Notă biografică
David Beach, Yosef Goldenberg
Cuprins
Introduction Strolling through a Haydn Divertimento with Two Heinrichs Ritornelli or Soli: Which Did Mozart Write First in the Opening Movement of His Violin Concerto K. 207? Outer Form, Inner Form, and Other Musical Narratives in Beethoven's Opus 14, No. 2 Temporal Poise and Oblique Dynamic in the First Movement of Beethoven's "Archduke" Trio Chopin as an Interpreter of Mozart: The Variations Opus 2 and Don Giovanni The First Movement of Brahms's Fourth Symphony Revisited: A Study of the Fanfare and the "Cloud of Mystery" "Capricious Play": Veiled Cyclic Relations in Brahms's Ballades Op. 10 and Fantasies Op. 116 Chopin's Study in Syncopation A Sharp Practice, A Natural Alternative: The Transition into the Recapitulation in the First Movement of Beethoven's "Hammerklavier" Sonata Ernst Oster's Vision of Hidden Repetitions and Motivic Enlargements in J. S. Bach's Short Keyboard Works The "Pseudo-Einsatz" in Two Handel Fugues: Heinrich Schenker's Analytical Work with Reinhard Oppel Formal Fusion and Its Effect on Voice-Leading Structure: The First Movement of Beethoven's Opus 132 Revisited Indistinct Formal Functions and Conflicting Temporal Processes in the Second Movement of Brahms's Third Symphony The Interaction of Structure and Design in the Opening Movements of Schubert's Piano Trios in B-flat Major (D. 898) and E-flat Major (D. 929) The Suspenseful Structure of Brahms's C-Major Capriccio, Op. 76, No. 8: A Schenkerian Hearing List of Contributors Index