Basics Film-Making 03: Directing Fiction: Basics Filmmaking
Autor Professor or Dr. Robert Edgaren Limba Engleză Paperback – 30 sep 2009
Preț: 163.53 lei
Preț vechi: 186.54 lei
-12% Nou
Puncte Express: 245
Preț estimativ în valută:
31.29€ • 32.47$ • 26.16£
31.29€ • 32.47$ • 26.16£
Carte disponibilă
Livrare economică 24 februarie-10 martie
Preluare comenzi: 021 569.72.76
Specificații
ISBN-13: 9782940411009
ISBN-10: 294041100X
Pagini: 184
Ilustrații: 200 colour illus
Dimensiuni: 160 x 230 x 20 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Ava Publishing
Seria Basics Filmmaking
Locul publicării:London, United Kingdom
ISBN-10: 294041100X
Pagini: 184
Ilustrații: 200 colour illus
Dimensiuni: 160 x 230 x 20 mm
Greutate: 0.54 kg
Editura: Bloomsbury Publishing
Colecția Ava Publishing
Seria Basics Filmmaking
Locul publicării:London, United Kingdom
V-ar putea interesa
-
Late Godard and the Possibilities of CinemaDaniel MorganPreț: 279.07 lei -
-13%Preț: 202.22 lei232.01 lei -
-17%Preț: 176.60 lei212.47 lei -
The Making of the Living DaylightsCharles HelfensteinPreț: 420.32 lei -
Merchants of Menace: The Business of Horror CinemaDr. Richard Nowell-18%Preț: 238.67 lei292.72 lei -
-23%Preț: 190.50 lei248.91 lei -
Women I've UndressedOrry-Kelly-16%Preț: 153.27 lei181.73 lei -
Basics Film-Making 02: ScreenwritingProfessor or Dr. Robert Edgar-12%Preț: 163.53 lei186.54 lei -
Alien DiariesH.R. GIGER-8%Preț: 593.76 lei645.39 lei
Caracteristici
Chapters are interspersed with case studies investigating the working practices of leading professionals such as Robert Rodriguez and Mike Leigh.
Notă biografică
Robert Edgar-Hunt is programme head of Film and TV Production at York St John University. He also practises as a screenwriter and has research interests in creative writing, postmodernism and film directing.
Cuprins
How to get the most out of this book. Introduction. Preliminaries: Directing: Art or business?; The production team; Theories and their application; Directing: The vision; Avoiding Alan Smithee; Exercises. Pre-production: The pre-production team; Working with script; Case study: Peter Hunt; Image composition; Storyboards; Locations; Casting; Cast study: Mike Leigh; Rehearsing actors; Mark Herman interview; Exercises. Production: The production team; Case study: Robert Rodriguez; The director as artist; Working with sound and image; Setting the shot; Case study: Martin Scorsese; Production equipment; Production effects; Working on location; The first assistant director; Working with actors; Non-professional actors; Reviewing your material; Mark Herman interview; Exercise. Post-production: The post-production team; Editing systems; The grammar of the edit; Case study: Sergei Eisenstein; Sound and music; The finishing touches; Exhibition and distribution; Case study: Miles Watts; Consent, clearance and copyright; Mark Herman interview; Exercises. Conclusion. Directing and film resources. Picture credits. Acknowledgements. Working with ethics.
Recenzii
I think this is an excellent book. The writing is clear, concise and informed. The layout is lively and makes it very accessible to students. Great exercise ideas ... I imagine it'll inspire many a budding film-maker to get their teeth into the business of making films and to stick with it, regardless of how challenging it can sometimes be.
The book is really excellent, finely produced and illustrated and with an intelligent and thoughtful text ... The case studies are varied and well selected ... No budding film-maker could fail to find something valuable here: in its concise, accessible and unassuming way, it's as good a book of its kind and for its student audience as I have yet encountered.
The book is well written, the layout is clear and it is relevant to the courses I teach.
This book offers a good overview of the production process that is well grounded in industry contexts and illustrated by useful film examples. I particularly valued the interviews with film-makers.
The Basics series are consistently engaging and accessible. You may begin thinking 1 or 2 pages would be useful for a class but often find yourself recommending the students to consult the whole chapter.
The book is really excellent, finely produced and illustrated and with an intelligent and thoughtful text ... The case studies are varied and well selected ... No budding film-maker could fail to find something valuable here: in its concise, accessible and unassuming way, it's as good a book of its kind and for its student audience as I have yet encountered.
The book is well written, the layout is clear and it is relevant to the courses I teach.
This book offers a good overview of the production process that is well grounded in industry contexts and illustrated by useful film examples. I particularly valued the interviews with film-makers.
The Basics series are consistently engaging and accessible. You may begin thinking 1 or 2 pages would be useful for a class but often find yourself recommending the students to consult the whole chapter.
Descriere
Introduces the essential aspects of the directorial process, focusing on the requirements of short films. This book looks at the balancing act of art and business, offering guidelines and basic principles. It also covers the three key stages of the film-making process - pre-production, production and postproduction.