Bad Mexican, Bad American: Poems
Autor Jose Hernandez Diazen Limba Engleză Paperback – 5 mar 2024
In Bad Mexican, Bad American, the minimalist, working-class aesthetic of a “disadvantaged Brown kid” takes wing in prose poems that recall and celebrate that form’s ties to Surrealism. With influences like Alberto Ríos and Ray Gonzalez on one hand, and James Tate and Charles Baudelaire on the other, the collection spectacularly combines “high” art and folk art in a way that collapses those distinctions, as in the poem “My Date with Frida Kahlo”: “Frida and I had Cuban coffee and then vegetarian tacos. We sipped on mescal and black tea. At the end of the night, following an awkward silence during a conversation on Cubism, we kissed for about thirty minutes beneath a protest mural by David Alfaro Siqueiros.”
Bad Mexican, Bad American demonstrates how having roots in more than one culture can be both unsettling and rich: van Gogh and Beethoven share the page with tattoos, graffiti, and rancheras; Quetzalcoatl shows up at Panda Express; a Mexican American child who has never had a Mexican American teacher may become that teacher; a parent’s “broken” English is beautiful and masterful. Blending reality with dream and humility with hope, Hernandez Diaz contributes a singing strand to the complex cultural weave that is twenty-first-century poetry.
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Specificații
ISBN-13: 9781946724731
ISBN-10: 1946724734
Pagini: 82
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.14 kg
Editura: Seagull Books
Colecția Acre Books
ISBN-10: 1946724734
Pagini: 82
Dimensiuni: 152 x 229 x 13 mm
Greutate: 0.14 kg
Editura: Seagull Books
Colecția Acre Books
Notă biografică
Jose Hernandez Diaz is the author of The Fire Eater and the forthcoming book The Parachutist. A 2017 NEA Poetry Fellow, he has published work in American Poetry Review, Border Crossing, Cincinnati Review, Circulo de Poesia, the Hooghly Review, Huizache, Iowa Review, the London Magazine, Missouri Review, the Moth, the Nation, Poetry, Poetry Wales, the Progressive, Southern Review, TriQuarterly, Witness, Yale Review, and in The Best American Nonrequired Reading. He teaches generative workshops for Hugo House, Lighthouse Writers Workshop, The Writer’s Center, and elsewhere. He serves as a poetry mentor in the Adroit Journal’s Summer Mentorship Program. He lives in Norwalk, California.
Cuprins
I
Ballad of the West Coast Mexican American/Chicanx 00
Doña Ofelia 00
Familia 00
Ode to the Overlooked Minimalist Painting in the Gallery 00
Roots That Cracked the Pavement 00
My Father Never Ate until Everyone Had Eaten 00
Broken 00
My Mother’s “Broken” English 00
The Pocha with the Adelita Tattoo 00
El Chacal 00
Folk Song 00
Bildungsroman of a Disadvantaged Brown Kid 00
I Never Had a Mexican American Teacher Growing Up 00
La Paleta 00
My Name 00
The Skeleton and the Pyramid 00
Bad Mexican, Bad American 00
II
The Magician 00
The Surrealist Café 00
The Recluse 00
Quetzalcoatl in the City 00
Insomniac Moon 00
The Golden Telescope 00
Mirage 00
No Internet 00
The Hummingbird Graffiti 00
Lizard Man 00
Wolverine on Hollywood Blvd. 00
My Life as a French Existential Novelist 00
The Road 00
Meeting Octavio Paz on the Planet Jupiter 00
My Date with Frida Kahlo 00
Meeting James Tate in Heaven 00
III
The Jaguar Tattoo 00
The Rooster Tattoo 00
The Showdown 00
The Void 00
The Anarchy 00
The Fair 00
El Melancólico 00
The Pirate Ship 00
The Fall 00
The Ollie 00
Ode to a California Neck Tattoo 00
Sunday Cruise 00
Tuesday 00
The Conformist 00
The Rebel 00
The Stranger 00
IV
Voice 00
The Moon 00
The Gargoyle 00
The Advertisements 00
The First Day of Autumn 00
The West 00
The Blue Hummingbird 00
The Ocean Is Not a Capitalist 00
The Surfer and the Jaguar 00
The End of a Decade 00
Bones 00
Ghost 00
At the Funeral for van Gogh’s Ear 00
At the Cemetery of Dead Poets 00
Ballad of the West Coast Mexican American/Chicanx 00
Doña Ofelia 00
Familia 00
Ode to the Overlooked Minimalist Painting in the Gallery 00
Roots That Cracked the Pavement 00
My Father Never Ate until Everyone Had Eaten 00
Broken 00
My Mother’s “Broken” English 00
The Pocha with the Adelita Tattoo 00
El Chacal 00
Folk Song 00
Bildungsroman of a Disadvantaged Brown Kid 00
I Never Had a Mexican American Teacher Growing Up 00
La Paleta 00
My Name 00
The Skeleton and the Pyramid 00
Bad Mexican, Bad American 00
II
The Magician 00
The Surrealist Café 00
The Recluse 00
Quetzalcoatl in the City 00
Insomniac Moon 00
The Golden Telescope 00
Mirage 00
No Internet 00
The Hummingbird Graffiti 00
Lizard Man 00
Wolverine on Hollywood Blvd. 00
My Life as a French Existential Novelist 00
The Road 00
Meeting Octavio Paz on the Planet Jupiter 00
My Date with Frida Kahlo 00
Meeting James Tate in Heaven 00
III
The Jaguar Tattoo 00
The Rooster Tattoo 00
The Showdown 00
The Void 00
The Anarchy 00
The Fair 00
El Melancólico 00
The Pirate Ship 00
The Fall 00
The Ollie 00
Ode to a California Neck Tattoo 00
Sunday Cruise 00
Tuesday 00
The Conformist 00
The Rebel 00
The Stranger 00
IV
Voice 00
The Moon 00
The Gargoyle 00
The Advertisements 00
The First Day of Autumn 00
The West 00
The Blue Hummingbird 00
The Ocean Is Not a Capitalist 00
The Surfer and the Jaguar 00
The End of a Decade 00
Bones 00
Ghost 00
At the Funeral for van Gogh’s Ear 00
At the Cemetery of Dead Poets 00
Recenzii
“The publication of Jose Hernandez Diaz's first full collection of poems is cause for celebration. He is a gifted poet always ready to delight with outstanding song and poetry. Bad Mexican, Bad American is the best book I've read in a long time from a young poet who holds no punches. Hernandez Diaz’s inspiration comes from daily life, from family, from a rich cultural tradition that make every poem in this collection shine with great empathy and humanity. I love how much the poet respects the sacrifices his parents made. I hear the plight of a young artist moving the reader with powerful and well-crafted poems. I am proud to call Hernandez Diaz one of the best poets of his generation, and certainly a poet who walks daily with Lorca's Duende and we are given the gift of his very best in this collection.”
“In Jose Hernandez Diaz’s Bad Mexican, Bad American, the prose poem reigns, along with the jackal tattoo, the Rage Against the Machine t-shirt worn to a job interview, and graffiti painted by ‘first-gen guys from the neighborhood growing up like me, between cultures, between poverty and wealth,’ guys with names like Gato, like Chaos. The poems arise from the kingdom of the grand in-between, this ‘library of forgotten saints on the other side of heaven,’ this location of ‘broken languages’ that sound like a Neruda poem, like prayer, of ‘broken people’ who transform into surrealists, insomniacs, magicians, ghosts, and poets. These are poems of mystery and charm, in which a rooster tattoo on a shoulder in L.A. unfolds into a dream about a rooster in the family’s rancho back in Mexico—icon, dream, and memory in an everlasting blood tie—and ‘a man in a Chicano Batman shirt [rides] a lowrider bicycle on the ocean waves,’ neither Jesus nor demon, hologram nor myth, good Mexican nor good American, but like this exhilarative collection, a literal miracle.”
“Jose Hernandez Diaz has written a new place into existence. It is disorienting, jarring, fantastical, nonsensical, and mesmerizing. . . . I found myself immersed in a place where I could send my lover flowers from the grave, where I could talk to a man with a lizard head or Quetzalcoatl at Panda Express, or listen to a skeleton in a sombrero playing guitar. I was completely absorbed and loving my new surroundings. What a delight to read this collection, to experience this strange new voice. What a singular city Jose Hernandez Diaz has invited us to visit. This a rewarding and must-read debut.”
"Hernandez Diaz’s reflective debut engages with themes of identity and cultural hybridity, interrogating the concept of self-awareness against the perceptions of others. . . . Revealing how past experiences, dreams, and personal interactions shape one’s sense of self, these varied poems resonate."
"Part memoir, part speculative, always imaginative and engrossing, Hernandez Diaz’s newest poetry collection traverses culture, identity, and time, all the while treating the reader to masterfully crafted free verse and prose poetry, encounters with long-since-passed artistic giants (such as Paz and Kahlo), and the merging of the ancient and the contemporary. . . . Bad Mexican, Bad American carves out an inclusive and validating space for not only Hernandez Diaz but all those who too often find themselves torn between the various and seemingly oppositional commitments of the cultures with which they identify and from which they may well trace their ancestry, but which they nonetheless and frequently struggle to claim."
"Delightfully, and with great timing, Hernandez Diaz takes the fourth wall down in these fascinating vignettes and offers countless inroads for the reader to follow. While the slippery Surrealism of these poetic fictions is always fun, Bad Mexican, Bad American perhaps shines most brightly in poems that directly address the author’s experiences of growing up mixed-race and working-class. In these moments, Hernandez Diaz gives us pieces to rearrange as a bright response to broken systems, and in the process, argues that life is most real when at its strangest."
"It is not easy to take a slice of the human soul and unroll it like wallpaper, so that readers might engage with the duality of experience lived as Mexican and American. . . . Yet the struggle of both existences is not just unrolled in this masterful collection of poems by Hernandez Diaz, it is laid bare. The work of the poet has been more than accomplished in this can’t-put-the-book-down collection. It has been realized, page by page, bringing the reader into an insidious understanding of the poet’s life, work, and perspective."
"A wonderful and imaginative collection of sixty-three poems. . . . No doubt, Hernandez Diaz is a master of his craft."
"Reading José Hernández Díaz’s poetry book, Bad Mexican, Bad American, is like quenching a thirst that for too long has gone unsatisfied. Latinos in general, and Chicanos in particular, yearn for rich, full and authentic expressions of our community. Hernández provides the perfect elixir to address this need through his beautifully drawn personal poems and his whimsically surreal prose poetry. . . . These reminders of our humanity are not luxuries that sit in libraries unread, but instead critical shields from the violence towards our Latino communities. Bad Mexican, Bad American is truly like water for all of us in a desert of headlines saying that we do not belong."