"I was forced to realize that in Naples people wander the streets in theatre costumes and that I am on stage too, a player among the others, perhaps more incongruous than the others." This ambiguous relationship between spectator and player is the basis of this very personal exploration of Naples, a theatre city where an age-old historical reality is eluded by the power of a constant performance that re-presents the time of dramaturgy: immotile, recursive, but charged with meaning.