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Basic Acting: The Modular Process de John Harrop

Basic Acting: The Modular Process

Autor John Harrop, Harrop Epstein Ilustrat de Linda Sarver
en Limba Engleză Paperback – 30 noi 1995

"Basic Acting: The Modular Process" not only introduces readers to the exciting world of acting in a step-by-step and practical way, but also prepares them with the theme of the 21st Century: the new multiculturalism. Harrop and Epstein have developed a systematic method of teaching acting which is action-based. "

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Specificații

ISBN-13: 9780205183388
ISBN-10: 0205183387
Pagini: 304
Dimensiuni: 158 x 236 x 19 mm
Greutate: 0.56 kg
Ediția:1
Editura: Pearson
Locul publicării:Boston, United States

Descriere

  • Basic Acting: The Modular Process not only introduces students to the exciting world of acting in a step-by-step and practical way, but also prepares students with the theme of the 21st Century: the "new multiculturalism." Epstein and Harrop have developed a systematic method of teaching acting which is "action-based." This pragmatic and flexible acting approach has been embraced by gay, African American, and feminist theatre.
Written by two noted actors, directors, and teachers, Basic Acting: The Modular Process is a prequel to Acting with Style, Second Edition, 1990, Allyn & Bacon. As a beginning text, the process is clear and very specific in theory and application. The authors have created a “MAP” or a series of interchangeable modules of action which has shaped the careers of such diverse actors as Harry Hamlin, Denzel Washington, Anna Deavere Smith, and Annette Bening. This text interrelates all that has been taught in the 20th century and focuses it on the 21st century — from Stanislavski, Brecht, and Spolin to Grotowski and Artaud. It also includes improvisation from Keith Johnstone; "theories of creativity" from Edward De Bono; physicalized psychology from Rudolf Laban; psychological reality from Stanislavski; and game theory from Viola Spolin. Epstein and Harrop ask students to prepare for the demands of the new multicultural dramaturgy of the 21st century by using this new methodology known as the Modular Acting Process.

Cuprins



Acknowledgments.


Prologue.


I. The Map.
On the Acting Process.On the Map Process.Notes to the Player.Notes to the Trainer.

II. Map Modules.
Shaping the Action.First Triad: Shaping Action Release Shape FlowPlaying the Action.Second Triad: Playing Action Transformations Patterns EndowmentsStructuring the Action.Third Triad: Structuring Action Status Targets HurdlesPerforming the Action.Fourth Triad: Performing ActionMasks Language Set Sequence

III. Map Classes.
Map Classes.Session I: Flow Session II: Release Session III: Patterns Session IV: Transformations Session V: Balance Session VI: Status in Action Session VII: Scoring Session VIII: Bridging the Text Session IX: Monologue Text Session X: Approaching a Scene Session XI: Syncing Session XII: Style

IV. Map Rehearsals.
Map Rehearsals.Preparation Analysis of Preparation Scene Analysis Rehearsals 1-5

Coda.


Guide to Exercises.


Some Suggested Plays for Scenes.

Caracteristici

  • Distinguished authorship: as two of the leading scholars of acting in the theatre, Harrop and Epstein bring their unique perspective to the future of acting.
  • Emphasizes a multicultural approach to acting.
  • First text to respond to the variegated nature of life today in which actors can act with different masks in different situations.
  • Comprehensive overview of the acting process is introduced in each chapter to give students a theoretical framework, thus combining theory and practice.
  • Extremely accessible text combines over 125 exercises which details how to progress from the first acting class to acting in a scene performance.
  • Only text to teach acting from the premise of action, body, mask, and from the assumption that culture encompasses gender, race, ethnicity, and sexual orientation.
  • First text to break the acting process down into comprehensive and experiential units.
  • Demonstrates practical application of the process through example in Section III.
  • Section III is a combination of exercises to develop rehearsal technique and process.
  • Section IV focuses on MAP rehearsals, preparation, analysis of preparation, and scene analysis.
  • A wide array of pedagogy: learning objectives, case studies, worked problems, practical guidelines to use the MAP approach process in every chapter, and various experiential exercises.
  • Contains a list of suggested plays for scene study.
  • Only acting book which combines and processes the most workable and practical aspects of many different approaches and synthesizes them into one cogent process.
  • First acting text to train actors for the 21st Century.

Textul de pe ultima copertă

Theater requires an acting process that is geared to the multicultured dimensionality of the post-modern world and the demands it makes upon the actor. This is what the Modular Acting Process does. Its distinctive feature is that it responds to the variegated nature of life today, and to the increasingly accepted idea that the human being does not have one unique and distinct self, but acts with different masks in different situations.