Berlioz on Music: Selected Criticism 1824-1837
Editat de Katherine Kolb Traducere de Samuel N. Rosenbergen Limba Engleză Hardback – 2 apr 2015
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Specificații
ISBN-13: 9780199391950
ISBN-10: 0199391955
Pagini: 324
Dimensiuni: 157 x 234 x 25 mm
Greutate: 0.59 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
ISBN-10: 0199391955
Pagini: 324
Dimensiuni: 157 x 234 x 25 mm
Greutate: 0.59 kg
Editura: Oxford University Press
Colecția OUP USA
Locul publicării:New York, United States
Recenzii
Elegantly written and meticulously researched, Berlioz on Music is a veritable treasure trove. It provides an indispensable resource for music and literary scholars by making an invaluable contribution to modern nineteenth-century studies.
[A] remarkable volume ... most enlightening. Highly recommended.
A fine and authoritative new translation of Berlioz's music criticism.
This is a finely-judged anthology, impeccably presented and all the more valuable for its inclusion of some lesser-known treasures from the composer's early critical career. Rosenberg's translations give us Berlioz at full throttle, while Kolb's accompanying texts combine wisdom and empathy as they deftly set the scene.
Katherine Kolb's searching essay on the role and function of music criticism in the early 19th century provides a brilliant introduction to this selection of articles written by Berlioz in his early years, years when his views on music were as colourfully expressed as the orchestration of the Symphonie fantastique and as deeply felt as the love scene in Romeo et Juliette.
Berlioz was forced to write criticism for a living, and hated the necessity, but he wrote marvellously, using his position to attack what was bad and exalt what was good, with the enthusiasm and caustic humour that were his trademarks. He collected and revised some of it later in books; but this welcome anthology shows him at grips with the day-to-day Paris music scene, at the moment of putting pen to paper.
[A] remarkable volume ... most enlightening. Highly recommended.
A fine and authoritative new translation of Berlioz's music criticism.
This is a finely-judged anthology, impeccably presented and all the more valuable for its inclusion of some lesser-known treasures from the composer's early critical career. Rosenberg's translations give us Berlioz at full throttle, while Kolb's accompanying texts combine wisdom and empathy as they deftly set the scene.
Katherine Kolb's searching essay on the role and function of music criticism in the early 19th century provides a brilliant introduction to this selection of articles written by Berlioz in his early years, years when his views on music were as colourfully expressed as the orchestration of the Symphonie fantastique and as deeply felt as the love scene in Romeo et Juliette.
Berlioz was forced to write criticism for a living, and hated the necessity, but he wrote marvellously, using his position to attack what was bad and exalt what was good, with the enthusiasm and caustic humour that were his trademarks. He collected and revised some of it later in books; but this welcome anthology shows him at grips with the day-to-day Paris music scene, at the moment of putting pen to paper.
Notă biografică
Katherine Kolb is Professor Emerita of French and German at Southeastern Louisiana University. She also founded and directed the Kolb-Proust Archive at the University of Illinois-Urbana, where she collaborated on the first anthology of Marcel Proust's correspondence (Marcel Proust, Lettres, Plon 2004).Samuel N. Rosenberg is Professor Emeritus of French and Italian at Indiana University, where he taught language and linguistics -- including translation -- and literature of the Middle Ages. His translations, like his philological scholarship, have appeared in a wide variety of publications both American and French.