Becoming Film Literate: The Art and Craft of Motion Pictures
Autor Vincent LoBruttoen Limba Engleză Hardback – 29 mar 2005 – vârsta până la 17 ani
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Specificații
ISBN-13: 9780275981440
ISBN-10: 0275981444
Pagini: 404
Dimensiuni: 156 x 235 x 34 mm
Greutate: 0.75 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States
ISBN-10: 0275981444
Pagini: 404
Dimensiuni: 156 x 235 x 34 mm
Greutate: 0.75 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Praeger
Locul publicării:New York, United States
Notă biografică
Vincent LoBrutto is an instructor of editing, production design, and cinema studies at the School of Visual Arts in New York City. He is the author of Stanley Kubrick: A Biography, as well as such books as Selected Takes: Film Editors on Editing (Praeger, 1991), By Design: Interviews with Film Production Designers (Praeger, 1992), and The Encyclopedia of American Independent Filmmaking (Greenwood, 2002). A member of American Cinema Editors, LoBrutto is the assistant editor of CinemaEditor and a contributing author to American Cinematographer and Films in Review.
Cuprins
AcknowledgmentsIntroductionNon-Linear Storytelling: Amores PerrosTransformation of the American Comedy: Annie HallTableau Narrative Structure and Sound Design: Apocalypse NowThe Body as Cinematic Landscape: L'AvventuraEditing: Russian Montage: The Battleship PotemkinItalian Neorealism: The Bicycle ThiefProduction Design: Blade RunnerDream State: Blue VelvetThe Period Film as Mirror for the Present: Bonnie and ClydeExpressionism in Cinema: The Cabinet of Dr. CaligariClassical Hollywood Film Style: CassablancaSurrealism in Cinema: Un Chien AndalouThe Authorial Voice: Citizen KaneShot Structure: The CrowdThematic Unity: The DecalogueMythopoetic Film: Dog Star ManPolitical Objectives through Cinematic Storytelling: Do the Right ThingFilm Noir: Double IdemnityThe Personal Film: 8 1/2Animation and Music: FantasiaAn American Musical: 42nd StreetNew York Filmmaking: The French ConnectionPeriod Comedy: The GeneralParallel Storytelling: IntoleranceFrench New Wave: Jules and JimThe Epic: Lawrence of ArabiaThe Political Thriller: The Manchurian CandidateSelf-Referential Cinema: Man with the Movie CameraArchitecture in Production Design: MetropolisRoots of Documentary Film: Nanook of the NorthMultiplot, Multicharacter Narrative: NashvilleMethod Acting: On the WaterfrontThe Close Up: The Passion of Joan of ArcDark Side of American Cinema: PsychoSubtext in Personal Expression: Raging BullMultiple Point-of-View Narrative: RashomonWidescreen Filmmaking: Rebel without a CauseCamera Movement as Metaphor: LaRondeMise-en-Scene: Rules of the GameDirect Cinema: SalesmanThe Freudian Western: The SearchersDefining Theme, Metaphor, and Character through Color, Texture, and Environmental Design: Se7enSymbolism in the Cinema: The Seventh SealArt of the B-Movie: Shock CorridorDigital Filmmaking: Star Wars: Episode II: Attack of the ClonesBirth of a Nonfiction Film Style: The Thin Blue LineExperimental Narrative: 2001: A Space OdysseyThe Essay Film: WeekendScreen Violence as Metaphor: The Wild BunchIndependent Filmmaking: A Woman Under the InfluenceGlossaryBibliographyIndex
Recenzii
To introduce students to the basic tools of cinema, LoBrutto (editing, production design and cinema studies, School of Visual Arts) uses 50 landmark films as illustrations of concepts such as production design, cinematography, sound, narrative structure and genres. Readers learn about film authorship, for example, in a discussion of Citizen Kane and multiplot narrative in a chapter on Nashville. LoBrutto includes a glossary and suggestions for further viewing or reading.
This book has merit as an introduction to the science and language of cinema.
This book has merit as an introduction to the science and language of cinema.