Cantitate/Preț
Produs

Before the Chinrest – A Violinist`s Guide to the Mysteries of Pre–Chinrest Technique and Style

Autor Stanley Ritchie
en Limba Engleză Paperback – 15 iul 2012
Drawing on the principles of Francesco Geminiani and four decades of experience as a baroque and classical violinist, Stanley Ritchie offers a valuable resource for anyone wishing to learn about 17th-18th-and early 19th-century violin technique and style. While much of the work focuses on the technical aspects of playing the pre-chinrest violin, these approaches are also applicable to the viola, and in many ways to the modern violin. Before the Chinrest includes illustrated sections on right- and left-hand technique, aspects of interpretation during the Baroque, Classical, and early-Romantic eras, and a section on developing proper intonation.
Citește tot Restrânge

Preț: 21813 lei

Nou

Puncte Express: 327

Preț estimativ în valută:
4174 4378$ 3481£

Carte tipărită la comandă

Livrare economică 07-21 ianuarie 25
Livrare express 03-07 decembrie pentru 41100 lei

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780253223180
ISBN-10: 0253223180
Pagini: 168
Ilustrații: 260 music exx. and 1 b&w illustration
Dimensiuni: 213 x 278 x 10 mm
Greutate: 0.43 kg
Editura: MH – Indiana University Press

Cuprins

Preface and AcknowledgementsHow to Support the Pre-Chinrest ViolinI. Right Hand Technique General Observations 1. Tone Production Basic Right-HandTechnique The Importance of Arm Weight The Use of Arm Weight; 2. Bow-Strokes Liftedstrokes Slurred notes Retaking Z-bowing Martelé and Spiccato Sautillé BariolageOndeggiando; 3. Chordal Technique; 4. Bow Division; 5. Swift-Bows; 6. CombinationStrokesII. Left-Hand Technique 7. Position-Changing Exercises Some Basic ConceptsThe Position Of The Left Hand The Swing Shifting Half-position VibratoIII. Interpretation 8. Expression Affect and rhetoric The role of analysis The importanceof the bass-line The tyranny of the barline The significance of metre Shaping notesand gestures Beware of the beam! The trouble with notation The reality of rubato; 9.Dynamics and Nuance Harmony Melody Figures of musical speech (i) Repetition (ii)Sequences (iii) Tessitura (iv) The question (v) The exclamation (vi) Silence; 10.Tempo Metrical symbols Harmonic motion Technical complexity Affective wordsCautionary and qualifying words Baroque dance movements; 11. Ornamentation SymbolicNotated ornaments Un-notated ornaments; 12. Baroque Clichés The classic cadentialformula Slurred articulations The hemiola Pulsations Suspensions SyncopationsMelodic accents "Down-downs" The ultimate Baroque clichéIV. Technique and Practice Guide 13. Tuning A word about intonation Tuning Difference tones Difference tone exercise Visualizing Warm-up exercises A shifting exercise; 14. ExercisesStarting on First Finger Scales Broken Thirds Double-stopped Thirds Sixths OctavesFingered Octaves Tenths Arpeggios; 15. Exercises Starting on G Scales Broken ThirdsDouble-stopped Thirds Sixths Octaves Fingered Octaves Tenths Arpeggios; 16. HalfPositionNotes; Index

Recenzii

"Useful and elegantly written, Stanley Ritchie's book will be a most valuable resource to accomplished modern violinists wishing to learn to play the baroque violin." Marc Destrubé, violinist“Before the Chinrest is aimed at modern violinists and viola players who are ‘curious to learn about technique and style as understood and practised by their seventeenth and eighteenth-century predecessors’, so it is designed as a practical guide and includes a wealth of information, musical examples and technical exercises Ritchie divides the book into four sections: right-hand technique, left-hand technique, interpretation, and a technique and intonation practice guide. I found myself in agreement with a great number of his points about matters technical and interpretative, and many of his technical exercises would be extremely helpful to those new to period playing. However, I would have expected more information on how the baroque violin differs in its setup from the modern and how the bow developed over the years, as well as some advice as to how to go about getting hold of the instruments, bows and gut strings Before the Chinrest is highly recommended for what is included, but disappointing as to what is omitted. My recommendation to modern-trained players would be to buy Judy Tarling’s Baroque String Playing for Ingenious Learners as an ideal reference book for this music and then use this new book for a more detailed practical guide to playing the instrument.”-Classical Music, Dec 2012
"Useful and elegantly written, Stanley Ritchie's book will be a most valuable resource to accomplished modern violinists wishing to learn to play the baroque violin." Marc Destrube, violinist "Before the Chinrest is aimed at modern violinists and viola players who are 'curious to learn about technique and style as understood and practised by their seventeenth and eighteenth-century predecessors', so it is designed as a practical guide and includes a wealth of information, musical examples and technical exercises... Ritchie divides the book into four sections: right-hand technique, left-hand technique, interpretation, and a technique and intonation practice guide. I found myself in agreement with a great number of his points about matters technical and interpretative, and many of his technical exercises would be extremely helpful to those new to period playing. However, I would have expected more information on how the baroque violin differs in its setup from the modern and how the bow developed over the years, as well as some advice as to how to go about getting hold of the instruments, bows and gut strings... Before the Chinrest is highly recommended for what is included, but disappointing as to what is omitted. My recommendation to modern-trained players would be to buy Judy Tarling's Baroque String Playing for Ingenious Learners as an ideal reference book for this music and then use this new book for a more detailed practical guide to playing the instrument."-Classical Music, Dec 2012

Notă biografică


Descriere

Unlocking the secrets of early violin performance